The Little Lady of the Big House / Маленькая хозяйка большого дома. Книга для чтения на английском языке. Джек Лондон

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Once, they had to bring the entire political pressure of the Pacific Coast to bear upon Washington in order to get him out of a scrape[129] in Russia, of which affair not one line appeared in the daily press, but which affair was secretly provocative of ticklish joy and delight in all the chancellories of Europe.

      Incidentally, they knew that he lay wounded in Mafeking; that he pulled through a bout with yellow fever in Guayaquil; and that he stood trial for brutality on the high seas in New York City. Thrice they read in the press dispatches that he was dead: once, in battle, in Mexico; and twice, executed, in Venezuela. After such false flutterings, his guardians refused longer to be thrilled when he crossed the Yellow Sea in a sampan, was “rumored” to have died of beri-beri, was captured from the Russians by the Japanese at Mukden, and endured military imprisonment in Japan.

      The one thrill of which they were still capable, was when, true to promise, thirty years of age, his wild oats sown, he returned to California with a wife to whom, as he announced, he had been married several years, and whom all his three guardians found they knew. Mr. Slocum had dropped eight hundred thousand along with the totality of her father’s fortune in the final catastrophe at the Los Cocos mine in Chihuahua when the United States demonetized silver. Mr. Davidson had pulled a million out of the Last Stake along with her father when he pulled eight millions from that sunken, man-resurrected, river bed in Amador County. Mr. Crockett, a youth at the time, had “spooned” the Merced bottom with her father in the late ’fifties, had stood up best man with him at Stockton when he married her mother, and, at Grant’s Pass, had played poker with him and with the then Lieutenant U.S. Grant[130] when all the little the western world knew of that young lieutenant was that he was a good Indian fighter but a poor poker player.

      And Dick Forrest had married the daughter of Philip Desten! It was not a case of wishing Dick luck. It was a case of garrulous insistence on the fact that he did not know how lucky he was. His guardians forgave him all his wildness. He had made good[131]. At last he had performed a purely rational act. Better; it was a stroke of genius. Paula Desten! Philip Desten’s daughter! The Desten blood! The Destens and the Forrests! It was enough. The three aged comrades of Forrest and Desten of the old Gold Days, of the two who had played and passed on, were even severe with Dick. They warned him of the extreme value of his treasure, of the sacred duty such wedlock imposed on him, of all the traditions and virtues of the Desten and Forrest blood, until Dick laughed and broke in with the disconcerting statement that they were talking like a bunch of fanciers or eugenics cranks – which was precisely what they were talking like, although they did not care to be told so crassly.

      At any rate, the simple fact that he had married a Desten made them nod unqualified approbation when he showed them the plans and building estimates of the Big House. Thanks to Paula Desten, for once they were agreed that he was spending wisely and well. As for his farming, it was incontestible that the Harvest Group was unfalteringly producing, and he might be allowed his hobbies. Nevertheless, as Mr. Slocum put it: “Twenty-five thousand dollars for a mere work-horse stallion is a madness. Workhorses are work-horses; now had it been running stock[132]…”

      Chapter VII

      While Dick Forrest scanned the pamphlet on hog cholera issued by the State of Iowa, through his open windows, across the wide court, began to come sounds of the awakening of the girl who laughed from the wooden frame by his bed and who had left on the floor of his sleeping porch, not so many hours before, the rosy, filmy, lacy, boudoir cap so circumspectly rescued by Oh My.

      Dick heard her voice, for she awoke, like a bird, with song. He heard her trilling, in and out through open windows, all down the long wing that was hers. And he heard her singing in the patio garden, where, also, she desisted long enough to quarrel with her Airedale and scold the collie pup unholily attracted by the red-orange, divers-finned, and many-tailed Japanese goldfish in the fountain basin.

      He was aware of pleasure that she was awake. It was a pleasure that never staled.[133] Always, up himself for hours, he had a sense that the Big House was not really awake until he heard Paula’s morning song across the patio.

      But having tasted the pleasure of knowing her to be awake, Dick, as usual, forgot her in his own affairs. She went out of his consciousness as he became absorbed again in the Iowa statistics on hog cholera.

      “Good morning, Merry Gentleman,” was the next he heard, always adorable music in his ears; and Paula flowed in upon him, all softness of morning kimono and stayless body[134], as her arm passed around his neck and she perched, half in his arms, on one accommodating knee of his. And he pressed her, and advertised his awareness of her existence and nearness, although his eyes lingered a full half minute longer on the totals of results of Professor Kenealy’s hog inoculations on Simon Jones’ farm at Washington, Iowa.

      “My!” she protested. “You are too fortunate. You are sated with riches. Here is your Lady Boy, your ‘little haughty moon,’ and you haven’t even said, ‘Good morning, Little Lady Boy, was your sleep sweet and gentle?’”

      And Dick Forrest forsook the statistical columns of Professor Kenealy’s inoculations, pressed his wife closer, kissed her, but with insistent right fore-finger maintained his place in the pages of the pamphlet.

      Nevertheless, the very terms of her “reproof” prevented him from asking what he should have asked – the prosperity of her night since the boudoir cap had been left upon his sleeping porch. He shut the pamphlet on his right fore-finger, at the place he intended to resume, and added his right arm to his left about her.

      “Oh!” she cried. “Oh! Oh! Listen!”

      From without came the flute-calls of quail. She quivered against him with the joy she took in the mellow-sweet notes.

      “The coveys are breaking up[135],” he said.

      “It means spring,” Paula cried.

      “And the sign that good weather has come.”

      “And love!”

      “And nest-building and egg-laying,” Dick laughed. “Never has the world seemed more fecund than this morning. Lady Isleton is farrowed of eleven. The angoras were brought down this morning for the kidding. You should have seen them. And the wild canaries have been discussing matrimony in the patio for hours. I think some free lover is trying to break up their monogamic heaven with modern love-theories. It’s a wonder you slept through the discussion. Listen! There they go now. Is that applause? Or is it a riot?”

      Arose a thin twittering, like elfin pipings, with sharp pitches and excited shrillnesses, to which Dick and Paula lent delighted ears, till, suddenly, with the abruptness of the trump of doom, all the microphonic chorus of the tiny golden lovers was swept away, obliterated, in a Gargantuan blast of sound – no less wild, no less musical, no less passionate with love, but immense, dominant, compelling by very vastitude of volume.

      The eager eyes of the man and woman sought instantly the channel past open French windows and the screen of the sleeping porch to the road through the lilacs, while they waited breathlessly for the great stallion to appear who trumpeted his love-call before him. Again, unseen, he trumpeted, and Dick said:

      “I will sing you a song, my haughty moon. It is not my song. It is the Mountain Lad’s.[136] It is what he nickers. Listen! He sings it again. This is what he says: ‘Hear me! I am Eros. I stamp upon the hills. I fill the wide valleys. The mares hear me, and startle, in quiet pastures; for they know me. The grass grows rich and richer, the land is filled with fatness, and the sap is in the trees. It is the spring. The spring is mine. I am monarch of my kingdom of the spring. The mares remember my voice. They know me aforetime through their mothers before them. Hear me! I am Eros. I stamp upon the hills, and the wide valleys are my heralds, echoing the sound of my approach.’”

      And Paula pressed closer to her husband,

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