Ruins of Ancient Cities (Vol. 1 of 2). Charles Bucke

Ruins of Ancient Cities (Vol. 1 of 2) - Charles  Bucke


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frieze and pillars; and these, opposed to brilliant white, afford a point and power of expression, which never fails to please."

      Sir J. C. Hobhouse says, Lord Elgin's injuries were these; the taking off the metopes, the statue over the theatre of Bacchus, and the statues of the west pediment of the Parthenon; and the carrying away one of the Caryatides, and the finest of the columns of the Erectheum. "No other," continues Sir John, "comes, I believe, within the limits of censure – no other marbles were detached."

      The monuments, now called the Elgin marbles, were chiefly obtained from the Erectheum, the Propylæa, and the Parthenon, more especially the last. We must here give room to the observations, vindicative of this proceeding: – "Perhaps one of the most judicious measures of government, with reference to the advancement of the arts in this country, was the purchase of these remains. We may go farther, and add, that the removal of them from Athens, where their destruction was daily going forward, to place them where their merits would be appreciated, and their decay suspended, was not only a justifiable act, but one which deserves the gratitude of England and of the civilised world. The decay of the Athenian monuments may be attributed to various causes. 'Fire and the barbarian' have both done their work. Athens has seen many masters. The Romans were too refined to destroy the monuments of art: but the Goths had a long period of spoliation; and then came the Turks, at once proud and ignorant, despising what they could not understand. The Acropolis became a garrison in their hands, and thus, in 1687, it was bombarded by the Venetians, whose heavy guns were directed against the porticoes and colonnades of the ancient temples. But the Turks still continued to hold their conquests; and the business of demolition went steadily on for another century and a half. Many travellers who visited Athens about a hundred years ago, and even much later, describe monuments of sculpture which now have no existence. The Turks pounded the marble into dust to make lime; one traveller after another continued to remove a fragment. The museums of Egypt were successively adorned with these relics; at last, when, as column after column fell, the remains of Athens were becoming less and less worthy of notice, covered in the dust, or carted away to be broken up for building, Lord Elgin, who had been ambassador at Constantinople in 1799, obtained, in 1801, an authority from the Turkish government, called a firmaun, which eventually enabled the British nation to possess the most valuable of the sculptures of which any portion was left. The authority thus granted empowered Lord Elgin to fix scaffolding around the ancient temple of the Idols 'to mould the ornamental and visible figures thereon in plaster and gypsum;' and, subsequently, 'to take away any pieces of stone with old inscriptions or figures thereon.' For several years the intentions of Lord Elgin were carried into effect at his private risk, and at a cost which is stated to have amounted to 74,000l, including the interest of money. In 1816, the entire collection was purchased of Lord Elgin by act of parliament for 35,000l. It is unnecessary for us to go into the controversy, whether it was just to remove these relics from their original seats. Had the Greeks been able to preserve them, there can be no doubt of the injustice of such an act. The probability is, that if foreign governments had not done what Lord Elgin did as an individual, there would not have been a fragment left at this day to exhibit the grandeur of the Grecian art as practised by Phidias. The British nation, by the purchase of these monuments, has secured a possession of inestimable value86."

      From these observations, it would appear that the spoliation of the Parthenon may be vindicated on the ground, that neither the Turks nor the citizens cared any thing about them, and that if they had not been taken away, they would, in a short time, have been destroyed. Respectable testimony, however, is opposed to this: most travellers have inveighed against the spoliation; and two, highly qualified, have given a very different account from what the above statement implies. These are Dr. Clarke and Mr. Dodwell. We shall select the testimony of the latter in preference to that of Dr. Clarke, only because he was at Athens at the very time in which the spoliation was going on. "During my first tour to Greece," says he, "I had the inexpressible mortification of being present when the Parthenon was despoiled of its finest sculpture, and when some of its architectural members were thrown to the ground." * * * "It is, indeed, impossible to suppress the feelings of regret which must arise in the breast of every traveller, who has seen these temples before and since their late dilapidation! Nor have I any hesitation in declaring, that the Athenians in general, nay, even the Turks themselves, did lament the ruin that was committed; and loudly and openly blamed their sovereign for the permission he had granted! I was on the spot at the time, and had an opportunity of observing, and, indeed, of participating, in the sentiment of indignation, which such conduct universally inspired. The whole proceeding was so unpopular in Athens, that it was necessary to pay the labourers more than their usual profits, before any one could be prevailed upon to assist in this work of profanation."

