Victorian Worthies: Sixteen Biographies. George Henry Blore

Victorian Worthies: Sixteen Biographies - George Henry Blore


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yet decided that literature was to be his profession. He had hopes at different times of professorships in Edinburgh and St. Andrews, and of the editorship of various reviews; but these all came to nothing. For some posts he was not suited; for others his application could find no support. He even thought of going to America, where Emerson and other admirers would have welcomed him. But the disappointments in Scotland decided him to make one more effort in London before accepting defeat, and in 1834 he found a house at Chelsea and prepared to quit his hermitage among the moors.

      Cheyne Row, Chelsea, was to be his new home, a quiet street running northward from the riverside in a quarter of London not then invaded by industrialism. The house, No. 24, with its little garden, has been made into a Carlyle museum, and may still be seen on the east side of the street facing a few survivors of the sturdy old pollarded lime-trees standing there 'like giants in Tawtie wigs'. His bust, by Boehm, is in the garden on the Embankment not a hundred yards away. With this district are connected other names famous in literature and art, but its presiding genius is the 'Sage of Chelsea', who spent the last forty-seven years of his life in it; and there, in a double-walled room, in spite of trivial disturbances from without, in spite of far more serious fits of dejection and discontent within, he composed his three greatest historical books. At the outset his prospects were not bright, and at the end of 1834 he confessed 'it is now twenty-three months since I earned a penny by the craft of literature'. There was need of much faith; and it was fortunate for him that he had at his side one who believed in his genius and who was well qualified to judge. He must have been thinking of this when he wrote of Mahomet in Heroes and of the prophet's gratitude to his first wife Kadijah: 'She believed in me when none else would believe. In the whole world I had but one friend and she was that!' In the same place he quoted the German writer Novalis: 'It is certain my conviction gains infinitely, the moment another soul will believe in it.'

      So fortified, he worked through the days of poverty and gloom, with groans and outbursts of fury, kindling to white heat as he imaged to himself the men and events of the French Revolution, and throwing them on to paper in lurid pictures of flame. One terrible misadventure chilled his spirit in 1835, when the manuscript of the first volume was lent to J. S. Mill, and was accidentally burnt; but, after a short fit of despair, he set manfully to work to repair the loss, and the new version was finished in January, 1837. This book marked an epoch in the writing of history. Hitherto few had realized what potent force there was in the original documents lying stored in libraries and record offices. They were 'live shells' buried in the dust of a neglected magazine; and in the hands of Carlyle they came to life again and worked havoc among the traditional judgements of history. This book was also the turning point in his career. Dickens, Thackeray, and others hailed it with enthusiasm; gradually it made its way with the public at large; and as in the following years Carlyle, prompted by some friends, gave successful courses of lectures,[3] his position among men of letters became assured, and he had no more need to worry over money. Living in London he became known to a wider circle, and his marvellous powers of conversation brought visitors and invitations in larger measure than he desired. The new friends whom he valued most were Mr. and Lady Harriet Baring,[4] and he was often their guest in London, in Surrey, in Scotland, and later at The Grange in Hampshire. But he remained faithful to his older and more humble friends, while he also made himself accessible to young men of letters who seemed anxious to learn, and who did not offend one or other of his many prejudices. Such were Sterling, Ruskin, Tennyson, and James Anthony Froude.

      Despite these successes Carlyle's letters at this time are full of the usual discontents. London life and society stimulated him for the time, but he paid dearly for it. Late dinners and prolonged bouts of talk, in which he put forth all his powers, were followed by dyspepsia and lassitude next day; and the neighbours, who kept dogs or cocks which were accused of disturbing his slumbers, were the mark for many plaints and lamentations. He could not in any circumstances be entirely happy. Work was so exciting with the imagination on fire, that it kept him awake at night; idleness was still more fatal in its effects. And so, after a few years of relative calm, in 1839 we find his active brain struggling to create a true picture of Oliver Cromwell and to expound the meaning of the Great Civil War.

