The Heart Line. Gelett Burgess
for cushions), a three-legged table and a smoked, rusty oil-stove, with its complement of unclean pots and dishes, showed the place, abominable as was its aspect, to be a human abode. A print or two, torn from some newspaper or magazine, was pinned to the wall in protest against the sordidness of the interior. The place gave forth a fetid and moldy smell. The air was damp, though the sun struggled in through cracked panes, half lighting the apartment.
There was, however, one piece of furniture, glossily, splendidly new, incongruously set amidst the disorder—an oak bookcase, its shelves well filled with volumes. Seated upon a cracker box in front of its open doors, this afternoon, a boy of eight years sat reading with rapt excitement the story of Gulliver's Travels.
He, too, seemed strangely set in that environment, for he was clean and sweet in person and dress. His hair was black and waving, his eyes deep blue, clear and shrewd. His cheeks were pink and gently dimpled, his mouth ample, firm and well-cut, over a square, deeply cleft chin. He was patently a handsome child, virile, graceful, determined in his pose. His natural charm was made more picturesque by a blue flannel suit, with white collar, cuffs and stockings. Oblivious to his extraordinary surroundings, he read on until he had finished the book.
He rose then, yawned and walked to the window in the front room to look out upon the street. Opposite was a row of low buildings—a stable, a Chinese laundry, two dreary rooming-houses and a saloon. The roof-line of the block, where the false wooden fronts, met the sky, held his gaze for a few moments. A horse-car lumbered lazily past, and his eyes fell to the cobble-paved thoroughfare and its passers-by. To the left, Market Street roared bustling a block away and the throngs swept up and down. To the right, a little passage starting from two saloons, one on each corner of the street, penetrated the slums. The warm, mellow California sunlight bathed the whole scene, picking out, here and there, high lights on window-glass that shot forth blinding sparks and flashes.
The boy yawned again, his hands in his pockets, then turned to the sooty oil stove and peered rather disgustedly amongst the frying-pans, tins and pasteboard boxes. There was nothing in the way of food to be found. He sniffed fastidiously at the corrupt odor of cooking, then knelt upon the floor and began a search, crawling gingerly on hands and knees. The ends of three matches projected slightly above the surface of the matted layers of rubbish. Here he scraped the dirt away with a case-knife and came upon a little paper-wrapped parcel which, opened, disclosed three bright twenty-five-cent pieces. He wrapped them up again, tucked them into the hole in the dirt and went on with his quest.
His next find, a foot or so from the base-board of the double doors, was a cache containing a pearl-handled pen-knife. He put it back. Here and there in the subsoil he came upon other treasure trove, each article carefully wrapped in paper or bits of rag—a jet ear-ring, a folded calendar, a silver chain, two watches, a dozen screw-eyes, several five-dollar gold pieces, a roll of corset laces. He returned them one by one as he found them, and smoothed the dirt over the place.
He had nearly exhausted the field in the front room, when he came upon a small paper bag containing a few macaroons. These he sat down to eat, first brushing off feathery bits of green mold. He discovered another bag containing peanuts. He chewed them slowly, throwing the shells upon the floor, his eyes wandering, his air abstracted.
Leading off the front room was a smaller one whose door was shut. He opened it now, and went in somewhat fearfully. Here was another cot drawn up in front of the window, and, upon nails driven in the wall, women's hats and dresses. Upon the inside of the door was pinned a stained, yellowing newspaper cut—the portrait of a man perhaps thirty years old, with mustache and side-whiskers and a wide flowing collar. Beneath it was printed the name, "Oliver Payson." The boy gazed at it curiously for some moments.
From this, he turned to a corner where stood an old trunk covered with cowhide whose hair was rubbed off in mangy spots. Corroded brass-headed nails held a rotting, pinked flap of red leather about the edge of the cover. On the top of the trunk, also in brass-headed nails, were the letters "F.G."
He stooped over and tried the lid. The trunk was locked. He lifted it, testing its weight, and found it too heavy to be budged. He rubbed the hair with his hand, played with the handles and fingered the lock longingly; then, after a last look, he left the room and closed the door.
He had gone back to the bookcase and taken down a volume of Montaigne's Essays, when he heard a knock on the door of the back room leading into the hallway. He unlocked the door, opened it a few inches and stood guarding the entrance.
A woman of middle age in a black bonnet, shawl and gown attempted to pass him. He stood stiffly in her way, regarding her harsh, sour visage, thin, cruel lips and pale, humid, bluish eyes. At his resolute defense her attitude weakened.
"Ain't Madam Grant to home?" she said.
"No, she is not. What do you want?"
"Oh, I just wanted to see her; you let me come in and wait a while—she'll be back soon, I s'pose?"
"She doesn't allow me to let anybody in when she's away," the boy protested.
"Oh, that's all right, Frankie; I'm a particular friend of hers. I'll just come in and make myself to home till she comes in. I'm all winded comin' up them steep stairs, and I've got to set down."
"I'm sorry," the boy said more politely, "but I mustn't let you in. I did let a lady in once, and Mamsy scolded me for it. The next day we missed a watch, too."
"My sakes! Does she keep her watches in the dirt on the floor, too?" the woman said, her eyes sparkling with curiosity. "You needn't worry about me, my dear; everybody knows me, and trusts me, too. Besides, my business is important and I've just got to see the Madam, sure."
"You may wait on the stairs, if you like, but you can't come in here. She says that the neighbors are altogether too curious." The remark was made deliberately, as if to aid his defense by its rudeness. But the woman's skin was tough.
"You're a pert one, you be!" she sniffed. "I'd like to know what you do here all day, anyway. You ought to be to school! We'll have to look after you, young man; they's societies that makes a business of seeing to children that's neglected like you, and takes 'em away where they can be taught an education and live decent."
The boy's face changed to dismay. The tears came into his eyes. "I don't want to go away, I want to live here, and I'm going to, too! Besides, I can read and write already, and I learn more things than you can learn at school. I'd just like to see them take me away!"
"What do you learn, now?" said the woman insinuatingly. "Do you learn how to tell fortunes? Can you tell mine, now? I'll give you a nickel if you will!"
"I don't want a nickel. I've got all the money I want!"
"Oh, you have, have you? How much have you got? Say, I hear the Madam's pretty well fixed. How much do you s'pose she's worth, now?"
"You can't work me that way."
She put forth a shaky hand to stroke his dark hair, and he warded her off. "Nor that way either!" he said, beginning to grow angry.
"Say, sonny, do you ever see the spirits here?" she began again.
"No, but I can smell 'em now," he replied.
She burst out into a cackle of laughter. "Say, that's pretty good! You're a likely little feller, you be. I didn't mean no harm, noways."
"You mean that you didn't mean any harm, don't you?" he asked soberly.
"No, I don't mean no harm, sure I don't! What d'you mean?"
"She says one shouldn't use double negatives."
"What's them, then?"
"I mean you don't use good English," said the boy.
"I don't talk English? What do I talk then—Dutch? What's the matter with you?"
"Oh, I'm just studying grammar, that's all. Now you see I don't need to go to school, the way you said. Mamsy teaches me every night."
"Oh, she does, does