In Search of Lost Time [volumes 1 to 7]. Marcel Proust
![In Search of Lost Time [volumes 1 to 7] - Marcel Proust](limg_read924055.jpg "In Search of Lost Time [volumes 1 to 7] - Marcel Proust")
“There was a time when Odette loved me more,” but he never formed any definite picture of that time. Just as he had in his study a cupboard at which he contrived never to look, which he turned aside to avoid passing whenever he entered or left the room, because in one of its drawers he had locked away the chrysanthemum which she had given him on one of those first evenings when he had taken her home in his carriage, and the letters in which she said: “Why did you not forget your heart also? I should never have let you have that back,” and “At whatever hour of the day or night you may need me, just send me a word, and dispose of me as you please,” so there was a place in his heart to which he would never allow his thoughts to trespass too near, forcing them, if need be, to evade it by a long course of reasoning so that they should not have to pass within reach of it; the place in which lingered his memories of happy days.
But his so meticulous prudence was defeated one evening when he had gone out to a party.
It was at the Marquise de Saint-Euverte’s, on the last, for that season, of the evenings on which she invited people to listen to the musicians who would serve, later on, for her charity concerts. Swann, who had intended to go to each of the previous evenings in turn, but had never been able to make up his mind, received, while he was dressing for this party, a visit from the Baron de Charlus, who came with an offer to go with him to the Marquise’s, if his company could be of any use in helping Swann not to feel quite so bored when he got there, to be a little less unhappy. But Swann had thanked him with:
“You can’t conceive how glad I should be of your company. But the greatest pleasure that you can give me will be if you will go instead to see Odette. You know what a splendid influence you have over her. I don’t suppose she’ll be going anywhere this evening, unless she goes to see her old dressmaker, and I’m sure she would be delighted if you went with her there. In any case, you’ll find her at home before then. Try to keep her amused, and also to give her a little sound advice. If you could arrange something for to-morrow which would please her, something that we could all three do together. Try to put out a feeler, too, for the summer; see if there’s anything she wants to do, a cruise that we might all three take; anything you can think of. I don’t count upon seeing her to-night, myself; still if she would like me to come, or if you find a loophole, you’ve only to send me a line at Mme. de Saint-Euverte’s up till midnight; after that I shall be here. Ever so many thanks for all you are doing for me—you know what I feel about you!”
His friend promised to go and do as Swann wished as soon as he had deposited him at the door of the Saint-Euverte house, where he arrived soothed by the thought that M. de Charlus would be spending the evening in the Rue La Pérouse, but in a state of melancholy indifference to everything that did not involve Odette, and in particular to the details of fashionable life, a state which invested them with the charm that is to be found in anything which, being no longer an object of our desire, appears to us in its own guise. On alighting from his carriage, in the foreground of that fictitious summary of their domestic existence which hostesses are pleased to offer to their guests on ceremonial occasions, and in which they shew a great regard for accuracy of costume and setting, Swann was amused to discover the heirs and successors of Balzac’s ‘tigers’—now ‘grooms’—who normally followed their mistress when she walked abroad, but now, hatted and booted, were posted out of doors, in front of the house on the gravelled drive, or outside the stables, as gardeners might be drawn up for inspection at the ends of their several flower-beds. The peculiar tendency which he had always had to look for analogies between living people and the portraits in galleries reasserted itself here, but in a more positive and more general form; it was society as a whole, now that he was detached from it, which presented itself to him in a series of pictures. In the cloak-room, into which, in the old days, when he was still a man of fashion, he would have gone in his overcoat, to emerge from it in evening dress, but without any impression of what had occurred there, his mind having been, during the minute or two that he had spent in it, either still at the party which he had just left, or already at the party into which he was just about to be ushered, he now noticed, for the first time, roused by the unexpected arrival of so belated a guest, the scattered pack of splendid effortless animals, the enormous footmen who were drowsing here and there upon benches and chests, until, pointing their noble greyhound profiles, they towered upon their feet and gathered in a circle round about him.
