The Return of the Shadow. Christopher Tolkien

The Return of the Shadow - Christopher  Tolkien


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1 For emendation of the typescript at this stage my father used black ink. This was fortunate, for otherwise the historical unravelling of the text would be scarcely possible: in a later phase of the work he returned to it and covered it with corrections in blue and red inks, blue chalk and pencil. In one case, however, an addition in black ink belongs demonstrably to the later phase. It is possible therefore that some of the emendations which I have adopted into the text are really later; but none seem to me to be so, and in any case all changes of any narrative significance are detailed in the following notes.

       ‘That makes it even queerer,’ said Bingo. ‘I am glad I had the fancy not to be seen on the road. But, somehow, I don’t believe either of these riders was one of the Big People, not of the kind like the Dale-men, I mean. I wonder what they were? I rather wish Gandalf was here. But, of course, he went away immediately after the fireworks with the elves and dwarves, and it will be ages before we see him now.’

       ‘Shall we go on now, or stay here and have some food?’ asked Odo …

       The sun had gone down red behind the hills at their backs, and evening was coming on before they came to the end of the long level over which the road ran straight. At that point it bent somewhat southward, and began to wind again, as it entered a wood of ancient oak-trees.

      It was not until the second edition of 1966 that my father changed the text to agree with the map:

       At that point it bent left and went down into the lowlands of the Yale making for Stock; but a lane branched right, winding through a wood of ancient oak-trees on its way to Woodhall. ‘That is the way for us,’ said Frodo.

       Not far from the road-meeting they came on the huge hulk of a tree …

      This is also the reason for change in the second edition of ‘road’ to ‘lane’ (also ‘path’, ‘way’) at almost all the many subsequent occurrences in FR pp. 86–90: it was the ‘lane’ to Woodhall they were on, not the ‘road’ to Stock.

       Inside the huge hollow trunk of an aged tree, broken and stumpy but still alive and in leaf, they rested and had a meal. Twilight was about them when they came out and prepared to go on again. ‘I am going to risk the road now,’ said Bingo, who had stubbed his toes several times against hidden roots and stones in the grass. ‘We are probably making a fuss about nothing.’

       Home is behind, the world ahead,

       And there are many paths to tread;

       And round the corner there may wait

       A new road or a secret gate,

       And hidden pathways there may run

       Towards the Moon or to the Sun.

       Apple, thorn, &c.

       Down hill, up hill walks the way

       From sunrise to the falling day,

       Through shadow to the edge of night,

       Until the stars are all alight; &c.

      13 In the initial drafting for this passage Bingo proposed that they stow their burdens in the hollow of an old broken oak and then climb it, but this was rejected as soon as written. This was no doubt where the ‘hollow tree’ motive first appeared.


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