Tropic of Capricorn. Генри Миллер

Tropic of Capricorn - Генри Миллер


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was tottering and swaying, as if by a great recoil, this negative backwash rolled up and stayed his death. The whole negative impulse of humanity seemed to coil up into a monstrous inert mass to create the human integer, the figure one, one and indivisible. There was a resurrection which is inexplicable unless we accept the fact that men have always been willing and ready to deny their own destiny. The earth rolls on, the stars roll on, but men, the great body of men which makes up the world, are caught in the image of the one and only one.

      If one isn’t crucified, like Christ, if one manages to survive, to go on living above and beyond the sense of desperation and futility, then another curious thing happens. It’s as though one had actually died and actually been resurrected again; one lives a supernormal life, like the Chinese. That is to say, one is unnaturally gay, unnaturally healthy, unnaturally indifferent. The tragic sense is gone: one lives on like a flower, a rock, a tree, one with Nature and against Nature at the same time. If your best friend dies you don’t even bother to go to the funeral; if a man is run down by a streetcar right before your eyes you keep on walking just as though nothing had happened; if a war breaks out you let your friends go to the front but you yourself take no interest in the slaughter. And so on and so on. Life becomes a spectacle and, if you happen to be an artist, you record the passing show. Loneliness is abolished, because all values, your own included, are destroyed. Sympathy alone flourishes, but it is not a human sympathy, a limited sympathy—it is something monstrous and evil. You care so little that you can afford to sacrifice yourself for anybody or anything. At the same time your interest, your curiosity, develops at an outrageous pace. This too is suspect, since it is capable of attaching you to a collar button just as well as to a cause. There is no fundamental, unalterable difference between things: all is flux, all is perishable. The surface of your being is constantly crumbling; within however you grow hard as a diamond. And perhaps it is this hard, magnetic core inside you which attracts others to you willy-nilly. One thing is certain, that when you die and are resurrected you belong to the earth and whatever is of the earth is yours inalienably. You become an anomaly of nature, a being without shadow; you will never die again but only pass away like the phenomena about you.

