Gilian The Dreamer: His Fancy, His Love and Adventure. Munro Neil
Croitivile, and stalked about the water’s edge. There was only one sound in nature beyond the soughing of the wind in the shrubbery of the Duke’s garden, it was the plaintive call of a curlew as it flew over the stable park. A stopped and stagnant world, full of old men and old plaints, the dead of the yard behind, the solemn and sleepy town before.
The boy was the only person left in the rear of the Paymaster and his friends; he was standing on the bridge, fair in the middle of the way. Though the Paymaster cried he was not heard, so he walked back and up to the boy while the others went on their way to the schoolhouse, where old Brooks the dominie was waiting among the jars and oatcakes and funeral biscuits with currants and carvie in them.
Gilian was standing with the weepers off his cuffs and the crape off his bonnet; he had divested himself of the hateful things whenever he found himself alone, and he was listening with a rapt and inexpressive face to the pensive call of the curlew as it rose over the fields, and the tears were dropping down his cheeks.
“Oh, ‘ille, what’s the matter with you?” asked the Paymaster in Gaelic, struck that sorrow should so long remain with a child.
Gilian started guiltily, flushed to the nape of his neck and stammered an explanation or excuse.
“The bird, the bird!” said he, turning and looking at the dolorous piper of the marsh.
“Man!” said the Paymaster in English, looking whimsically at this childish expression of surprise. “Man! you’re a queer callant too. Are there no curlews about Ladyfield that you should be in such a wonder at this one? Just a plain, long-nebbed, useless bird, not worth powder and shot, very douce in the plumage, and always at the same song like MacNicol the Major.”
The little fellow broke into a stammering torrent of Gaelic. “What does it say, what does it say?” he asked: “it is calling, calling, calling, and no one will answer it; it is telling something, and I cannot understand. Oh, I am sorry for it, and——”
“You must be very hungry, poor boy,” said the Paymaster. “Come away down, and Miss Mary will give you dinner. Did you ever taste rhubarb tart with cream to it? I have seen you making umbrellas with the rhubarb up the glen, but I’m sure the goodwife did not know the real use of it.”
Gilian paid no heed to the speaker, but listened with streaming eyes to the wearied note of the bird that still cried over the field. Then the Paymaster swore a fiery oath most mildly, and clutched the boy by the jacket sleeve and led him homeward.
“Come along,” said he, “come along. You’re the daftest creature ever came out of the glen, and what’s the wonder of it, born and bred among stirks and sheep on a lee-lone country-side with only the birds to speak to?”
The two went down the road together, the Paymaster a little wearied with his years and weight or lazied by his own drams, leaning in the least degree upon the shoulder of the boy. They made an odd-looking couple—dawn and the declining day, Spring and ripe Autumn, illusion and an elderly half-pay officer in a stock and a brown scratch wig upon a head that would harbour no more the dreams, the poignancies of youth. Some of the mourners hastening to their liquor turned at the Cross and looked up the road to see if they were following, and they were struck vaguely by the significance of the thing.
“Dear me,” said the Fiscal, “is not Old Mars getting very bent and ancient?”
“He is, that!” said Rixa, who was Sheriff Maclachlan to his face. “I notice a glass or two makes a wonderful difference on him this year back ever since he had his little bit towt. That’s a nice looking boy; I like the aspect of him; it’s unusual. What a pity the Paymaster never had a wife or sons of his own.”
“You say what is very true, Sheriff,” said Mr. Spencer. “I think there is something very sad in the spectacle, sir, of an old gentleman with plenty of the world in his possession going down to the bourne with not a face beside him to mind of his youth.”
But indeed the Paymaster was not even reminded of his own youth by this queer child on whom he leaned. He had never been like this, a shy frightened dreaming child taken up with fancies and finding omens and stories in the piping of a fowl. Oh! no, he had been a bluff, hearty, hungry boy, hot-headed, red-legged, short-kilted, stirring, a bit of a bully, a loud talker, a dour lad with his head and his fists. This boy beside him made him think of neither man nor boy, but of his sister Jennet, who died in the plague year, a wide-eyed, shrinking, clever girl, with a nerve that a harsh word set thrilling.
“Did Jean Clerk say anything about where you are to sleep to-night?” he asked him, still speaking the Gaelic in which he knew the little fellow was most at home.
“I suppose I’ll just stay in my own bed in Lady-field,” said Gilian, apparently little exercised by the thought of his future, and dividing some of his attention to the Paymaster with the sounds and sights of nature by the way, the thrust of the bracken crook between the crannies of the Duke’s dykes, the gummy buds of the limes and chestnuts, the straw-gathering birds on the road, the heron so serenely stalking on the shore, and the running of the tiny streams upon the beach that smoked now in the heat of the sun.
The Paymaster seemed confounded. He swelled his neck more fully in the stock, cleared his throat with a loud noise, took a great pinch of snuff from his waistcoat pocket and spent a long time in disposing of it Gilian was in a dream far off from the elderly companion and the smoking shore; his spirit floated over the glen and sometimes farther still, among the hill gorges that were always so full of mystery to him, or farther still to the remote unknown places, foreign lands, cities, towns, where giants and fairies roamed and outrage happened and kings were, in the tales the shepherds told about the peat fires on ceilidh nights.
“I’m afraid you’ll have to sleep in the town tonight,” said the Paymaster, at last somewhat relieved of his confusion by the boy’s indifference; “the truth is we are shutting up Ladyfield for a little. You could not stay alone in it at any rate, and did Jean Clerk not arrange that you were to stay with her after this?”
“No,” said Gilian simply, even yet getting no grasp of his homelessness.
“And where are you going to stay?” asked the Paymaster testily.
“I don’t know,” said the boy.
The Paymaster spoke in strange words under his breath and put on a quicker pace and went through the town, even past the schoolhouse, where old Brooks stood at the door in his long surtout saying a Latin declension over to himself as if it were a song, and into the Crosshouses past the tanned women standing with their hands rolled up in their aprons, and up to Jean Clerk’s door. He rapped loudly with his rattan. He rapped so loudly that the inmates knew this was no common messenger, and instead of crying out their invitation they came together and opened the door. The faces of the sisters grew rosy red at the sight of the man and the boy before him.
“Come away in, Captain,” said Jean, assuming an air of briskness the confusion of her face belied. “Come away in, I am proud to see you at my door.”
The Paymaster stepped in, still gripping the boy by the shoulder, but refused to sit down. He spoke very short and dry in his best travelled English.
“Did you lock up the Ladyfield house as I told you?” he asked.
“I did, that!” said Jean Clerk, lifting her brattie and preparing to weep, “and it’ll be the last time I’ll ever be inside its hospitable door.”
“And you gave the key to Cameron the shepherd?”
“I did,” said Jean, wondering what was to come next.
The Paymaster changed his look and his accent, and spoke again with something of a pawky humour that those who knew him best were well aware was a sign that his temper was at its worst.
“Ay,” said he, “and you forgot about the boy. What’s to be done with him? I suppose you would leave him to rout with the kye he was bred among, or haunt the rocks with the sheep. I was thinking myself coming down the road there, and this little fellow with