One of them, of a particularly ferocious aspect, and not unlike the headsman in certain Renaissance pictures which represent executions, tortures, and the like, advanced upon him with an implacable air to take his ‘things.’ But the harshness of his steely glare was compensated by the softness of his cotton gloves, so effectively that, as he approached Swann, he seemed to be exhibiting at once an utter contempt for his person and the most tender regard for his hat. He took it with a care to which the precision of his movements imparted something that was almost over-fastidious, and with a delicacy that was rendered almost touching by the evidence of his splendid strength. Then he passed it to one of his satellites, a novice and timid, who was expressing the panic that overpowered him by casting furious glances in every direction, and displayed all the dumb agitation of a wild animal in the first hours of its captivity.
A few feet away, a strapping great lad in livery stood musing, motionless, statuesque, useless, like that purely decorative warrior whom one sees in the most tumultuous of Mantegna’s paintings, lost in dreams, leaning upon his shield, while all around him are fighting and bloodshed and death; detached from the group of his companions who were thronging about Swann, he seemed as determined to remain unconcerned in the scene, which he followed vaguely with his cruel, greenish eyes, as if it had been the Massacre of the Innocents or the Martyrdom of Saint James. He seemed precisely to have sprung from that vanished race—if, indeed, it ever existed, save in the reredos of San Zeno and the frescoes of the Eremitani, where Swann had come in contact with it, and where it still dreams—fruit of the impregnation of a classical statue by some one of the Master’s Paduan models, or of Albert Duerer’s Saxons. And the locks of his reddish hair, crinkled by nature, but glued to his head by brilliantine, were treated broadly as they are in that Greek sculpture which the Mantuan painter never ceased to study, and which, if in its creator’s purpose it represents but man, manages at least to extract from man’s simple outlines such a variety of richness, borrowed, as it were, from the whole of animated nature, that a head of hair, by the glossy undulation and beak-like points of its curls, or in the overlaying of the florid triple diadem of its brushed tresses, can suggest at once a bunch of seaweed, a brood of fledgling doves, a bed of hyacinths and a serpent’s writhing back. Others again, no less colossal, were disposed upon the steps of a monumental staircase which, by their decorative presence and marmorean immobility, was made worthy to be named, like that god-crowned ascent in the Palace of the Doges, the ‘Staircase of the Giants,’ and on which Swann now set foot, saddened by the thought that Odette had never climbed it. Ah, with what joy would he, on the other hand, have raced up the dark, evil-smelling, breakneck flights to the little dressmaker’s, in whose attic he would so gladly have paid the price of a weekly stage-box at the Opera for the right to spend the evening there when Odette came, and other days too, for the privilege of talking about her, of living among people whom she was in the habit of seeing when he was not there, and who, on that account, seemed to keep secret among themselves some part of the life of his mistress more real, more inaccessible and more mysterious than anything that he knew. Whereas upon that pestilential, enviable staircase to the old dressmaker’s, since there was no other, no service stair in the building, one saw in the evening outside every door an empty, unwashed milk-can set out, in readiness for the morning round, upon the door-mat; on the despicable, enormous staircase which Swann was at that moment climbing, on either side of him, at different levels, before each anfractuosity made in its walls by the window of the porter’s lodge or the entrance to a set of rooms, representing the departments of indoor service which they controlled, and doing homage for them to the guests, a gate-keeper, a major-domo, a steward (worthy men who spent the rest of the week in semi-independence in their own domains, dined there by themselves like small shopkeepers, and might to-morrow lapse to the plebeian service of some successful doctor or industrial magnate), scrupulous in carrying out to the letter all the instructions that had been heaped upon them before they were allowed to don the brilliant livery which they wore only at long intervals, and in which they did not feel altogether at their ease, stood each in the arcade of his doorway, their splendid