The Herodotus Encyclopedia. Группа авторов
partner in the ERC Advanced Grant—Silver Isotopes and the Rise of Money. He co‐edited Registers and Modes of Communications in the Ancient Near East (Routledge, 2018).
Mathieu de Bakker is University Lecturer in Ancient Greek at the University of Amsterdam, specializing in ancient historiography and oratory. He is co‐editor (with Emily Baragwanath) of the volume Myth, Truth, and Narrative in Herodotus (Oxford, 2012) and co‐author (with Evert van Emde Boas, Albert Rijksbaron, and Luuk Huitink) of the Cambridge Grammar of Classical Greek (Cambridge, 2018).
Julian Degen is a postgraduate at the University of Innsbruck. His master’s thesis, titled “Dimensions of Hellenic and Ancient Near Eastern Violence in Herodotus’ Histories,” will be published soon. He has published several articles about Herodotus and ancient Near Eastern motives in Greek historiography. Currently he is working on his dissertation with the title “The Oriental Face of Alexander: An Appraisal.”
Denise Demetriou is an Associate Professor and the Gerry and Jeannie Ranglas Endowed Chair in Ancient Greek History in the Department of History at the University of California, San Diego. Her research interests include ancient Greek religion, identities in the ancient Mediterranean, and Greco‐Phoenician international diplomacy. She is the author of Negotiating Identity in the Ancient Mediterranean: The Archaic and Classical Greek Multiethnic Emporia (Cambridge University Press, 2012) and a co‐editor of Approaching the Ancient Artifact: Representation, Narrative, and Function (De Gruyter, 2014).
Paul Demont is Emeritus Professor of Ancient Greek at the University of Paris–Sorbonne. He has published numerous articles on disease in the ancient Greek world, the Hippocratics, and Herodotus’ method of historical inquiry. His most recent work includes “Le Nomos‐Roi: Hérodote, III, 38,” in Hérodote. Formes de pensée, figures du récit, edited by Jean Alaux (Rennes 2013), 37–45, and “Herodotus on Health and Disease,” in Herodotus: Narrator, Scientist, Historian, edited by Ewen Bowie (Berlin: De Gruyter, 2018).
Carolyn Dewald taught for many years at the University of Southern California, and is now an Emerita Professor of History and Classics from Bard College. She is the author of Thucydides' War Narrative: a Structural Study (2006) and the co‐editor, with John Marincola, of The Cambridge Companion to Herodotus (2006). She has written a number of articles on ancient Greek historiography and is currently co‐editing with Rosaria Munson a commentary on Herodotus Book 1 for the Cambridge Greek and Latin Classics series.
John Dillery is Professor of Classics at the University of Virginia. He focuses on the study of ancient Greek historical writing of the classical and Hellenistic periods, and in particular on the interaction of Greek and non‐Greek ways of curating the past. He is the author of a monograph on Xenophon, several articles on Herodotus, and most recently a volume entitled: Clio’s Other Sons. Berossus and Manetho, with an afterword on Demetrius (University of Michigan Press, 2015).
Matthew Dillon is the Professor of Classics and Ancient History at the University of New England, Armidale, Australia. He publishes on Greek religion and Greek history. His most recent book is Omens and Oracles: Divination in Ancient Greece (Routledge, 2017).
Katrin Dolle teaches Ancient Greek and Biblical Greek at the Justus‐Liebig‐University of Giessen. She specializes in the literature of late antiquity as well as texts on ancient medicine and architecture. She is the author of “Herodots Gastmahl des Attaginos” (Antike und Abendland 58.1 (2012): 16–36) and, together with Annette Weissenrieder, Körper und Verkörperung—Biblische Anthropologie im Kontext antiker Medizin und Philosophie (forthcoming, FoSub vol. 8). Her next large‐scale projects concern receptions of the Homeric Odyssey in modern art, new media, and literature (together with Semjon Dreiling), Paul the Silentiary’s ekphrasis of the Hagia Sophia in Istanbul, and the Mole Antonelliana in Turin (together with C. Frateantonio).
