Gabriel Tolliver. Joel Chandler Harris
this was accomplished in due time; but meanwhile Nan and Gabriel and Cephas, as well as Tasma Tid and all the rest of the children in the town, went tagging after the fife and drums listening to Riley play the beautiful marching tunes that set Nan's blood to tingling. Riley was a master hand with the fife, and we had never known it, had never even suspected it! Nan thought it was very mean in Riley not to tell somebody that he could play so beautifully.
Well, in a very short time, the company was rigged out in the finest uniforms the children had even seen. All the men, even the privates, had plumes in their hats and epaulettes of gold on their shoulders; and on their coats they wore stripes of glowing red, and shiny brass buttons without number. And at least twice a week they marched through the streets and out into the Bermuda fields, where they had their drilling grounds. These were glorious days for the youngsters. Nan was so enthusiastic that she organised a company of little negroes, and insisted on being the captain. Gabriel was the first lieutenant, and Cephas was the second. When the company was ready to take the field, it was discovered that Nan would also have to be orderly sergeant and color-bearer. But she took on herself the duties and responsibilities of these positions without a murmur. She wore a paper hat of the true Napoleonic cut, and carried in one hand her famous sword-gun, and the colors in the other. The oldest private in Nan's company was nine; the youngest was four, and had as much as he could do to keep up with the rest. The uniforms of these sun-seasoned troops was the regulation plantation fatigue dress—a shirt coming to the knees. Two or three of the smaller privates had evidently fallen victims to the pot-liquor and buttermilk habits, for their bellies stuck out black and glistening from rents in their shirts.
Their accoutrements prefigured in an absurd way the resources of the Confederacy at a later date. They were armed with broomsticks, and what-not. The file-leader had an old pair of tongs, which he snapped viciously when Nan gave the word to fire. The famous sword-gun, with which Nan did such execution, had once seen service as an umbrella handle.
One afternoon, as Nan was drilling her troops, she chanced to glance down the road, and saw a waggon coming along. Deploying her company across the highway, she went forward in person to reconnoitre. She soon discovered that the waggon was driven by Uncle Plato. Running back to her veterans, she placed herself in front of them, and calmly awaited events. Slowly the fat horses dragged the waggon along, when suddenly Nan cried "Halt!" whereupon the drummer, obeying previous instructions, began to belabour his tin-pan, while Nan levelled her famous sword-gun at Uncle Plato. "Bang!" she exclaimed, and then, "Why didn't you fall off the waggon?" she cried, as Uncle Plato remained immovable. "Why, you don't know any more about real war than a baby," she said scornfully.
If the truth must be told, Uncle Plato had been dozing, and when he awoke he viewed the scene before him with astonishment. There was no need to cry "Halt!" or exclaim "Bang!" for as soon as the drummer began to beat his tin-pan, the horses stood still and craned their necks forward, with a warning snort, trying to see what this strange and unnatural proceeding meant. Uncle Plato had involuntarily tightened the reins when he was so rudely awakened, and the horses took this for a hint that they must avoid the danger, and, as the shortest way is the best way, they began to back, and had the waggon nearly turned around before Uncle Plato could tell them a different tale.
"Ef I'd 'a' fell out'n de waggon, honey, who gwine ter pick me up?" he asked, laughing.
"Why, no one is picked up in war!"
"Is dis war, honey?"
"Of course it is," Nan declared.
"Does bofe sides hafter take part in de rucus?" asked Uncle Plato, making a terrible face at the little negroes.
"Why, of course," said Nan.
Seeing the scowl, Nan's veteran troops began to edge slowly toward the nearest breach in the fence. Uncle Plato seized his whip and pretended to be clambering from the waggon. At this a panic ensued, and Nan's army dispersed in a jiffy. The seasoned troops dropped their arms and fled. The four-year-old became lost or entangled in a thick growth of jimson weed, seeing which, Uncle Plato cried out in terrible voice, "Ketch um dar! Fetch um here!"
Then and there ensued a wild scene of demoralisation and anarchy; loud shrieks and screams filled the air; the dogs barked, the hens cackled, and the neighbours began to put their heads out of the windows. Mrs. Absalom, who had charge of the Dorrington household, and who had raised Nan from a baby, came to the door—the defeat of the troops occurred right at Nan's own home—crying, "My goodness gracious! has the yeth caved in?" Then, seeing the waggon crosswise the road, and mistaking Nan's shrieks of laughter for cries of pain, she bolted from the house with a white face.
Mrs. Absalom's reactions from her daily alarms about Nan usually resulted in bringing her into open and direct war with everybody in sight or hearing, except the child; but on this occasion, her fright had been so serious that when Nan, somewhat sobered, ran to her the good woman was shaking.
"Why, Nonny!" cried Nan, hugging her, "you are all trembling."
"No wonder," said Mrs. Absalom in a subdued voice; "I saw you under them waggon wheels as plain as I ever saw anything in my life. I'm gittin' old, I reckon."
And yet there were some people who wondered how Nan could endure such a foster-mother as Mrs. Absalom.
But the complete rout of Nan's army made no change in the general complexion of affairs. The Shady Dale Scouts continued to perfect themselves in the tactics of war, and after awhile, when the great controversy began to warm up—the children paid no attention to the passage of time—the company went into camp. This was a great hour for the youngsters. Here at last was something real and tangible. The marching and the countermarching through the streets and in the old field were very well in their way, but Nan and Gabriel and the rest had grown used to these man[oe]uvres, and they longed for something new. This was furnished by the camp, with its white tents, and the grim sentinels pacing up and down with fixed bayonets. No one, not even an officer, could pass the sentinels without giving the password, or calling for the officer of the guard.
All this, from the children's point of view, was genuine war; but to the members of the company it was a veritable picnic. The citizens of the town, especially the ladies, sent out waggon loads of food every day—boiled ham, barbecued shote, chicken pies, and cake; yes, and pickles. Nan declared she didn't know there were as many pickles in the world, as she saw unloaded at the camp.
Mr. Goodlett, who was Mrs. Absalom's husband, went out to the camp, looked it over with the eye of an expert, and turned away with a groan. This citizen had served both in the Mexican and the Florida wars, and he knew that these gallant young men would have a rude awakening, when it came to the real tug of war.
"Doesn't it look like war, Mr. Ab?" Nan asked, running after the veteran.
Mr. Goodlett looked at the bright face lifted up to his, and frowned, though a smile of pity showed itself around his grizzled mouth. He was a very deliberate man, and he hesitated before he spoke. "You think that looks like war?" he asked.
"Why, of course. Isn't that the way they do when there's a war?"
"What! gormandise, an' set in the shade? Why, it ain't no more like war than sparrergrass is like jimson weed—not one ioter." With that, he sighed and went on his way.
But when did the precepts of age and experience ever succeed in chilling the enthusiasm of youth? With the children, it was "O to be a soldier boy!" and Nan and her companions continued to linger around the edges of the spectacle, taking it all in, and enjoying every moment. And the Scouts themselves continued to live like lords, eating and drilling, and dozing during the day, and at night dancing to the sweet music of Flavian Dion's violin. Nan and Gabriel thought it was fine, and, as well as can be remembered, Cephas was of the same opinion. As for Tasma Tid, she thought that the fife and drums, and the general glare and glitter of the affair were simply grand, very much nicer than war in her country, where the Arab slave-traders crept up in the night and seized all who failed to escape in the forest, killing right and left for the mere love of killing. Compared with the jungle war, this pageant was something to be admired.
And many of the older citizens held views not very different from those