The Essential Works of George Rawlinson: Egypt, The Kings of Israel and Judah, Phoenicia, Parthia, Chaldea, Assyria, Media, Babylon, Persia, Sasanian Empire & Herodotus' Histories. George Rawlinson
href="#ulink_df654e7f-74cb-5fbe-95a2-cc1379b51608">79 [ Perrot et Chipiez, Hist. de l’Art, iii. Nos. 349, 385, 405, &c.; Di Cesnola, Cyprus, pp. 133, 149, 157.]
710 [ Perrot et Chipiez, iii. 519, No. 353.]
711 [ Ibid. Nos. 323, 342, 368. Occasionally an arm is placed across the breast without anything being clasped (Di Cesnola, Cyprus, pp. 131, 240).]
712 [ Perrot et Chipiez, Nos. 299, 322, 373.]
713 [ Ibid. Nos. 291, 321, 379, 380.]
714 [ Ibid. Nos. 381, 382.]
715 [ Perrot et Chipiez, Nos. 306, 345, 349, &c.]
716 [ See Di Cesnola, Cyprus, pp. 141, 230, 243, &c.]
717 [ Compare Perrot et Chipiez, iii. 530, No. 358; p. 533, No. 359; and Di Cesnola, pp. 131, 154, &c.]
718 [ Di Cesnola, pp. 129, 145; Perrot et Chipiez, pp. 527, 545.]
719 [ Di Cesnola, pp. 149, 151, 161, &c.]
720 [ Perrot et Chipiez, Hist. de l’Art, iii. 201, No. 142; p. 451, No. 323; p. 598, No. 409. The best dove is that in the hand of a priest represented by Di Cesnola (Cyprus, p. 132).]
721 [ Di Cesnola, Cyprus, p. 114.]
722 [ Ibid. p. 331; Perrot et Chipiez, iii. 203, and Pl. ii. opp. p. 582.]
723 [ Di Cesnola, Cyprus, p. 136; Ceccaldi, Rev. Arch. vol. xxiv. pl. 21.]
724 [ Di Cesnola, p. 137.]
725 [ Ibid. p. 133.]
726 [ Ibid. pp. 110-114.]
727 [ See the Story of Assyria, p. 403; and compare Ancient Monarchies, i. 395, 493.]
728 [ See Story of Assyria, l.s.c.; and for the classical practice, which was identical, compare Lipsius, Antiq. Lect. iii.]
729 [ So it is in a garden that Asshurbani-pal and his queen regale themselves (Ancient Monarchies, i. 493). Compare Esther i. 7.]
730 [ Perrot et Chipiez, Hist. de l’Art, iii. 620.]
731 [ Di Cesnola, Cyprus, pp. 259-267.]
732 [ Di Cesnola is in favour of Melkarth (p. 264); MM. Perrot and Chipiez of Bes (Hist. de l’Art, iii. 610). Individually, I incline to Esmun.]
733 [ See Di Cesnola, Pl. vi.; Perrot et Chipiez, iii. 450, 555, 557; Nos. 321, 379, 380, 381, and 382.]
734 [ Herod. iii. 37.]
735 [ Perrot et Chipiez see in it the travels of the deceased in another world (Hist. de l’Art, iii. 612); but they admit that at first sight one would be tempted to regard it as the representation of an historical event, as the setting forth of a prince for war, or his triumphant return.]
736 [ A similar crest was used by the Persians (Ancient Monarchies, iii. 180, 234), and the Lycians (Fellows’s Lycia, pl. xxi. oop. p. 173).]
737 [ Perrot et Chipiez, Histoire de l’Art, iii. 609-611.]
738 [ See the Journal le Bachir for June 8, 1887, published at Beyrout.]
739 [ 1 Kings vii. 14; 2 Chron. ii. 14.]
740 [ 1 Kings vii. 21.]
741 [ “In the porch” (1 Kings vii. 21); “before the house,” “before the temple” (2 Chron. iii. 15, 17).]
742 [ 1 Kings vii. 15, 16.]