      It was to be no easy task. For nearly five years he was to wrestle with the subject, trying in vain to give it adequate shape and form, and then to scrap the labours of years and to start again on a new plan; but in the end he was to win another signal victory. While the French Revolution may be the higher artistic triumph, Cromwell is more important for one who wishes to understand the life-work of Carlyle and all for which he stood. The emptiness of political theories and institutions, the enduring value of character, are lessons which no one has preached more forcibly. In his opinion the success of the English revolution, the blow to tyranny and misgovernment in Church and State, was not due to eloquent members of the Long Parliament, but to plain God-fearing men, who, if they quoted scripture, did so not from hypocrisy but because it was the language in which they habitually thought. Nor could they build up a new England till they had found a leader. It was the ages which had faith to recognize their worthiest man and to accept his guidance which had achieved great things in the world, not those which prated of democracy and progress. To make his countrymen, in this age of fluent political talk, see the true moral quality of the men of the seventeenth century—this it was which occupied seven years of Carlyle's life and filled his thoughts. It was indeed a labour of Hercules. Much of the material was lost beyond repair, much buried in voluminous folios and State papers, much obscured by the cant and prejudice of eighteenth-century authors. To recall the past, Carlyle needed such help as geography would give him, and he spent many days in visiting Dunbar, Worcester, and other sites. To Naseby he went in 1842, in company with Dr. Arnold, and 'plucked two gowans and a cowslip from the burial heaps of the slain'. A more important task was to recover authentic utterances of Cromwell and his fellow workers, and to put these in the place of the second-hand judgements of political partisans; and this involved laborious researches in libraries. Above all, he had to interpret these records in a new spirit, exercising true insight and sympathy, to put life into the dry bones and to present his readers with the living image of a man. He combined in unique fashion the laborious research of a student with the moral fervour of a prophet.

      Despite the strain of these labours Carlyle showed few signs of his fifty years. The family were of tough stock; and the years which he had spent in moorland air had increased the capital of health on which he could draw. The flight of time was chiefly marked by his growing antipathy to the political movements of the day, and by a growing despondency about the future. People might buy his books; but he looked in vain for evidence that they paid heed to the lessons which he preached. The year of revolutions, 1848, followed by the setting up of the French Empire and the collapse of the Roman Republic, produced nothing but disappointment, and he became louder and more bitter in his judgements on democracy. 1849 saw the birth of the Latter-Day Pamphlets in which he outraged Mill and the Radicals by his scornful words about Negro Emancipation, and by the savage delight with which he shattered their idols. He loved to expose what seemed to him the sophistries involved in the conventional praise of liberty. Of old the mediaeval serf or the negro slave had some one who was responsible for him, some one interested in his physical well-being. The new conditions too often meant nothing but liberty to starve, liberty to be idle, liberty to slip back into the worst indulgences, while those who might have governed stood by regardless and lent no help. Such from an extreme point of view appeared the policy of laisser-faire; and he was neither moderate nor impartial in stating his case. 'An idle white gentleman is not pleasant to me; … but what say you to an idle black gentleman, with his rum bottle in his hand, … no breeches on his body, pumpkin at discretion, and the fruitfullest region of the earth going back to jungle round him?' In a similar vein he dealt with stump oratory, prison reform, and other subjects, tilting in reckless fashion at the shields of the reforming Radicals of the day; nor was he less outspoken when he met in person the champions of these views. A letter to his wife in 1847 tells of a visit to the Brights at Rochdale; how 'John and I discorded in our views not a little', and how 'I shook peaceable Brightdom as with a passing earthquake'. From books he could learn: to human teachers he proved refractory. Had he been more willing to listen to others, his judgements on contemporary events might have been more valuable. All his life he was, as George Meredith says, 'Titanic rather than Olympian, a heaver of rocks, not a shaper'; and this fever of denunciation grew with advancing


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