For Faith and Freedom. Walter Besant

      So we went home again, all well pleased, and I holding the Duke's ring tight, I promise you. It was a most beautiful ring when I came to look at it; a great emerald was in the midst of it, with little pearls and emeralds set alternately around it. Never was such a grand gift to so humble a person. I tied it to a black ribbon, and put it in the box which held my clothes. But sometimes I could not forbear the pleasure of wearing it round my neck secretly; not for the joy of possessing the ring, so much as for remembering the lovely face and the gracious words of the giver.

      At that time I was in my sixteenth year, but well-grown for my age. Like my father, I was above the common stature and taller than most. We continued for more than four years longer to live without the company of the boys, which caused me to be much in the society of my elders, and as much at the Manor House and the Rectory as at home. At the former place, Sir Christopher loved to have me with him all day long, if my mother would suffer it; when he walked abroad, I must walk with him; when he walked in his garden I must be at his side. When he awoke after his afternoon sleep, he liked to see me sitting ready to talk to him. I must play to him and sing to him; or I must bring out the backgammon board; or I must read the last letters from Robin and Humphrey. Life is dull for an old man whose friends are mostly dead, unless he have the company of the young. So David, in his old age, took to himself a young wife. I have sometimes thought that he would have done better to have comforted his heart with the play and prattle of his grandchildren—of whom, I suppose, there must have been many families.

      Now, as I was so much with his Honour, I had much talk with him upon things on which wise and ancient men do not often converse with girls, and I was often present when he discoursed with my father or with his son-in-law, the Rector, on high and serious matters. It was a time of great anxiety and uncertainty. There were great Pope burnings in the country; and when some were put in pillory for riot at these bonfires not a hand was lifted against them. They had one at Sherborne on November 17, the anniversary of Queen Elizabeth's Coronation day, instead of November 5, Guy Faux Day. Boys went about the streets asking for halfpence and singing—

      Up with the ladder, And down with the rope; Give us a penny To burn the old Pope.

      There were riots in Taunton, where the High Church party burned the pulpit of a meeting-house; people went about openly saying that the Roundheads would soon come back again. From Robin we heard of the Popish plot, and the flight of the Duke of York, and afterwards of Monmouth's disgrace and exile. At all the market towns where men gathered together they talked of these things, and many whispered together: a thing which Sir Christopher loved not, because it spoke of conspiracies and secret plots, whereas he was all for bold declaration of conscience.

      In short, it was an anxious time, and everybody understood that serious things would happen should the King die. There were not wanting, besides, omens of coming ills—if you accept such things as omens or warnings. To Taunton (afterwards the town most affected by the Rebellion) a plain warning was vouchsafed by the rumbling and thundering and shaking of the earth itself, so that dishes were knocked down and cups broken, and plaster shaken off the walls of houses. And once (this did I myself see with my own eyes) the sun rose with four other suns for companions—a most terrifying sight, though Mr. Boscorel, who spoke learnedly on omens, had an explanation of this miracle, which he said was due to natural causes alone. And at Ile Brewers there was a monstrous birth of two girls with but one body from the breast downwards; their names were Aquila and Priscilla; but I believe they lived but a short time.

      I needs must tell of Mr. Boscorel, because he was a man the like of whom I have never since beheld. I believe there can be few men such as he was, who could so readily exchange the world of heat and argument for the calm and dispassionate air of art and music. Even religion (if I may venture to say so) seemed of less importance to him than painting and sculpture. I have said that he taught me to play upon the spinnet. Now that Humphrey was gone, he desired my company every day, in order, he pretended, that I might grow perfect in my performance, but in reality because he was lonely at the Rectory, and found pleasure in my company. We played together—he upon the violoncello and I upon the spinnet—such music as he chose. It was sometimes grave and solemn music, such as Lulli's 'Miserere' or his 'De Profundis'; sometimes it was some part of a Roman Catholic Mass: then was my soul uplifted and wafted heavenwards by the chords, which seemed prayer and praise fit for the angels to harp before the throne. Sometimes it was music which spoke of human passions, when I would be, in like manner, carried out of myself. My master would watch not only my execution, commenting or correcting, but he would also watch the effect of the music upon my mind.

      'We are ourselves,' he said, 'like unto the instruments upon which we play. For as one kind of instrument, as the drum, produces but one note; and another, as the cymbals, but a clashing which is in itself discordant, but made effective in a band; so others are, like the most delicate and sensitive violins—those of Cremona—capable of producing the finest music that the soul of man hath ever devised. It is by such music, child, that some of us mount unto heaven. As for me, indeed, I daily feel more and more that music leadeth the soul upward, and that, as regards the disputations on the Word of God, the letter indeed killeth, but the spirit which music helpeth us to feel—the spirit, I say, giveth life.' He sighed, and drew his bow gently across the first string of his violoncello. ''Tis a time of angry argument. The Word of God is thrown from one to the other as a pebble is shot from a sling. It wearies me. In this room, among these books of music, my soul finds rest, and the spiritual part of me is lifted heavenwards. Humphrey and you, my dear, alone can comprehend this saying. Thou hast a mind like his, to feel and understand what music means. Listen!' Here he executed a piece of music at which the tears rose to my eyes. 'That is from the Romish Mass which we are taught ignorantly to despise. My child, I am, indeed, no Catholic, and I hold that ours is the purer Church; yet, in losing the Mass, we have lost the great music with which the Catholics sustain their souls. Some of our anthems, truly, are good; but what is a single anthem, finished in ten minutes, compared with a grand Mass which lasts three hours?'