A Companion to Contemporary British and Irish Poetry, 1960 - 2015. Группа авторов
the end, and to echo a decidedly American voice, Henry David Thoreau, it might not be where a poet comes from that matters as much as the way in which she makes an honest account of her life—or resonates with her various backgrounds—that will make this or that poet worth reading, whether the poet might derive from Kent, Ohio, or Kent, England, from Belfast, Northern Ireland or Belfast, Maine.
Acknowledgment
The author thanks Ransom Patterson for his bibliographical assistance as well as Kevin Clark and David Wiesenberg for their helpful consultations.
References
1 Brown, Merle E. (1970). “On Jon Silkin's ‘Amana Grass’.” The Iowa Review 1: 115–125.
2 Clark, Kevin (2004). “Poetic Modernism and the Oceanic Divide”. Review of New British Poetry (ed. Simic and Patterson). California Polytechnic State University. http://digitalcommons.calpoly.edu/cgi/viewcontent.cgi?article=1014&context= engl_fac (accessed 6 May 2020).
3 Clark, Kevin (2005). “Poetic Modernism and the Oceanic Divide”. Review of New British Poetry (ed. Simic and Patterson). The Georgia Review, 59.2: 403–409.
4 Daniels, Kate (1999). “Ireland's Best.” The Southern Review 35: 387–393.
5 Darlington, Andrew (2014). “'BOGG': History Of An Irreverent Poetry Magazine”. Eight Miles Higher. andrewdarlington.blogspot.com/2014/05/bogg‐history‐of‐irreverent‐poetry.html (accessed 17 August 2017).
6 Davison, Peter (2002). “Darkness at Muldoon”. Review of Moy Sand and Gravel (ed. P. Muldoon). New York Times (13 October). http://www.nytimes.com/2002/10/13/books/darkness‐at‐muldoon.html (accessed 26 January 2015).
7 Fox, Margalit (2013). “Seamus Heaney, Irish Poet of Soil and Strife, Dies at 74”. New York Times (30 August). http://www.nytimes.com/2013/08/31/arts/seamus‐heaney‐acclaimed‐irish‐poet‐dies‐at‐74.html?pagewanted=all (accessed 22 January 2015).
8 Garfield, Simon (2007). “How Granta Conquered the World”. The Observer, Guardian News and Media (30 December). http://www.theguardian.com/books/2007/dec/30/culture.features (accessed 6 May 2020).
9 Grosholz, Emily (2009). “Compacting Time: Anne Stevenson's Poems of Memory.” The Hudson Review 62 (3): 405–416.
10 Heaney, Seamus (1998). Opened Ground: Poems 1966–1996. New York: Farrar, Straus and Giroux.
11 Heaney, Seamus and Cole, Henri (1997). “Seamus Heaney, The Art of Poetry No. 75”. The Paris Review 144. http://www.theparisreview.org/interviews/1217/the‐art‐of‐poetry‐no‐75‐seamus‐heaney (accessed 26 January 2015).
12 Hughes, Ted (1971). Crow: From the Life and Songs of the Crow. New York: Harper and Row.
13 Kennedy, X. J. (1986). “Larkin's Voice.” New Criterion 4: 16–17.
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15 Larkin, Philip (1974). High Windows. New York: Farrar, Straus and Giroux.
16 Leithauser, Brad (2006). “Wild Irish”. Review of District and Circle (ed. S. Heaney). New York Times (16 July) Sunday Book Review. http://www.nytimes.com/2006/07/16/books/review/16leithouser.html (accessed 6 May 2020).
17 Lowell, Robert (1960). Acceptance Speech of Robert Lowell, Author of Life Studies. National Book Committee Quarterly, 4: 7.
18 Muldoon, Paul (ed.) (1986). The Faber Book of Contemporary Irish Poetry. London: Faber & Faber.
19 Pinsky, Robert (1977). Review of Gamete, by Ted Hughes and Collected Poems (ed. D. Abse). The New York Times Book Review (25 December), 137.
20 Ramazani, Jahan, Ellmann, Richard, and O'Clair, Robert (eds.) (2003. Volume 2 of). The Norton Anthology of Modern and Contemporary Poetry. New York: W.W. Norton & Company.
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22 Satterfield, Jane (2001). Review of The World's Wife, by Carole Ann Duffy. The Antioch Review, 59.1: 123–124.
23 Shapiro, Alan (1989). “Celebrating Philip Larkin, Visionary of the Everyday”. Review of Collected Poems (ed. P. Larkin). Chicago Tribune (26 April) http://articles.chicagotribune.com/1989‐04‐16/entertainment/8904040789_1_philip‐larkin‐collected‐poems‐visionary (accessed 27 January 2015).
24 Smartish Pace (2015). “Q&A with Eavan Boland”. http://www.smartishpace.com/pqa/eavan_boland (accessed 26 January 2015).
25 The Poetry Foundation (2015a). “Anne Stevenson”. http://www.poetryfoundation.org/bio/anne‐stevenson (accessed 26 January 2015).
26 The Poetry Foundation (2015b). “Eavan Boland”. http://www.poetryfoundation.org/bio/eavan‐boland (accessed 26 January 2015).
27 The Poetry Foundation (2015c). “Mebdh McGuckian”. http://www.poetryfoundation.org/bio/medbh‐mcguckian (accessed 26 January 2015).
28 The Poetry Foundation (2015d). “Philip Larkin”. http://www.poetryfoundation.org/bio/philip‐larkin (accessed 19 January 2015).
29 The Poetry Foundation (2015e). “Seamus Heaney”. http://www.poetryfoundation.org/bio/seamus‐heaney (accessed 26 January 2015).
30 Tracy, D. H. (2006). “Review of Poems 1955–2005” (ed. A. Stevenson). Poetry, 188.2: 169–170.
31 Trethewey, Natasha (2013). “How Seamus Heaney Influenced Poet Laureate Natasha Trethewey”. The Daily Beast (3 September). http://www.thedailybeast.com/articles/2013/09/03/how‐seamus‐heaney‐influenced‐poet‐laureate‐natasha‐trethewey.html (accessed 2 December 2014).
32 Williams, William Carlos (1951). The Autobiography of William Carlos Williams. New York: Random House.
Note
1 1 Please note that this essay references one of two versions of Clark's review, one available at the Digital Commons website at California Polytechnic State University (Clark 2004) and one appearing in The Georgia Review (Clark Georgia 2005).
2a.4 Readers: Who Reads Modern Poetry?
Juha Virtanen