Complete Works. Anna Buchan
my death-bed?' Every cross word, every small disobedience, she was told, would be a 'thorn in her dying pillow.' I said, perhaps rather rudely, that Great-aunt Alison must have been a horrible old ghoul, but Jean defended her hotly. She seems to have had a great admiration for her aged relative, though she owned that her death was something of a relief. Unfortunately most of her income died with her.
"I think perhaps it was largely this training that has given Jean her particular flavour. She is the most happy change from the ordinary modern girl. Her manners are delightful—not noisy, but frank and gay like a nice boy's. She neither falls into the Scylla of affectation nor the Charybdis of off-handness. She has been nowhere and seen very little; books are her world, and she talks of book-people as if they were everyday acquaintances. She adores Dr. Johnson and quotes him continually.
"She has no slightest trace of accent, but she has that lilt in her voice—I have noticed it once or twice before in Scots people—that makes one think of winds over heathery moorlands, and running water. In appearance she is like a wood elf, rather small and brown, very light and graceful. She is so beautifully made that there is great satisfaction in looking at her. (If she had all the virtues in the world I could never take any interest in a girl who had a large head, or short legs, or thick ankles!) She knows how to dress, too. The little brown frock was just right, and the ribbon that was tied round her hair. I'll tell you what she reminded me of a good deal—Romney's 'Parson's Daughter.'
"What a find for my first day at Priorsford!
"I went to tea with the Jardines and I never was at a nicer tea-party. We said poems to each other most of the time. Mhor's rendering of Chesterton's 'The Pleasant Town of Roundabout' was very fine, but Jock loves best 'Don John of Austria.' You would like Jock. He has a very gruff voice and such surprised blue eyes, and is fond of weird interjections like 'Gosh, Maggie!' and 'Earls in the streets of Cork!' He is a determined foe to sentiment. He won't read a book that contains love-making or death-beds. 'Does anybody marry?' 'Does anybody die?' are his first questions about a book, so naturally his reading is much restricted.
"The Jardines have the lovable habit of becoming suddenly overpowered with laughter, crumpled up, and helpless. You have it, too; I have it; all really nice people have it. I have been refreshing myself with Irish Memories since dinner. Do you remember what is said of Martin Ross? 'The large conventional jest had but small power over her; it was the trivial absurdity, the inversion of the expected the sublimity getting a little above itself and failing to realise that it had taken that fatal step over the border—those were the things that felled her, and laid her, wherever she might be, in ruins….'
"Bella Bathgate, I must tell you, remains unthawed. She hinted to me to-night that she thought the Hydropathic was the place for me—surely the unkindest cut of all. People dress for dinner every night there, she tells me, and most of them are English, and a band plays. Evidently she thinks I would be at home in such company.
"Some day I think you must visit Priorsford and get to know Miss Bathgate.—Yours,
Pam
"I forgot to tell you that for some dark reason the Jardines call their cat Sir J. M. Barrie.
"I asked why, but got no satisfaction.
"'Well, you see, there's Peter,' Mhor said vaguely.
"Jock looked at the cat and observed obscurely, 'It's not a sentimental beast either'—while Jean asked if I would have preferred it called Sir Rabindranath Tagore!"
CHAPTER V
"O, the land is fine, fine,
I could buy it a' for mine,
For ma gowd's as the stooks in Strathairlie."
Scots Song.
When Peter Reid arrived at Priorsford Station from London he stood for a few minutes looking about him in a lost way, almost as if after thirty years he expected to see a "kent face" coming to meet him. He had no notion where to go; he had not written for rooms; he had simply obeyed the impulse that sent him—the impulse that sends a hurt child to its mother. It is said that an old horse near to death turns towards the pastures where he was foaled. It is true of human beings. "Man wanders back to the fields which bred him."
After a talk with a helpful porter he found rooms in a temperance hotel in the Highgate—a comfortable quiet place.
The next day he was too tired to rise, and spent rather a dreary day in his rooms with the Scotsman for sole companion.
The landlord, a cheery little man, found time once or twice to talk for a few minutes, but he had only been ten years in Priorsford and could tell his guest nothing of the people he had once known.
"D'you know a house called The Rigs?" he asked him.
The landlord knew it well—a quaint cottage with a pretty garden. Old Miss Alison Jardine was living in it when he came first to Priorsford; dead now, but the young folk were still in it.
"Young folk?" said Peter Reid.
"Yes," said the landlord, "Miss Jean Jardine and her brothers. Orphans, I'm told. Father an Anglo-Indian. Nice people? Oh, very. Quiet and inoffensive. They don't own the house, though. I hear the landlord is a very wealthy man in London. By the way, same name as yourself, sir."
"Do I look like a millionaire?" asked Peter Reid, and the landlord laughed pleasantly and noncommittally.
The next day was sunny and Peter Reid went out for a walk. It was a different Priorsford that he had come back to. A large draper's shop with plate-glass windows occupied the corner where Jenny Baxter had rolled her toffee-balls and twisted her "gundy," and where old Davy Linton had cut joints and weighed out mince-collops accompanied by wise weather prophecies, a smart fruiterer's shop now stood furnished with a wealth of fruit and vegetables unimagined in his young days. There were many handsome shops, the streets were wider and better kept, unsightly houses had been demolished; it was a clean, prosperous-looking town, but it was different.
Peter Reid (of London) would have been the first to carp at the tumbledown irregular old houses, with their three steps up and three steps down, remaining, but Peter Reid (of Priorsford) missed them. He resented the new shops, the handsome villas, the many motors, all the evidences of prosperity.
And why had Cuddy Brig been altered?
It had been far liker the thing, he thought—the old hump-backed bridge with the grass and ferns growing in the crannies. He had waded in Cuddy when he was a boy, picking his way among the broken dishes and the tin cans, and finding wonderful adventures in the dark of the bridge; he had bathed in it as it wound, clear and shining, among the green meadows outside the town, and run "skirl-naked" to dry himself, in full sight of scandalised passengers in the Edinburgh train; he had slid on it in winter. The memory of the little stream had always lain in the back of his mind as something precious—and now to find it spanned by a staring new stone bridge. Those Town Councils with their improvements!
Even Tweed Bridge had not been left alone. It had been widened, as an inscription in the middle told the world at large. He leant on it and looked up the river. Peel Tower was the same, anyway. No one had dared to add one cubit to its grey stature. It was a satisfaction to look at something so unchanging.
The sun had still something of its summer heat, and it was pleasant to stand there and listen to the sound of the river over the pebbles and see the flaming trees reflected in the blue water all the way up Tweedside till the river took a wide curve before the green slope on which the castle stood. A wonderfully pretty place, Priorsford, he told himself: a home-like place—if one had anyone to come home to.
He turned slowly away. He would go and look at The Rigs. His mother had come to it as a bride. He had been born there. Though occupied by strangers, it was the nearest he had to a home. The house in Prince's Gate was well furnished, comfortable, smoothly run by efficient servants, but only a house when all was said.