Old Court Life in Spain (Vol.1&2). Frances Minto Elliot
with a savage joy.
“Doubt not the words of Don Julian, O Emir,” he cries. “The wrong which Roderich has wrought him would move the lowest Berber of the desert to revenge. By his offer, O Emir, a new land spreads out before us, inviting us to conquest. What is to prevent us from becoming the inheritors of the Goth? Let me go forth with Don Julian and prove the land.”
The bold words of “the one-eyed Tháryk” find favour with Mousa and the chiefs. “Allah is great,” is their answer. “Mahomet the Prophet speaks by the mouth of Tháryk. Let it be as he desires.”
So Julian and Tháryk departed with five galleys and five hundred men; landed at Algeciras in the Bay of Gibraltar (Gibel Taric to this day, in memory of him), and returned to Africa with such tidings of the power of Julian to raise the land, that a formidable invasion was decided on.
Interior of the Great Mosque, Cordova.
MOHAMMED.
CHAPTER V
Landing of the Moors—The Eve of Battle
“What tidings from the south?” he asks.
“Of great woe,” is the answer. “Already the rock of Calpe has fallen. The noble Teodomir is wounded. The Gothic troops, O King, fly before the Moslem. Whether they come from heaven or hell we know not. They have no ships, yet they overrun the coast. Send us aid with speed.”
At this dismal news Roderich turned to the wall and covered his face with his robe. Changed as he was from the valorous young hero of earlier days, enervated and sensual, the blood of brave warriors flowed in his veins, and shame and remorse overwhelmed him. Not one word could Egilona draw from him. To the pressure of her soft arms he did not respond; nor did he heed the kisses she showered on him, as, parting the long meshes of his flowing locks, she strove to uncover his face.
Around, the courtiers stand mute, each man with his eyes fixed on the earth. An awful silence follows, broken only by the sobs of the queen, as messenger after messenger rides in, distracting the city with fresh tales of woe. So easy had the treachery of Julian made conquest for the Moors, that already the coast of Andalusia bristled with scimitars, and bands of turbaned horsemen had overrun the plains to the banks of the Guadalete.
What were Roderich’s thoughts as he sat motionless? Did he recall the prophecy of his fall, when, contrary to the advice of the archbishop, who implored him to respect a mystery held sacred for generations, he had forced his way into the magic Tower of Hercules, planted on the cliffs outside Toledo, and in spite of all warnings had broken the lock of the enchanted casket, and unfolded the linen cloths on which were painted miniature figures of horsemen wearing turbans and Eastern tunics, scimitars at their sides, and crossbows at their saddle-bows, carrying pennons and banners with crescents and Moorish devices—all of which at first appeared small, as a pattern to be folded up, then grew and expanded into the size of life—squadrons of Moorish warriors filling the space, as they moved upwards out of the cloth, in ever-lengthening lines, to the faint sound of distant warlike instruments; becoming ever larger and louder as the enchantment grew, and the figures waxing greater to the far-off clash of cymbals and trumpets, the neighing of war-steeds snorting in the charge, and shouts as of the approach of serried hosts?
And, as Don Roderich gazed as one stupefied before the vision he had audaciously invoked, plainer and plainer became the motion of the figures, and wilder the din, as the linen cloth rolled itself higher and higher and spread and amplified out of the casket, until it rose into the dome of the hall, its texture no longer visible, but moving with the air, the shadowy figures plainer and yet plainer in their fierce warfare, and the din and uproar more appalling as they formed into the semblance of a great battlefield where Christians and Moors strove with each other in deadly conflict; the rush and tramp of horses ever clearer, the blast of trumpet and clarion shriller and louder, the clash of swords and maces, the thud of battle-axes striking together, the whistle of ghostly arrows through the air, and the hurling of lances and darts—while phantom drums rumbled as by thousands with the under-note of war; two battling hosts clearly discerned, presenting all the phases of a desperate combat. And now, behold the phantom lines of Christians quail before the infidel, pressing on them in shadowy thousands, the standard of the Cross is felled, the Gothic banner fouled, the air resounds with shouts, yells of fury, and groans of dying men; and plain among the flying hosts is seen a mounted form, bearing the semblance of a shadowy king—a golden crown encircles his helmet—mounted on a white steed with blood-stained haunches, the satin-coated Orelia gallantly bearing him out of the battle. No countenance is visible, for his back is turned, but in the fashion of the inlaid armour, the jewelled circlet, the device, and graceful lines of his favourite war-horse, Don Roderich, with eyes dilated with horror, beholds himself flying across the plains! Unseated in the mêlée he disappears; and Orelia, without a rider, careers wildly on, as though in search of the loved master, the touch of whose hand she knows so well!
Roderich, paralysed with horror, sees no more, but rushing from the magic hall, the rumble of phantom drums and trumpets in his ear, commands that the iron doors of the Tower of Hercules be for ever closed.
Such was the warning, but he heeded not.
On July 26, 711, beside the river Guadalete (Wady Lete), near Xerez, was fought out the fate of Spain. A dull, dreary region, over which the eye now wanders objectless, save for a far-off lying tower, or a solitary pine marked against the horizon; the scent of lavender and rosemary strong in the wind, like incense rising up for the forgotten dead, whose bones whitened the plain.
The Moors, under the command of Tháryk, “the one-eyed,” were inferior in numbers to the Goths, but compacter and more dexterous, accustomed to constant warfare, and headed by experienced leaders. As the rays of the setting sun caught the wide circle of the Moslem camp the evening before the battle, a motley crowd of many tribes met the astonished eyes of the Goths: Berbers from North Africa in white turbans and white flying bournous, armed with lance and wattled shields; roving Bedouins on the fleetest steeds, their glossy coats hung with beads and charms; Ethiopians, black as night; Nubians with matted hair, and men from Barbary and Tunis.
On landing at Tarifa, near the rock of Gibraltar, Thàryk had burnt every ship. “Behold,” said he, pointing to the flames which ran swiftly along the wood of the light African triremes, “there is now no escape for cowards. We conquer, or we die. Your home is before you,” and he pointed to the low line of inland hills which bound the horizon. As he spoke, an ancient woman, covered with a woollen sheet gathered about her naked limbs, drew near to where he was standing surrounded by his sheikhs, waving a white rag.
“Great Emir,” quoth she, falling on the earth to kiss his feet in Eastern fashion, “I am the bearer of a prophecy written by an ancient seer. He foretold that the Moors would overrun our country, if a leader should appear known by these signs: On his right shoulder is a mole, and his right arm is longer than his left, so that he can cover his knee with one hand without bending down.”
Tháryk listened with grave attention, then laid bare his arms. There was the mole, and so much did his right arm exceed the left in length, that he could clasp his knee with his hand.
The Christians had pitched their tents at sunset, somewhat distant from the Moors, whose black banners, with mysterious signs, dark tents, and savage weapons inspired them with awe. Before night, Don Roderich sent out a picked squadron of the Gothic bodyguard to skirmish with the enemy, with flags and standards bearing the same device as those which had floated before Alaric