Little Darlings. Melanie Golding
and raw, and the pain in her uterus was dulled only slightly by the co-codamol she had recklessly taken despite the implied threat of further confinement (‘Are you sure? It might make you constipated, flower’).
Coos and snuffles turned into cries and she fed them, both together for the first time without the midwife’s help, managing to balance one while positioning the other with one hand. Riley, the smaller of the two, seemed to find it harder to get started and she had to reach around Morgan and slip her little finger between him and the nipple, repositioning him twice before he was able to feed. She wasn’t watching the clock. Hours started stretching out into lifetimes when she did that. Feeding time went on and she thought it might go on all night but then they each dropped off the breast, asleep, like ripened plums from a branch, and she set them down. The moment both twins were in the cot she let her eyes shut and her brain shut down and her body melted into the bed. She entered a kind of sleep in which she was poised, a part of her remaining on high alert, jerking her out at the slightest snuffle. A meagre kind of rest, but all she could afford.
And then she woke when there was no sound: why was there no sound? Had she done something wrong, were they suffocating? Were they breathing, had they died? She placed a hand on each baby and waited for the rise and fall, the sound of air being drawn in, a sign of life. Under the harsh light, under her two hands they breathed, they moved, they lived.
Lauren’s heart slowed by degrees. She thought of all the people that would be heartbroken if she let them die. Her gran, his mother, his father and hers. Patrick’s sister Ruthie and the cousins, Sonny and Daisy. The funeral, how she did not want to go through that or watch Patrick go through it. Was this the love, this fear of them dying? Perhaps it was. She lay with her eyes open, unable to stop a series of appalling ideas from flashing in her mind. Dropping them on their heads on the hospital floor. Crashing the car with them in it. A plastic nappy bag on the face, obscuring the airways in seconds while her back was turned. These things were so easy, so quick, and they actually happened, they were real. She was right to be scared. She looked at the babies, fixing them in her memory, their personalities emerging already – Riley frowning in his sleep, dissatisfied with something. Morgan, abandoned to it, relaxed and satiated. I will never forget this, she thought.
They were asleep. Sleep when they sleep. And she wanted to watch them to make sure they kept breathing but she clicked off like a light.
She dreamed of the bird and the cat again and awoke drenched in sweat and dread. How long had she slept? Impossible to know. The curtain between her bed and the next had been drawn across once more. This time there was no mistake: there was a woman in the next cubicle. The lamp inside was lit; she could see a silhouette on the curtain, long thin shadows stretched out to the ceiling. A creaky voice began to sing an unfamiliar song.
As she was a-walking her father’s walk aye-o
As she was a-walking her father’s walk,
She saw two pretty babes playing the ball
Lay me down me dilly dilly downwards
Down by the greenwood side-o
And the woman had two babies, Lauren was sure. There, the sound of two together, both cooing and grunting, as if they were singing along with the strange lullaby.
She said pretty babes if you was mine aye-o
She said pretty babes if you was mine
I’d dress you up in silken fine
Lay me down me dilly dilly downwards
Down by the greenwood side-o
Lauren felt an urge to visit the toilet, a sudden pressure on her bladder strong enough for her to answer it with a movement a bit too fast for her body. She swung her legs out of bed. Her knees buckled as she stood, but she held herself up with both hands on the bed rails. She perched there, testing herself. She could walk; she was just a bit unsteady. There was no sunburst of blood on the sheet. The muscles in her pelvic floor, cut and torn and sewn up, held her in place for now and she took her hands from the bed, allowing her feet to take their burden back. She checked the babies, still breathing, feather breaths on her cheek. Blood rushed from her head to serve her limbs and she waited for the feeling to pass, the floor to cease shifting under her like the deck of a sea vessel.
The clock read 4.17. The windows, black mirrors.
She took a penknife long and sharp aye-o
She took a penknife long and sharp,
And pierced the two pretty babes to the heart
Lay me down me dilly dilly downwards
Down by the greenwood side-o
Maybe Lauren would ask her to stop. The singing might wake Mrs Gooch. Plus, it was a horrible song, the words were creepy and the tune was weird, sort of sad and angry. She’d been pleased, initially, when she’d realised there was another woman on the ward with twins but she wasn’t sure she could be friends with someone who had no consideration for others.
The curtain had been pulled all the way around the cubicle, boxing it in. There was a gap of a few centimetres at one corner and Lauren widened it, peering through. The lamp was angled at her face, she was caught in the glare. She held a hand up to shield her eyes.
‘Excuse me,’ she said. The woman did not respond, kept humming the strange old tune. She tried again, a bit louder. ‘Excuse me?’
There was no hospital bed. The woman was sitting in the chair, the same as the one of pale green vinyl next to her own bed, next to all the beds on the ward. The scene was too small for the cubicle – without the bed there seemed too much floor space. The distance between Lauren and the woman was as wide as a river. The woman was leaning forward with her elbows on her knees and a large basket between her bare feet, feet dirty enough to stand out black against the floor. Rags from the woman’s dress were long fingers trailing against those feet, against the floor, forming a fringe over the basket. The glare from the angled lamp meant that Lauren couldn’t see the babies in the basket but she could hear them, ragged phlegmy breaths and two – definitely two – high-pitched voices murmuring. She took a step inside the cubicle, moving to get a better look, more from curiosity than anything else because she could see at once that this woman shouldn’t be there. She must be homeless. She wore several layers of clothing, as if she were cold even though it was oven-hot in the hospital. But when Lauren stepped closer she began to shiver. She was at once aware of the thinness of her hospital gown, cold air surrounding her, whispering around her exposed legs and entering the gown from below so that she wrapped her arms across herself to stop it. There must have been an air-conditioning outlet right there above them. It was a damp cold and there was a muddy, fishy smell which must have been coming from the homeless woman. Lauren sensed that she had been noticed, she knew it, but the woman hadn’t moved at all, not a millimetre. She was singing again.
She throwed the babes a long ways off aye-o
She throwed the babes a long ways off
The more she throwed them the blood dripped off
Lay me down me dilly dilly downwards
Down by the green-
‘Listen, I don’t mean to be rude but can you stop singing, please? You’re going to wake everyone up.’
The woman stopped singing with a sharp intake of breath. She raised her eyes from the basket. Lauren heard a high whining sound, another layer of hum but getting louder. It came from nowhere but inside her own ears. Run, it told her, leave, go, now. But her feet were rooted. Heavy as lead.
It took a long time for the woman’s eyes to meet hers and when the moment finally came Lauren had to blink away cold sweat to see her. She was young, perhaps eight or ten years younger than Lauren, but