The Mythology of Mayas, Aztecs and Incas. Lewis Spence
Architecture and Ruins
As we shall see later, Mexico is by no means so rich in architectural antiquities as Guatemala or Yucatan, the reason being that the growth of tropical forests has to a great extent protected ancient stone edifices in the latter countries from destruction. The ruins discovered in the northern regions of the republic are of a ruder type than those which approach more nearly to the sphere of Maya influence, as, for example, those of Mitla, built by the Zapotecs, which exhibit such unmistakable signs of Maya influence that we prefer to describe them when dealing with the antiquities of that people.
Cyclopean Remains
In the mountains of Chihuahua, one of the most northerly provinces, is a celebrated group called the Casas Grandes (Large Houses), the walls of which are still about 30 feet in height. These approximate in general appearance to the buildings of more modern tribes in New Mexico and Arizona, and may be referred to such peoples rather than to the Nahua. At Quemada, in Zacatecas, massive ruins of Cyclopean appearance have been discovered. These consist of extensive terraces and broad stone causeways, teocallis which have weathered many centuries, and gigantic pillars, 18 feet in height and 17 feet in circumference. Walls 12 feet in thickness rise above the heaps of rubbish which litter the ground. These remains exhibit little connection with Nahua architecture to the north or south of them. They are more massive than either, and must have been constructed by some race which had made considerable strides in the art of building.
Pyramid of the Moon, San Juan Teotihuacan
Pyramid of the Sun, San Juan Teotihuacan
Teotihuacan
In the district of the Totonacs, to the north of Vera Cruz, we find many architectural remains of a highly interesting character. Here the teocalli or pyramidal type of building is occasionally crowned by a covered-in temple with the massive roof characteristic of Maya architecture. The most striking examples found in this region are the remains of Teotihuacan and Xochicalco. The former was the religious Mecca of the Nahua races, and in its proximity are still to be seen the teocallis of the sun and moon, surrounded by extensive burying-grounds where the devout of Anahuac were laid in the sure hope that if interred they would find entrance into the paradise of the sun. The teocalli of the moon has a base covering 426 feet and a height of 137 feet. That of the sun is of greater dimensions, with a base of 735 feet and a height of 203 feet. These pyramids were divided into four stories, three of which remain. On the summit of that of the sun stood a temple containing a great image of that luminary carved from a rough block of stone. In the breast was inlaid a star of the purest gold, seized afterwards as loot by the insatiable followers of Cortés. From the teocalli of the moon a path runs to where a little rivulet flanks the “Citadel.” This path is known as “The Path of the Dead,” from the circumstance that it is surrounded by some nine square miles of tombs and tumuli, and, indeed, forms a road through the great cemetery. The Citadel, thinks Charnay, was a vast tennis or tlachtli court, where thousands flocked to gaze at the national sport of the Nahua with a zest equal to that of the modern devotees of football. Teotihuacan was a flourishing centre contemporary with Tollan. It was destroyed, but was rebuilt by the Chichimec king Xolotl, and preserved thenceforth its traditional sway as the focus of the Nahua national religion. Charnay identifies the architectural types discovered there with those of Tollan. The result of his labours in the vicinity included the unearthing of richly decorated pottery, vases, masks, and terra-cotta figures. He also excavated several large houses or palaces, some with chambers more than 730 feet in circumference, with walls over 7–1/2 feet thick, into which were built rings and slabs to support torches and candles. The floors were tessellated in various rich designs, “like an Aubusson carpet.” Charnay concluded that the monuments of Teotihuacan were partly standing at the time of the conquest.
The Hill of Flowers
Near Tezcuco is Xochicalco (The Hill of Flowers), a teocalli the sculpture of which is both beautiful and luxuriant in design. The porphyry quarries from which the great blocks, 12 feet in length, were cut lie many miles away. As late as 1755 the structure towered to a height of five stories, but the vandal has done his work only too well, and a few fragmentary carvings of exquisite design are all that to-day remain of one of Mexico’s most magnificent pyramids.
Ruins of the Pyramid of Xochicalco
Tollan
We have already indicated that on the site of the “Toltec” city of Tollan ruins have been discovered which prove that it was the centre of a civilisation of a type distinctly advanced. Charnay unearthed there gigantic fragments of caryatides, each some 7 feet high. He also found columns of two pieces, which were fitted together by means of mortise and tenon, bas-reliefs of archaic figures of undoubted Nahua type, and many fragments of great antiquity. On the hill of Palpan, above Tollan, he found the ground-plans of several houses with numerous apartments, frescoed, columned, and having benches and cisterns recalling the impluvium of a Roman villa. Water-pipes were also actually unearthed, and a wealth of pottery, many pieces of which were like old Japanese china. The ground-plan or foundations of the houses unearthed at Palpan showed that they had been designed by practical architects, and had not been built in any merely haphazard fashion. The cement which covered the walls and floors was of excellent quality, and recalled that discovered in ancient Italian excavations. The roofs had been of wood, supported by pillars.
Picture-Writing
The Aztecs, and indeed the entire Nahua race, employed a system of writing of the type scientifically described as “pictographic,” in which events, persons, and ideas were recorded by means of drawings and coloured sketches. These were executed on paper made from the agave plant, or were painted on the skins of animals. By these means not only history and the principles of the Nahua mythology were communicated from generation to generation, but the transactions of daily life, the accountings of merchants, and the purchase and ownership of land were placed on record. That a phonetic system was rapidly being approached is manifest from the method by which the Nahua scribes depicted the names of individuals or cities. These were represented by means of several objects, the names of which resembled that of the person for which they stood. The name of King Ixcoatl, for example, is represented by the drawing of a serpent (coatl) pierced by flint knives (iztli), and that of Motequauhzoma (Montezuma) by a mouse-trap (montli), an eagle (quauhtli), a lancet (zo), and a hand (maitl). The phonetic values employed by the scribes varied exceedingly, so that at times an entire syllable would be expressed by the painting of an object the name of which commenced with it. At other times only a letter would be represented by the same drawing. But the general intention of the scribes was undoubtedly more ideographic than phonetic; that is, they desired to convey their thoughts more by sketch than by sound.
Interpretation of the Hieroglyphs
These pinturas, as the Spanish conquerors designated them, offer no very great difficulty in their elucidation to modern experts, at least so far as the general trend of their contents is concerned. In this they are unlike the manuscripts of the Maya of Central America with which we shall make acquaintance further on. Their interpretation was largely traditional, and was learned by rote, being passed on by one generation of amamatini (readers) to another, and was by no means capable of elucidation by all and sundry.
Native Manuscripts
The pinturas or native manuscripts which remain to us are but few in number. Priestly fanaticism, which ordained