'Farewell, Nikola'. Boothby Guy

'Farewell, Nikola' - Boothby Guy


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to announce his arrival. He shook hands with my wife, then with Miss Trevor, afterwards with Glenbarth and myself. His hand was, as usual, as cold as ice and his face was deathly pale. His tall, lithe figure was concealed by his voluminous coat, but what was lost in one direction was compensated for by the mystery that it imparted to his personality. For some reason I thought of Mephistopheles as I looked at him, and in many ways the illustration does not seem an altogether inapt one.

      "Permit me to express the gratification I feel that you have consented to allow me to be your guide this evening, Lady Hatteras," he said as he conducted my wife towards the boat. "While it is an impertinence on my part to imagine that I can add to your enjoyment of Venice, I fancy it is, nevertheless, in my power to show you a side of the city with which you are not as yet acquainted. The night being so beautiful, and believing that you would wish to see all you can, I have brought a gondola without a cabin. I trust I did not do wrong."

      "I am sure it will be delightful," my wife answered. "It would have been unendurable on such a beautiful evening to be cooped up in a close cabin. Besides, we should have seen nothing."

      By this time we were on the steps, at the foot of which the gondola in question, a large one of its class, was lying. As soon as we had boarded her the gondolier bent to his oar, the boat shot out into the stream, and the excursion, which, as I have said, we were each of us to remember all our lives, had commenced. If I shut my eyes now I can recall the whole scene: the still moonlit waters of the canal, the houses on one side of which were brilliantly illuminated by the moon, the other being entirely in the shadow. When we were in mid-stream a boat decorated with lanterns passed us. It contained a merry party, whose progress was enlivened by the strains of the invariable Finiculi Finicula. The words and the tune ring in my memory even now. Years before we had grown heartily sick of the song, now however it possessed a charm that was quite its own.

      "How pretty it is," remarked my wife and Miss Trevor almost simultaneously. And the former added, "I could never have believed that it possessed such a wealth of tenderness."

      "Might it not be the association that is responsible?" put in Nikola gravely. "You have probably heard that song at some time when you have been so happy that all the world has seemed the same. Hearing it to-night has unconsciously recalled that association, and Finiculi Finicula, once so despised, immediately becomes a melody that touches your heart-strings, and so wins for itself a place in your regard that it can never altogether lose."

      We had crossed the canal by this time; the gondola with the singers proceeding towards the Rialto bridge. The echo of the music still lingered in our ears, and seemed the sweeter by the reason of the distance that separated us from it. Turning to the gondolier, who in the moonlight presented a picturesque figure in the stern of the boat, Nikola said something in Italian. The boat's head was immediately turned in the direction of a side-street, and a moment later we entered it. It is not my intention, nor would it be possible for me, to attempt to furnish you with a definite description of the route we followed. In the daytime I flatter myself that I have a knowledge of the Venice of the tourist; if you were to give me a pencil and paper I believe I should be able to draw a rough outline of the city, and to place St. Mark's Cathedral, Galaghetti's Hotel, the Rialto bridge, the Arsenal, and certainly the railway station, in something like their proper positions. But at night, when I have left the Grand Canal, the city becomes a sealed book to me. On this particular evening every street, when once we had left the fashionable quarter behind us, seemed alike. There was the same darkness, the same silence, and the same reflection of the lights in the water. Occasionally we happened upon places where business was still being transacted, and where the noise of voices smote the air with a vehemence that was like sacrilege. A few moments would then elapse, and then we were plunged into a silence that was almost unearthly. All this time Nikola kept us continually interested. Here was a house with a history as old as Venice itself; there the home of a famous painter; yonder the birthplace of a poet or a soldier, who had fought his way to fame by pen or by sword. On one side of the street was the first dwelling of one who had been a plebeian and had died a Doge; while on the other side was that of a man who had given his life to save his friend. Nor were Nikola's illustrations confined to the past alone. Men whose names were household words to us had preceded us, and had seen Venice as we were seeing it now. Of each he could tell us something we had never heard before. It was the perfect mastery of his subject, like that of a man who plays upon an instrument of which he has made a lifelong study, that astonished us. He could rouse in our hearts such emotions as he pleased; could induce us to pity at one moment, and to loathing at the next; could make us see the city with his eyes, and in a measure to love it with his own love. That Nikola did entertain a deep affection for it was as certain as his knowledge of its history.

      "I think I may say now," he said, when we had been absent from the hotel for upwards of an hour, "that I have furnished you with a superficial idea of the city. Let me attempt after this to show you something of its inner life. That it will repay you I think you will admit when you have seen it."

      Once more he gave the gondolier an order. Without a word the man entered a narrow street on the right, then turned to the left, after which to the right again. What were we going to see next? That it would be something interesting I had not the least doubt. Presently the gondolier made an indescribable movement with his oar, the first signal that he was about to stop. With two strokes he brought the boat alongside the steps, and Nikola, who was the first to spring out, assisted the ladies to alight. We were now in a portion of Venice with which I was entirely unacquainted. The houses were old and lofty, though sadly fallen to decay. Where shops existed business was still being carried on, but the majority of the owners of the houses in the neighbourhood appeared to be early birds, for no lights were visible in their dwellings. Once or twice men approached us and stared insolently at the ladies of our party. One of these, more impertinent than his companions, placed his hand upon Miss Trevor's arm. In a second, without any apparent effort, Nikola had laid him upon his back.

      "Do not be afraid, Miss Trevor," he said; "the fellow has only forgotten himself for a moment."

      So saying he approached the man, who scrambled to his feet, and addressed him in a low voice.

      "No, no, your excellency," the rascal whined; "for the pity of the blessed saints. Had I known it was you I would not have dared."

      Nikola said something in a whisper to him; what it was I have not the least idea, but its effect was certainly excellent, for the man slunk away without another word.

      After this little incident we continued our walk without further opposition, took several turnings, and at last found ourselves standing before a low doorway. That it was closely barred on the inside was evident from the sounds that followed when, in response to Nikola's knocks, some one commenced to open it. Presently an old man looked out. At first he seemed surprised to see us, but when his eyes fell upon Nikola all was changed. With a low bow he invited him, in Russian, to enter.

      Crossing the threshold we found ourselves in a church of the smallest possible description. By the dim light a priest could be seen officiating at the high altar, and there were possibly a dozen worshippers present. There was an air of secrecy about it all, the light, the voices, and the precautions taken to prevent a stranger entering, that appealed to my curiosity. As we turned to leave the building the little man who had admitted us crept up to Nikola's side and said something in a low voice to him. Nikola replied, and at the same time patted the man affectionately upon the shoulder. Then with the same obsequious respect the latter opened the door once more, and permitted us to pass out, quickly barring it behind us afterwards however.

      "You have seen many churches during your stay in Venice, Lady Hatteras," Nikola remarked, as we made our way back towards the gondola, "I doubt very much, however, whether you have ever entered a stranger place of worship than that."

      "I know that I have not," my wife replied. "Pray who were the people we saw there? And why was so much secrecy observed?"

      "Because nearly all the poor souls you saw there are either suspected or wanted by the Russian Government. They are fugitives from injustice, if I may so express it, and it is for that reason that they are compelled to worship, as well as live, in hiding."

      "But who are they?"

      "Nihilists," Nikola answered. "A poor, hot-headed lot of


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