Gabriel Tolliver. Joel Chandler Harris
about, and had fallen in the nest accidentally. The beetle, striving to defend itself, had seized the mouse between its pinchers, and held it there until it was quite dead.
But the Bermuda fields were not the only resource of the children. There were seasons when Uncle Plato, who was Meriwether Clopton's carriage-driver, came to town with the big waggon to haul home the supplies necessary for the plantation; loads of bagging and rope; cases of brogan shoes, and hats for the negroes; and bales on bales of osnaburgs and blankets. The appearance of the Clopton waggon on the public square was hailed by these youngsters with delight. They always made a rush for it, and, in riding back and forth with Uncle Plato, they spent some of the most delightful moments of their lives.
And then in the fall season, there was the big gin running at the Clopton place, with old Beck, the blind mule, going round and round, turning the cogged and pivoted post that set the machinery in motion. But the youngsters rarely grew tired of riding back and forth with Uncle Plato. He was the one person in the world who catered most completely to their whims, who was most responsive to their budding and eager fancies, and who entered most enthusiastically into the regions created and peopled by Nan's skittish and fantastic imagination.
These children had their critics, as may well be supposed, especially Nan, who did not always conform to the rules and theories which have been set up for the guidance of girls; but Uncle Plato, along with Gabriel and Cephas, accepted her as she was, with all her faults, and took as much delight in her tricksy and capricious behaviour, as if he were responsible for it all. She and her companions furnished Uncle Plato with what all story-tellers have most desired since hairy man began to shave himself with pumice-stone, and squat around a common hearth—a faithful and believing audience. Uncle Æsop, it may be, cared less for his audience than for the opportunity of lugging in a dismal and perfunctory moral. Uncle Plato, like Uncle Remus, concealed his behind text and adventure, conveying it none the less completely on that account. Not one of his vagaries was too wild for the acceptance of his small audience, and the elusiveness of his methods was a perpetual delight to Nan, as hers was to Uncle Plato, though he sometimes shook his head, and pretended to sigh over her innocent evasions.
Once when we were all riding back and forth from the Clopton Place to Shady Dale, Nan asked Uncle Plato if he could spell.
"Tooby sho I kin, honey. What you reckon I been doin' all deze long-come-shorts ef I dunner how ter spell? How you speck I kin git 'long, haulin' an' maulin', ef I dunner how ter spell? Why, I could spell long 'fo' I know'd my own name."
"Long-come-shorts, what are they?" asked Nan.
"Rainy days an' windy nights," responded Uncle Plato, throwing his head back, and closing his eyes.
"Let's hear you spell, then," said Nan.
"Dee-o-egg, dog," was the prompt response. Nan looked at Uncle Plato to see if he was joking, but he was solemnity itself. "E-double-egg, egg!" he continued.
"Now spell John A. Murrell," said Nan. Murrell, the land pirate, was one of her favourite heroes at this time.
Uncle Plato pretended to be very much shocked. "Why, honey, dat man wuz rank pizen. En spozen he wa'nt, how you speck me ter spell sump'n er somebody which I ain't never laid eyes on? How I gwineter spell Johnny Murrell, an' him done dead dis many a long year ago?"
"Well, spell goose, then," said Nan, seeing a flock of geese marching stiffly in single file across a field near the road.
Uncle Plato looked at them carefully enough to take their measure, and then shook his head solemnly. "Deyer so many un um, honey, dey'd be monstus hard fer ter spell."
"Well, just spell one of them then," Nan suggested.
"Which un, honey?"
"Any one you choose."
Uncle Plato studied over the matter a moment, and again shook his head. "Uh-uh, honey; dat ain't nigh gwine ter do. Ef you speck me fer ter spell goose, you got ter pick out de one you want me ter spell."
"Well, spell the one behind all the rest."
Again Uncle Plato shook his head. "Dat ar goose got half-grown goslin's, an' I ain't never larnt how ter spell goose wid half-grown goslin's. You ax too much, honey."
"Then spell the one next to head." Nan was inexorable.
"Dat ar ain't no goose," replied Uncle Plato, with an air of triumph; "she's a gander."
"I don't believe you know how to spell goose," said Nan, with something like scorn.
"Don't you fool yo'se'f, honey," remarked Uncle Plato in a tone of confidence. "You git me a great big fat un, not too ol', an' not too young, an' fill 'er full er stuffin', an' bake 'er brown in de big oven, an' save all de drippin's, an' put 'er on de table not fur fum whar I mought be settin' at, an' gi' me a pone er corn bread, an' don't have no talkin' an' laughin' in de game—an' ef I don't spell dat goose, I'll come mighty nigh it, I sholy will. Ef I don't spell 'er, dey won't be nuff lef' fer de nex' man ter spell. You kin 'pen' on dat, honey."
Nan suddenly called Uncle Plato's attention to the carriage horses, which were hitched to the waggon. She said she knew their names well enough when they were pulling the carriage, but now—
"Haven't you changed the horses, Uncle Plato?" she asked.
"How I gwine change um, honey?"
"I mean, haven't you changed their places?"
"No, ma'am!" he answered with considerable emphasis. "No, ma'am; ef I wuz ter put dat off hoss in de lead, you'd see some mighty high kickin'; you sho would."
"Oh, let's try it!" cried Nan, with real eagerness.
"Dem may try it what choosen ter try it," responded Uncle Plato, dryly, "but I'll ax um fer ter kindly le' me git win' er what deyer gwine ter do, an' den I'll make my 'rangerments fer ter be somers out'n sight an' hearin'."
"Well, if you haven't made the horses swap places," remarked Nan, "I'll bet you a thrip that the right-hand horse is named Waffles, and the left-hand one Battercakes."
At once Uncle Plato became very dignified. "Well-'um, I'm mighty glad fer ter hear you sesso, kaze ef dey's any one thing what I want mo' dan anudder, it's a thrip's wuff er mannyfac terbacker. Ez fer de off hoss, dat's his name—Waffles—you sho called it right. But when it comes ter de lead hoss, anybody on de plantation, er off'n it, I don't keer whar dey live at, ef dey yever so much ez hear er dat lead hoss, will be glad fer ter tell you dat he goes by de name er Muffins." He held out his hand for the thrip.
"Well, what is the difference?" said Nan, drawing back as if to prevent him from taking the thrip.
"De diffunce er what?" inquired Uncle Plato.
"And you expect me to give you money you haven't won," declared Nan. "What's the difference between Battercakes and Muffins? A muffin is a battercake if you pour three big spoonfuls in a pan and spread it out, and a battercake is a muffin if you pen it up in a tin-thing like a napkin ring. Anybody can tell you that, Uncle Plato—yes, anybody."
What reply the old negro would have made to this bit of home-made casuistry will never be known. That it would have been reasonable, if not entirely adequate, may well be supposed, but just as he had given his head a preliminary shake, the rattle of a kettle-drum was heard, and above the rattle a fife was shrilling.
The shrilling fife, and the roll and rattle of the drums! These were sounds somewhat new to Shady Dale in 1860; but presently they were to be heard all over the land.
"I can see dem niggers right now!" exclaimed Uncle Plato, as we hustled out of his waggon. "Riley playin' de fife, Green beatin' on de kittledrum, an' Ike Varner bangin' on de big drum. Ef de white folks pay much 'tention ter dem niggers, dey won't be no livin' in de same county wid um. But dey better not come struttin' 'roun' me!"
The drums were beating the signal for calling together the men whose names had been signed to the roll of a company to be called the Shady Dale Scouts, and the meeting was for the purpose of organizing and electing