Complete Works. Anna Buchan

Complete Works - Anna Buchan


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frightfully rich, they say. I don't suppose you know him well enough to ask him not to sell The Rigs? It can't make much difference to him, though it means so much to us. Is he old, our landlord?"

      "A man in his prime," said Peter Reid.

      "That's pretty old, isn't it?" said Jean—"about sixty, I think. Of course," hastily, "sixty isn't really old. When I'm sixty—if I'm spared—I expect I shall feel myself good for another twenty years."

      "I thought I was," said Peter Reid, "until I broke down."

      "Oh, but a rest at Priorsford will put you all right."

      Could he afford a holiday? she wondered. Even temperance hotels were rather expensive when you hadn't much money. Would it be very rash and impulsive to ask him to stay at The Rigs?

      "Are you comfortable at the Temperance?" she asked. "Because if you don't much care for hotels we would love to put you up here. Mhor is apt to be noisy, but I'm sure he would try to be quiet when he knew that you needed a rest."

      "My dear young lady," gasped Peter Reid. "I'm afraid you are rash. You know nothing of me. I might be an impostor, a burglar——"

      Jean threw back her head and laughed.

      "Do forgive me, but the thought of you with a jemmy and a dark lantern is so funny."

      "You don't even know my name."

      "I don't," said Jean, "but does that matter? You will tell it me when you want to."

      "My name is Reid, the same as your landlord."

      "Then," said Jean, "are you a relative of his?"

      "A connection." It was not what he meant to say, but he said it.

      "How odd!" said Jean. She was trying to remember if she had said anything unbecoming of one relative to another. "Oh, here's Jock and Mhor," as two figures ran past the windows; "you must stay and have tea with us, Mr. Reid."

      "But I ought to be getting back to the hotel. I had no intention of inflicting myself on you in this way." He rose to his feet and looked about for his hat. "The fact is—I must tell you—I am——"

      The door burst open and Mhor appeared. He had forgotten to remove his cap, or wipe his muddy boots, so eager was he to tell his news.

      "Jean," he shouted, oblivious in his excitement of the presence of a stranger—"Jean, there are six red puddock-stools at the bottom of the garden—bright red puddock-stools." He noticed Mr. Reid and, going up to him and looking earnestly into his face, he repeated, "Six!"

      "Indeed," said Peter Reid.

      He had no acquaintance with boys, and felt extremely ill at ease, but Mhor, after studying him for a minute, was seized with a violent fancy for this new friend.

      "You're going to stay to tea, aren't you? Would you mind coming with me just now to look at the puddock-stools? It might be too dark after tea. Here is your hat."

      "But I'm not staying to tea," cried the unhappy owner of The Rigs. Why, he asked himself had he not told them at once that he was their landlord? A connection! Fool that he was! He would say it now—"I only came——"

      "It was very nice of you to come," said Jean soothingly. "But, Mhor, don't worry Mr. Reid. Everybody hasn't your passion for puddock-stools."

      "But you would like to see them," Mhor assured him. "I'm going to fill a bowl with chucky-stones and moss and stick the puddock-stools among them and make a fairy garden for Jean. And if I can find any more I'll make one for the Honourable; she is very kind about giving me chocolates."

      They were out of doors by this time, and Mhor was pointing out the glories of the garden.

      "You see, we have a burn in our garden with a little bridge over it; almost no one else has a burn and a bridge of their very own. There are minnows in it and all sorts of things—water-beetles, you know. And here are my puddock-stools."

      When Mr. Reid came back from the garden Mhor had firm hold of his hand and was telling him a long story about a "mavis-bird" that the cat had caught and eaten.

      "Tea's ready," he said, as they entered the room; "you can't go away now, Mr. Reid. See these cookies? I went for them myself to Davidson the baker's, and they were so hot and new-baked that the bag burst and they all fell out on the road."

      "Mhor! You horrid little boy."

      "They're none the worse, Jean. I dusted them all with me useful little hanky, and the road wasn't so very dirty."

      "All the same," said Jean, "I think we'll leave the cookies to you and Jock. The other things are baked at home, Mr. Reid, and are quite safe. Mhor, tell Jock tea's in, and wash your hands."

      So Peter Reid found himself, like Balaam, remaining to bless. After all, why should he turn these people out of their home? A few years (with care) was all the length of days promised to him, and it mattered little where he spent them. Indeed, so little profitable did leisure seem to him that he cared little when the end came. Mhor and his delight over a burn of his own, and a garden that grew red puddock-stools, had made up his mind for him. He would never be the angel with the flaming sword who turned Mhor out of paradise. He had not known that a boy could be such a pleasant person. He had avoided children as he had avoided women, and now he found himself seated, the centre of interest, at a family tea-table, with Jean, anxiously making tea to his liking, while Mhor (with a well-soaped, shining face, but a high-water mark of dirt where the sponge had not reached) sat close beside him, and Jock, the big schoolboy, shyly handed him scones: and Peter walked among the feet of the company, waiting for what he could get.

      Peter Reid quite shone through the meal. He remembered episodes of his boyhood, forgotten for forty years, and told them to Jock and Mhor, who listened with most gratifying interest. He questioned Jock about Priorsford Grammar School, and recalled stories of the masters who had taught there in his day.

      Jean told him about David going to Oxford, and about Great-aunt Alison who had "come out at the Disruption"—about her father's life in India, and about her mother, and he became every minute more human and interested. He even made one or two small jokes which were received with great applause by Jock and Mhor, who were grateful to anyone who tried, however feebly, to be funny. They would have said with Touchstone, "It is meat and drink to me to see a clown."

      Jean watched with delight her rather difficult guest blossom into affability. "You are looking better already," she told him. "If you stayed here for a week and rested and Mrs. M'Cosh cooked you light, nourishing food and Mhor didn't make too much noise, I'm sure you would feel quite well again. And it does seem such a pity to pay hotel bills when we want you here."

      Hotel bills! Peter Reid looked sharply at her. Did she imagine, this girl, that hotel bills were of any moment to him? Then he looked down at his shabby clothes and recalled their conversation and owned that her mistake was not unjustifiable.

      But how extraordinary it was! The instinct that makes people wish to stand well with the rich and powerful he could understand and commend, but the instinct that opens wide doors to the shabby and the unsuccessful was not one that he knew anything about: it was certainly not an instinct for this world as he knew it.

      Just as they were finishing tea Mrs. M'Cosh ushered in Miss Pamela Reston.

      "You did say I might come in when I liked," she said as she greeted Jean. "I've had tea, thank you. Mhor, you haven't been to see me to-day."

      "I would have been," Mhor assured her, "but Jean said I'd better not. Do you invite me to come to-morrow?"

      "I do."

      "There, Jean," said Mhor. "You can't un-vite me after that."

      "Indeed she can't," said Pamela. "Jock, this is the book I told you about…. Please, Miss Jean, don't let me disturb you."

      "We've finished," said Jean. "May I introduce Mr. Reid?"

      Pamela shook hands and at once proceeded to make herself so charming that Peter Reid was galvanised into a spirited


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