The Heart Line. Gelett Burgess

In the year 1877 the Siskiyou House, originally a third-class hotel patronized chiefly by mining men, had fallen into such disrepute that it was scarcely more than a cheap tenement. Its office was now frankly a bar-room; beside it, a narrow hallway plunged into the shabby, shadowy interior; here a steep stairway rose. Above were disconsolate rooms known to the police of San Francisco as the occasional resort of counterfeiters, confidence workers and lesser knaves; to the neighborhood the Siskiyou Hotel had a local reputation as being the home of Madam Grant, who occupied two rooms on the second floor.

Her rooms were slovenly and squalid—almost barbarous in the extremity of their neglect. Upon the floor was a matted carpet of dirt and rubbish inches deep, piled higher at the corners, uneven with lumps of refuse, bizarre with scraps of paper, cloth and tangled strings.

In the rear room an unclean length of burlap was stretched across a string, half concealing a disordered, ramshackle cot, whose coverings were ragged, soiled and moth-eaten. A broken chair or two leaned crazily against the wall. The dusty windows looked point-blank upon the damp wall of an abutting wooden house. There had once been paper upon the walls; it was now torn, scratched and rubbed by grimy shoulders into a harlequin pattern of dun and greasy tones.

The front room, through the open rolling doors, was, if possible, in a still worse state of decay, and here wooden and paper boxes, tin cans, sacks of rags

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