HENRY DAVID THOREAU: The Man Himself (Biographies, Memoirs, Autobiographical Books & Personal Letters). Генри Дэвид Торо
is a soberness in a rough aspect, as of unhewn granite, which addresses a depth in us, but a polished surface hits only the ball of the eye. The true finish is the work of time, and the use to which a thing is put. The elements are still polishing the pyramids. Art may varnish and gild, but it can do no more. A work of genius is rough-hewn from the first, because it anticipates the lapse of time, and has an ingrained polish, which still appears when fragments are broken off, an essential quality of its substance. Its beauty is at the same time its strength, and it breaks with a lustre.
The great poem must have the stamp of greatness as well as its essence. The reader easily goes within the shallowest contemporary poetry, and informs it with all the life and promise of the day, as the pilgrim goes within the temple, and hears the faintest strains of the worshippers; but it will have to speak to posterity, traversing these deserts, through the ruins of its outmost walls, by the grandeur and beauty of its proportions.
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But here on the stream of the Concord, where we have all the while been bodily, Nature, who is superior to all styles and ages, is now, with pensive face, composing her poem Autumn, with which no work of man will bear to be compared.
In summer we live out of doors, and have only impulses and feelings, which are all for action, and must wait commonly for the stillness and longer nights of autumn and winter before any thought will subside; we are sensible that behind the rustling leaves, and the stacks of grain, and the bare clusters of the grape, there is the field of a wholly new life, which no man has lived; that even this earth was made for more mysterious and nobler inhabitants than men and women. In the hues of October sunsets, we see the portals to other mansions than those which we occupy, not far off geographically,—
"There is a place beyond that flaming hill,
From whence the stars their thin appearance shed,
A place beyond all place, where never ill,
Nor impure thought was ever harbored."
Sometimes a mortal feels in himself Nature, not his Father but his Mother stirs within him, and he becomes immortal with her immortality. From time to time she claims kindredship with us, and some globule from her veins steals up into our own.
I am the autumnal sun,
With autumn gales my race is run;
When will the hazel put forth its flowers,
Or the grape ripen under my bowers?
When will the harvest or the hunter's moon,
Turn my midnight into mid-noon?
I am all sere and yellow,
And to my core mellow.
The mast is dropping within my woods,
The winter is lurking within my moods,
And the rustling of the withered leaf
Is the constant music of my grief.
To an unskilful rhymer the Muse thus spoke in prose:
The moon no longer reflects the day, but rises to her absolute rule, and the husbandman and hunter acknowledge her for their mistress. Asters and golden-rods reign along the way, and the life-everlasting withers not. The fields are reaped and shorn of their pride, but an inward verdure still crowns them. The thistle scatters its down on the pool, and yellow leaves clothe the vine, and naught disturbs the serious life of men. But behind the sheaves, and under the sod, there lurks a ripe fruit, which the reapers have not gathered, the true harvest of the year, which it bears forever, annually watering and maturing it, and man never severs the stalk which bears this palatable fruit.
Men nowhere, east or west, live yet a natural life, round which the vine clings, and which the elm willingly shadows. Man would desecrate it by his touch, and so the beauty of the world remains veiled to him. He needs not only to be spiritualized, but naturalized, on the soil of earth. Who shall conceive what kind of roof the heavens might extend over him, what seasons minister to him, and what employment dignify his life! Only the convalescent raise the veil of nature. An immortality in his life would confer immortality on his abode. The winds should be his breath, the seasons his moods, and he should impart of his serenity to Nature herself. But such as we know him he is ephemeral like the scenery which surrounds him, and does not aspire to an enduring existence. When we come down into the distant village, visible from the mountain-top, the nobler inhabitants with whom we peopled it have departed, and left only vermin in its desolate streets. It is the imagination of poets which puts those brave speeches into the mouths of their heroes. They may feign that Cato's last words were
"The earth, the air, and seas I know, and all
The joys and horrors of their peace and wars;
And now will view the Gods' state and the stars,"
but such are not the thoughts nor the destiny of common men. What is this heaven which they expect, if it is no better than they expect? Are they prepared for a better than they can now imagine? Where is the heaven of him who dies on a stage, in a theatre? Here or nowhere is our heaven.
"Although we see celestial bodies move
Above the earth, the earth we till and love."
We can conceive of nothing more fair than something which we have experienced. "The remembrance of youth is a sigh." We linger in manhood to tell the dreams of our childhood, and they are half forgotten ere we have learned the language. We have need to be earth-born as well as heaven-born, as was said of the Titans of old, or in a better sense than they. There have been heroes for whom this world seemed expressly prepared, as if creation had at last succeeded; whose daily life was the stuff of which our dreams are made, and whose presence enhanced the beauty and ampleness of Nature herself. Where they walked,
"Largior hic campos aether et lumine vestit
Purpureo: Solemque suum, sua sidera nôrunt."
"Here a more copious air invests the fields, and clothes with purple light; and they know their own sun and their own stars." We love to hear some men speak, though we hear not what they say; the very air they breathe is rich and perfumed, and the sound of their voices falls on the ear like the rustling of leaves or the crackling of the fire. They stand many deep. They have the heavens for their abettors, as those who have never stood from under them, and they look at the stars with an answering ray. Their eyes are like glow-worms, and their motions graceful and flowing, as if a place were already found for them, like rivers flowing through valleys. The distinctions of morality, of right and wrong, sense and nonsense, are petty, and have lost their significance, beside these pure primeval natures. When I consider the clouds stretched in stupendous masses across the sky, frowning with darkness or glowing with downy light, or gilded with the rays of the setting sun, like the battlements of a city in the heavens, their grandeur appears thrown away on the meanness of my employment; the drapery is altogether too rich for such poor acting. I am hardly worthy to be a suburban dweller outside those walls
"Unless above himself he can
Erect himself, how poor a thing is man!"
With our music we would fain challenge transiently another and finer sort of intercourse than our daily toil permits. The strains come back to us amended in the echo, as when a friend reads our verse. Why have they so painted the fruits, and freighted them with such fragrance as to satisfy a more than animal appetite?
"I asked the schoolman, his advice was free,
But scored me out too intricate a way."
These things imply, perchance, that we live on the verge of another and purer realm, from which these odors and sounds are wafted over to us. The borders of our plot are set with flowers, whose seeds were blown from more Elysian fields adjacent. They are the pot-herbs of the gods. Some fairer fruits and sweeter fragrances wafted over to us, betray another realm's vicinity. There, too, does Echo dwell, and there is the abutment of the rainbow's arch.
A finer race and finer fed
Feast and revel o'er our head,
And we