The Talisman. Вальтер Скотт
together, as it were, with appropriate ornaments, were all in the finest tone of the architecture of the age. Corresponding to the line of pillars, there were on each side six richly-wrought niches, each of which contained the image of one of the twelve apostles.
At the upper and eastern end of the chapel stood the altar, behind which a very rich curtain of Persian silk, embroidered deeply with gold, covered a recess, containing, unquestionably, some image or relic of no ordinary sanctity, in honour of which this singular place of worship had been erected, Under the persuasion that this must be the case, the knight advanced to the shrine, and kneeling down before it, repeated his devotions with fervency, during which his attention was disturbed by the curtain being suddenly raised, or rather pulled aside, how or by whom he saw not; but in the niche which was thus disclosed he beheld a cabinet of silver and ebony, with a double folding-door, the whole formed into the miniature resemblance of a Gothic church.
As he gazed with anxious curiosity on the shrine, the two folding-doors also flew open, discovering a large piece of wood, on which were blazoned the words, VERA CRUX; at the same time a choir of female voices sung GLORIA PATRI. The instant the strain had ceased, the shrine was closed, and the curtain again drawn, and the knight who knelt at the altar might now continue his devotions undisturbed, in honour of the holy relic which had been just disclosed to his view. He did this under the profound impression of one who had witnessed, with his own eyes, an awful evidence of the truth of his religion; and it was some time ere, concluding his orisons, he arose, and ventured to look around him for the hermit, who had guided him to this sacred and mysterious spot. He beheld him, his head still muffled in the veil which he had himself wrapped around it, crouching, like a rated hound, upon the threshold of the chapel; but, apparently, without venturing to cross it – the holiest reverence, the most penitential remorse, was expressed by his posture, which seemed that of a man borne down and crushed to the earth by the burden of his inward feelings. It seemed to the Scot that only the sense of the deepest penitence, remorse, and humiliation could have thus prostrated a frame so strong and a spirit so fiery.
He approached him as if to speak; but the recluse anticipated his purpose, murmuring in stifled tones, from beneath the fold in which his head was muffled, and which sounded like a voice proceeding from the cerements of a corpse, – “Abide, abide – happy thou that mayest – the vision is not yet ended.” So saying, he reared himself from the ground, drew back from the threshold on which he had hitherto lain prostrate, and closed the door of the chapel, which, secured by a spring bolt within, the snap of which resounded through the place, appeared so much like a part of the living rock from which the cavern was hewn, that Kenneth could hardly discern where the aperture had been. He was now alone in the lighted chapel which contained the relic to which he had lately rendered his homage, without other arms than his dagger, or other companion than his pious thoughts and dauntless courage.
Uncertain what was next to happen, but resolved to abide the course of events, Sir Kenneth paced the solitary chapel till about the time of the earliest cock-crowing. At this dead season, when night and morning met together, he heard, but from what quarter he could not discover, the sound of such a small silver bell as is rung at the elevation of the host in the ceremony, or sacrifice, as it has been called, of the mass. The hour and the place rendered the sound fearfully solemn, and, bold as he was, the knight withdrew himself into the farther nook of the chapel, at the end opposite to the altar, in order to observe, without interruption, the consequences of this unexpected signal.
He did not wait long ere the silken curtain was again withdrawn, and the relic again presented to his view. As he sunk reverentially on his knee, he heard the sound of the lauds, or earliest office of the Catholic Church, sung by female voices, which united together in the performance as they had done in the former service. The knight was soon aware that the voices were no longer stationary in the distance, but approached the chapel and became louder, when a door, imperceptible when closed, like that by which he had himself entered, opened on the other side of the vault, and gave the tones of the choir more room to swell along the ribbed arches of the roof.
The knight fixed his eyes on the opening with breathless anxiety, and, continuing to kneel in the attitude of devotion which the place and scene required, expected the consequence of these preparations. A procession appeared about to issue from the door. First, four beautiful boys, whose arms, necks, and legs were bare, showing the bronze complexion of the East, and contrasting with the snow-white tunics which they wore, entered the chapel by two and two. The first pair bore censers, which they swung from side to side, adding double fragrance to the odours with which the chapel already was impregnated. The second pair scattered flowers.
After these followed, in due and majestic order, the females who composed the choir – six, who from their black scapularies, and black veils over their white garments, appeared to be professed nuns of the order of Mount Carmel; and as many whose veils, being white, argued them to be novices, or occasional inhabitants in the cloister, who were not as yet bound to it by vows. The former held in their hands large rosaries, while the younger and lighter figures who followed carried each a chaplet of red and white roses. They moved in procession around the chapel, without appearing to take the slightest notice of Kenneth, although passing so near him that their robes almost touched him, while they continued to sing. The knight doubted not that he was in one of those cloisters where the noble Christian maidens had formerly openly devoted themselves to the services of the church. Most of them had been suppressed since the Mohammedans had reconquered Palestine, but many, purchasing connivance by presents, or receiving it from the clemency or contempt of the victors, still continued to observe in private the ritual to which their vows had consecrated them. Yet, though Kenneth knew this to be the case, the solemnity of the place and hour, the surprise at the sudden appearance of these votaresses, and the visionary manner in which they moved past him, had such influence on his imagination that he could scarce conceive that the fair procession which he beheld was formed of creatures of this world, so much did they resemble a choir of supernatural beings, rendering homage to the universal object of adoration.
Such was the knight’s first idea, as the procession passed him, scarce moving, save just sufficiently to continue their progress; so that, seen by the shadowy and religious light which the lamps shed through the clouds of incense which darkened the apartment, they appeared rather to glide than to walk.
But as a second time, in surrounding the chapel, they passed the spot on which he kneeled, one of the white-stoled maidens, as she glided by him, detached from the chaplet which she carried a rosebud, which dropped from her fingers, perhaps unconsciously, on the foot of Sir Kenneth. The knight started as if a dart had suddenly struck his person; for, when the mind is wound up to a high pitch of feeling and expectation, the slightest incident, if unexpected, gives fire to the train which imagination has already laid. But he suppressed his emotion, recollecting how easily an incident so indifferent might have happened, and that it was only the uniform monotony of the movement of the choristers which made the incident in the slightest degree remarkable.
Still, while the procession, for the third time, surrounded the chapel, the thoughts and the eyes of Kenneth followed exclusively the one among the novices who had dropped the rosebud. Her step, her face, her form were so completely assimilated to the rest of the choristers that it was impossible to perceive the least marks of individuality; and yet Kenneth’s heart throbbed like a bird that would burst from its cage, as if to assure him, by its sympathetic suggestions, that the female who held the right file on the second rank of the novices was dearer to him, not only than all the rest that were present, but than the whole sex besides. The romantic passion of love, as it was cherished, and indeed enjoined, by the rules of chivalry, associated well with the no less romantic feelings of devotion; and they might be said much more to enhance than to counteract each other. It was, therefore, with a glow of expectation that had something even of a religious character that Sir Kenneth, his sensations thrilling from his heart to the ends of his fingers, expected some second sign of the presence of one who, he strongly fancied, had already bestowed on him the first. Short as the space was during which the procession again completed a third perambulation of the chapel, it seemed an eternity to Kenneth. At length the form which he had watched with such devoted attention drew nigh. There was no difference betwixt that shrouded figure and the others, with whom it moved in concert and in unison, until, just as she passed for the third time the kneeling Crusader, a part of a little and