      Nothing of this which I am now recording was known to me at the time that I was going through the great change. Everything I endured was in the nature of a preparation for that moment when, putting on my hat one evening, I walked out of the office, out of my hitherto private life, and sought the woman who was to liberate me from a living death. In the light of this I look back now upon my nocturnal rambles through the streets of New York, the white nights when I walked in my sleep and saw the city in which I was born as one sees things in a mirage. Often it was O’Rourke, the company detective, whom I accompanied through the silent streets. Often the snow was on the ground and the air chill and frosty. And O’Rourke talking interminably about thefts, about murders, about love, about human nature, about the Golden Age. He had a habit, when he was well launched upon a subject, of stopping suddenly in the middle of the street and planting his heavy foot between mine so that I couldn’t budge. And then, seizing the lapel of my coat, he would bring his face to mine and talk into my eyes, each word boring in like the turn of a gimlet. I can see again the two of us standing in the middle of a street at four in the morning, the wind howling, the snow blowing down, and O’Rourke oblivious of everything but the story he had to get off his chest. Always as he talked I remember taking in the surroundings out of the corner of my eye, being aware not of what he was saying but of the two of us standing in Yorkville or on Allen Street or on Broadway. Always it seemed a little crazy to me, the earnestness with which he recounted his banal murder stories in the midst of the greatest muddle of architecture that man had ever created. While he was talking about fingerprints I might be taking stock of a coping or a cornice on a little red brick building just back of his black hat; I would get to thinking of the day the cornice had been installed, who might be the man who had designed it and why had he made it so ugly, so like every other lousy, rotten cornice which we had passed from the East Side up to Harlem and beyond Harlem, if we wanted to push on, beyond New York, beyond the Mississippi, beyond the Grand Canyon, beyond the Mojave Desert, everywhere in America where there are buildings for man and woman. It seemed absolutely crazy to me that each day of my life I had to sit and listen to other people’s stories, the banal tragedies of poverty and distress, of love and death, of yearning and disillusionment. If, as it happened, there came to me each day at least fifty men, each pouring out his tale of woe, and with each one I had to be silent and “receive,” it was only natural that at some point along the line I had to close my ears, had to harden my heart. The tiniest little morsel was sufficient for me; I could chew on it and digest it for days and weeks. Yet I was obliged to sit there and be inundated, to get out at night again and receive more, to sleep listening, to dream listening. They streamed in from all over the world, from every stratum of society, speaking a thousand different tongues, worshiping different gods, obeying different laws and customs. The tale of the poorest among them was a huge tome, and yet if each and every one were written out at length it might all be compressed to the size of the Ten Commandments, it might all be recorded on the back of a postage stamp, like the Lord’s Prayer. Each day I was so stretched that my hide seemed to cover the whole world; and when I was alone, when I was no longer obliged to listen, I shrank to the size of a pinpoint. The greatest delight, and it was a rare one, was to walk the streets alone . . . to walk the streets at night when no one was abroad and to reflect on the silence that surrounded me. Millions lying on their backs, dead to the world, their mouths wide open and nothing but snores emanating from them. Walking amidst the craziest architecture ever invented, wondering why and to what end, if every day from these wretched hovels or magnificent palaces there had to stream forth an army of men itching to unravel their tale of misery. In a year, reckoning it modestly, I received twenty-five thousand tales; in two years fifty thousand; in four years it would be a hundred thousand; in ten years I would be stark mad. Already I knew enough people to populate a good-sized town. What a town it would be, if only they could be gathered together! Would they want skyscrapers? Would they want museums? Would they want libraries? Would they too build sewers and bridges and tracks and factories? Would they make the same little cornices of tin, one like another, on, on, ad infinitum, from Battery Park to the Golden Bay? I doubt it. Only the lash of hunger could stir them. The empty belly, the wild look in the eye, the fear, the fear of worse, driving them on. One after the other, all the same, all goaded to desperation, out of the goad and whip of hunger building the loftiest skyscrapers, the most redoutable dreadnoughts, making the finest steel, the flimsiest lace, the most delicate glassware. Walking with O’Rourke and hearing nothing but theft, arson, rape, homicide was like listening to a little motif out of a grand symphony. And just as one can whistle an air of Bach and be thinking of a woman he wants to sleep with, so, listening to O’Rourke, I would be thinking of the moment when he would stop talking and say “what’ll you have to eat?” In the midst of the most gruesome murder I could think of the pork tenderloin which we would be sure to get at a certain place farther up the line, and wonder too what sort of vegetables they would have on the side to go with it, and whether I would order pie afterwards or a custard pudding. It was the same when I slept with my wife now and then; while she was moaning and gibbering I might be wondering if she had emptied the grounds in the coffee pot, because she had the bad habit of letting things slide—the important things, I mean. Fresh coffee was important—and fresh bacon with the eggs. If she were knocked up again that would be bad, serious in a way, but more important than that was fresh coffee in the morning and the smell of bacon and eggs. I could put up with heartbreaks and abortions and busted romances, but I had to have something under my belt to carry on, and I wanted something nourishing, something appetizing. I felt exactly like Jesus Christ would have felt if he had been taken down from the cross and not permitted to die in the flesh. I am sure that the shock of crucifixion would have been so great that he would have suffered a complete amnesia as regards humanity. I am certain that after his wounds had healed he wouldn’t have given a damn about the tribulations of mankind but would have fallen with the greatest relish upon a fresh cup of coffee and a slice of toast, assuming he could have had it.

      Whoever, through too great love, which is monstrous after all, dies of his misery, is born again to know neither love nor hate, but to enjoy. And this joy of living, because it is unnaturally acquired, is a poison which eventually vitiates the whole world. Whatever is created beyond the normal limits of human suffering, acts as a boomerang and brings about destruction. At night the streets


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