The Essential Works of George Rawlinson: Egypt, The Kings of Israel and Judah, Phoenicia, Parthia, Chaldea, Assyria, Media, Babylon, Persia, Sasanian Empire & Herodotus' Histories. George Rawlinson
rel="nofollow" href="#ulink_ecf4c34d-7f3c-5b5e-a877-10b2c925253b">781 [ Helbig, Bullettino dell’ Instituto di Corrispondenza archeologica, 1876, p. 127.]
782 [ L’Imagerie Phénicienne, p. 8.]
783 [ L’Imagerie Phénicienne, pp. xi, xiii, and 18-39.]
784 [ Ibid. p. 151.]
785 [ L’Imagerie Phénicienne, pp. 150-156. It is fatal to M. Clermont-Ganneau’s idea—1. That the hunter in the outer scene has no dog; 2. That the dress of the charioteer is wholly unlike that of the fugitive attacked by the dog; and 3. That M. Clermont-Ganneau’s explanation accounts in no way for the medallion’s central and main figure.]
786 [ “Les formes et les mouvements des chevaux sont indiqués avec beaucoup du sûreté et de justesse” (ibid. p. 6).]
787 [ So Mr. C. W. King in his appendix to Di Cesnola’s Cyprus, p. 387. He supports his view by Herod. vii. 69.]
788 [ Perrot et Chipiez, iii. 632.]
789 [ Compare the cylinder of Darius Hystaspis (Ancient Monarchies, iii. 227) and another engraved on the same page.]
790 [ Perrot et Chipiez, iii. 635, note.]
791 [ Proceedings of the Society of Bibl. Archæology for 1883—4, p. 16.]
792 [ See M. A. Di Cesnola’s Salaminia, Pls. xii. and xiii.]
793 [ See Perrot et Chipiez, iii. 639, No. 431.]
794 [ These fluttering ends of ribbon are very common in the Persian representations. See Ancient Monarchies, iii. 351.]
795 [ Ancient Monarchies, iii. pp. 203, 204, 208.]
796 [ Perrot et Chipiez, Hist. de l’Art, iii. 630.]
797 [ Ibid. pp. 635-639. Green serpentine is the most usual material (C. W. King, in Di Cesnola’s Cyprus, p. 387).]
798 [ King, in Di Cesnola’s Cyprus, p. 388.]
799 [ Pl. xxxvi. a.]
7100 [ Di Cesnola, Cyprus, p. 277.]
7101 [ See De Vogüé’s Mélanges d’Archéologie Orientale, pl. v.]
7102 [ Perrot et Chipiez, iii. 631.]
7103 [ See Di Cesnola’s Cyprus, pl. xxvi. (top line).]
7104 [ See Perrot et Chipiez, iii. 645.]
7105 [ Ibid. p. 646.]
7106 [ De Vogüé, Mélanges, p. 111.]
7107 [ Perrot et Chipiez, Hist. de l’Art, iii. 651.]
7108 [ Ibid. p. 652.]
7109 [ See Di Cesnola, Cyprus, pl. xxxvi. fig. 8.]
7110 [ Perrot et Chipiez, iii. 646.]
7111 [ Herod. vii. 61.]
7112 [ Di Cesnola, Cyprus, pl. xxxv. fig. a.]
7113 [ Herod. v. 113.]
7114 [ That of Canon Spano. (See Perrot et Chipiez, iii. 655, note 1.)]
7115 [ Perrot et Chipiez, iii. 656, 657, Nos. 466, 467, 468.]
7116 [ Perrot et Chipiez, iii. p. 655.]