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      1

      Plutarch; Diodorus; Rollin; Sandwich.

      2

      Pliny; Strabo; Plutarch; Diodorus; Wilkinson.

      3

      Simon; Count Fedor de Karacray; Malte-Brun.

      4

      "Ægina abounds," says Wheler, "with a sort of red-legged partridge, against which, by order of the Epitropi, or the chief magistrate of the town, all, both young and old, go out yearly, as the pigmies of

1

Plutarch; Diodorus; Rollin; Sandwich.

2

Pliny; Strabo; Plutarch; Diodorus; Wilkinson.

3

Simon; Count Fedor de Karacray; Malte-Brun.

4

"Ægina abounds," says Wheler, "with a sort of red-legged partridge, against which, by order of the Epitropi, or the chief magistrate of the town, all, both young and old, go out yearly, as the pigmies of old did against the cranes, to war with, and to break their eggs before they are hatched; otherwise, by their multitudes, they would so destroy and eat up the corn, that they would inevitably bring a famine every year upon the place."

5

Mr. C. R. Cockerell and Mr. John Foster; W. Linckh and Baron Haller.

6

Wheler; Chandler; Barthélemi; Sandwich; Lusieri; Clarke; Dodwell; Williams; Leake.

7

Rollin.

8

Livy, Cicero, Diodorus Siculus, Rollin, Brydone; Encyl. Lond., Brewster's Encyl.

9

Dionysius of Halicarnassus; – Sir W. Gell.

10

Jose Almana.

11

Browne.

12

Myos Hormos.

13

Four hundred and fifty talents of gold. See 2 Chron. viii. 18. This, we may suppose, was the gross sum received; not the profit.

14

A. M. 3685. Ant. J. C. 321. Diod. lib. xviii. p. 608, 610.

15

This author lived in


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<p>86</p>

"The two principal statues among the Elgin marbles are those of Theseus, the Athenian hero, and a recumbent figure, supposed to be the river-god Ilissus (numbered in the Synopsis 93 and 99). They are executed in a style of extraordinary breadth and grandeur. Theseus is represented half reclined on a rock, covered with the skin of a lion, and appears to be resting after some mighty labour. The figure of the Ilissus is less robust: all his contours flow in lines of undulating elegance. But in both these statues, that which chiefly strikes us, in spite of the dilapidations which they have suffered, is the vitality which seems to pervade them. In these, not only the office and appearance of the muscles, whether in action or at rest, but the bearings of the skeleton, are expressed with an accuracy which could only have resulted from the most profound science, added to an acute and perpetual observation of nature. The statue of the Ilissus is especially remarkable for its graceful flexibility; and we would observe, without going too technically into the subject, how different is the indentation, formed by the lower line of the ribs in this figure, so admirably expressing its position, from that geometrical arch by which this part of the body is designated in the ordinary antique statues, and which is so rarely accommodated to the action represented. The principle, pointed out in this instance, may be traced throughout the Elgin marbles, in which true art is never superseded by conventional style. We believe that in the opinion of the majority of connoisseurs, the statue of Theseus is considered superior to that of the Ilissus. Canova, however, preferred the latter; and Raffaelle, who imported designs from Greece, has adapted this figure to that of the fallen Commander, in his picture of Heliodorus. It is well known that the Ilissus was a small stream which ran along the south side of the plain of Athens. The statue in which it is here personified occupied the left angle of the west pediment of the Parthenon, and that of Theseus was placed opposite to it on the east pediment next to the horses of Hyperion."