Marco Dorati is a Research Associate in Greek Language and Literature at the University of Urbino “Carlo Bo.” His main interests are Greek historiography and Greek theater, as well as narratology and literary theory. He is the author of Le Storie di Erodoto: etnografia e racconto (Pisa‐Rome, Istituti Editoriali e Poligrafici Internazionali, 2000) and Finestre sul futuro: fato, profezia e mondi possibili nel plot dell’Edipo Re di Sofocle (Pisa and Rome, Fabrizio Serra Editore, 2015).
Kerstin Droß‐Krüpe is currently working as an Academic Assistant at postdoctoral level at Kassel University. She studied Classical Archaeology, Ancient History, and Business Administration at Philipps‐University Marburg. From 2006 to 2013 she was an Academic Assistant at the Department of Ancient History at Philipps‐University Marburg. She gained her PhD in 2010 with a thesis about textile production in the Roman province of Egypt, which was published as Wolle—Weber—Wirtschaft: Die Textilproduktion der römischen Kaiserzeit im Spiegel der papyrologischen Überlieferung (Wiesbaden: Harrassowitz 2011). Her main research interests are ancient economic history, ancient textiles studies, and the reception of antiquity.
Esther Eidinow is Professor of Ancient History at the University of Bristol. She has particular interest in ancient Greek religion and magic, and her publications include Oracles, Curses, and Risk among the Ancient Greeks (2007) and Luck, Fate and Fortune: Antiquity and its Legacy (2010). Her latest monograph, published with Oxford University Press, is Envy, Poison, and Death: Women on Trial in Classical Athens (2016).
Anthony Ellis is a Leverhulme Scholar at University of Bern. His research focuses on religion and theology in classical Greek historiography and the encounter between Greek and Hebrew thought in the Septuagint and Josephus. He is currently writing a book on divine and d(a)emonic envy, jealousy, and begrudgery in Greek, Hebrew, and Christian thought. Recent publications discuss the rewriting of the Croesus logos in Xenophon’s Cyropaedia (JHS 136 (2016): 73–91), proverbs in the dialogue between Solon and Croesus (BICS 58.2 (2015): 83–106), and notions of truth employed by the narrator of the Histories (in Truth and History in the Ancient World: Pluralizing the Past, edited by L. Hau and I. Ruffell (Routledge, 2016: 104–29)).
Johannes Engels is apl. Professor of Ancient History at the University of Cologne (Universität zu Köln) and currently also lecturing at the University of Bonn. He specializes inter alia in the study of historical and biographical works of ancient Greece and Rome, ancient geography, ancient rhetoric, and Greek history of the classical and Hellenistic periods.
Christopher Erlinger completed his PhD at The Ohio State University in 2016. He is currently working on a monograph based on his dissertation, Eunuchs in Greco‐Roman Literature, and an article on Herodotus’ depiction of the Phoenicians. He specializes in ancient gender studies and Greek ethnography.
Adam Foley is a classicist and historian whose interests span the classical tradition, including Greek epic and lyric poetry, translation and reception studies, the history of Platonism, and the history of historiography. Trained in Classics, he completed his PhD in the Department of History at the University of Notre Dame where he wrote his dissertation on the first Latin translations of Homer in the Italian Renaissance. He lived for two years in Rome (2015–17), where he spent one year as a fellow at the American Academy in Rome, and recently finished a postdoctoral fellowship in the Department of Classical Studies at the University of Pennsylvania (2017–2018).
Margaret Foster is Associate Professor of Classical Studies at Indiana University, Bloomington. Her research focuses on Greek lyric poetry and archaic and classical cultural history. She is the author of The Seer and the City: Religion, Politics, and Colonial Ideology in Ancient Greece (University of California Press, 2018). A second monograph project considers the politics and polemics of genre hybridity in classical lyric poetry.
Robert L. Fowler FBA is H. O. Wills Professor of Greek (Emeritus) at the University of Bristol. He has worked on Greek epic and lyric poetry as well as historiography,