The Mythology of Mayas, Aztecs and Incas. Lewis Spence
antiquarians. Other names discovered in the migration legends are Tlapallan (The Country of Bright Colours) and Chicomoztoc (The Seven Caves), and these may perhaps be identified with New Mexico or Arizona.
Legends of Mexican Migration
All early writers on the history of Mexico agree that the Toltecs were the first of the several swarms of Nahua who streamed upon the Mexican plateau in ever-widening waves. Concerning the reality of this people so little is known that many authorities of standing have regarded them as wholly mythical, while others profess to see in them a veritable race, the founders of Mexican civilisation. The author has already elaborated his theory of this difficult question elsewhere,4 but will briefly refer to it when he comes to deal with the subject of the Toltec civilisation and the legends concerning it. For the present we must regard the Toltecs merely as a race alluded to in a migration myth as the first Nahua immigrants to the region of Mexico. Ixtlilxochitl, a native chronicler who flourished shortly after the Spanish conquest of Mexico, gives two separate accounts of the early Toltec migrations, the first of which goes back to the period of their arrival in the fabled land of Tlapallan, alluded to above. In this account Tlapallan is described as a region near the sea, which the Toltecs reached by voyaging southward, skirting the coasts of California. This account must be received with the greatest caution. But we know that the natives of British Columbia have been expert in the use of the canoe from an early period, and that the Mexican god Quetzalcoatl, who is probably originally derived from a common source with their deity Yetl, is represented as being skilled in the management of the craft. It is, therefore, not outside the bounds of possibility that the early swarms of Nahua immigrants made their way to Mexico by sea, but it is much more probable that their migrations took place by land, following the level country at the base of the Rocky Mountains.
The Toltec Upheaval
Like nearly all legendary immigrants, the Toltecs did not set out to colonise distant countries from any impulse of their own, but were the victims of internecine dissension in the homeland, and were expelled from the community to seek their fortunes elsewhere. Thus thrust forth, they set their faces southward, and reached Tlapallan in the year 1 Tecpatl (A.D. 387). Passing the country of Xalisco, they effected a landing at Huatulco, and journeyed down the coast until they reached Tochtepec, whence they pushed inland to Tollantzinco. To enable them to make this journey they required no less than 104 years. Ixtlilxochitl furnishes another account of the Toltec migration in his Relaciones, a work dealing with the early history of the Mexican races. In this he recounts how the chiefs of Tlapallan, who had revolted against the royal power, were banished from that region in A.D. 439. Lingering near their ancient territory for the space of eight years, they then journeyed to Tlapallantzinco, where they halted for three years before setting out on a prolonged pilgrimage, which occupied the tribe for over a century, and in the course of which it halted at no less than thirteen different resting-places, six of which can be traced to stations on the Pacific coast, and the remainder to localities in the north of Mexico.
Artificial Nature of the Migration Myths
It is plain from internal evidence that these two legends of the Toltec migrations present an artificial aspect. But if we cannot credit them in detail, that is not to say that they do not describe in part an actual pilgrimage. They are specimens of numerous migration myths which are related concerning the various branches of the Mexican races. Few features of interest are presented in them, and they are chiefly remarkable for wearisome repetition and divergence in essential details.
Myths of the Toltecs
But we enter a much more fascinating domain when we come to peruse the myths regarding the Toltec kingdom and civilisation, for, before entering upon the origin or veritable history of the Toltec race, it will be better to consider the native legends concerning them. These exhibit an almost Oriental exuberance of imagination and colouring, and forcibly remind the reader of the gorgeous architectural and scenic descriptions in the Arabian Nights. The principal sources of these legends are the histories of Zumarraga and Ixtlilxochitl. The latter is by no means a satisfactory authority, but he has succeeded in investing the traditions of his native land with no inconsiderable degree of charm. The Toltecs, he says, founded the magnificent city of Tollan in the year 566 of the Incarnation. This city, the site of which is now occupied by the modern town of Tula, was situated north-west of the mountains which bound the Mexican valley. Thither were the Toltecs guided by the powerful necromancer Hueymatzin (Great Hand), and under his direction they decided to build a city upon the site of what had been their place of bivouac. For six years they toiled at the building of Tollan, and magnificent edifices, palaces, and temples arose, the whole forming a capital of a splendour unparalleled in the New World. The valley wherein it stood was known as the “Place of Fruits,” in allusion to its great fertility. The surrounding rivers teemed with fish, and the hills which encircled this delectable site sheltered large herds of game. But as yet the Toltecs were without a ruler, and in the seventh year of their occupation of the city the assembled chieftains took counsel together, and resolved to surrender their power into the hands of a monarch whom the people might elect. The choice fell upon Chalchiuh Tlatonac (Shining Precious Stone), who reigned for fifty-two years.
Legends of Toltec Artistry
Happily settled in their new country, and ruled over by a king whom they could regard with reverence, the Toltecs made rapid progress in the various arts, and their city began to be celebrated far and wide for the excellence of its craftsmen and the beauty of its architecture and pottery. The name of “Toltec,” in fact, came to be regarded by the surrounding peoples as synonymous with “artist,” and as a kind of hall-mark which guaranteed the superiority of any article of Toltec workmanship. Everything in and about the city was eloquent of the taste and artistry of its founders. The very walls were encrusted with rare stones, and their masonry was so beautifully chiselled and laid as to resemble the choicest mosaic. One of the edifices of which the inhabitants of Tollan were most justly proud was the temple wherein their high-priest officiated. This building was a very gem of architectural art and mural decoration. It contained four apartments. The walls of the first were inlaid with gold, the second with precious stones of every description, the third with beautiful sea-shells of all conceivable hues and of the most brilliant and tender shades encrusted in bricks of silver, which sparkled in the sun in such a manner as to dazzle the eyes of beholders. The fourth apartment was formed of a brilliant red stone, ornamented with shells.
The House of Feathers
Still more fantastic and weirdly beautiful was another edifice, “The House of Feathers.” This also possessed four apartments, one decorated with feathers of a brilliant yellow, another with the radiant and sparkling hues of the Blue Bird. These were woven into a kind of tapestry, and placed against the walls in graceful hangings and festoons. An apartment described as of entrancing beauty was that in which the decorative scheme consisted of plumage of the purest and most dazzling white. The remaining chamber was hung with feathers of a brilliant red, plucked from the most beautiful birds.
Huemac the Wicked
A succession of more or less able kings succeeded the founder of the Toltec monarchy, until in A.D. 994 Huemac II ascended the throne of Tollan. He ruled first with wisdom, and paid great attention to the duties of the state and religion. But later he fell from the high place he had made for himself in the regard of the people by his faithless deception of them and his intemperate and licentious habits. The provinces rose in revolt, and many signs and gloomy omens foretold the downfall of the city. Toveyo, a cunning sorcerer, collected a great concourse of people near Tollan, and by dint of beating upon a magic drum until the darkest hours of the night, forced them to dance to its sound until, exhausted by their efforts, they fell headlong over a dizzy precipice into a deep ravine, where they were turned into stone. Toveyo also maliciously destroyed a stone bridge, so that thousands of people fell into the river beneath and were drowned. The neighbouring volcanoes burst into