A Companion to Contemporary British and Irish Poetry, 1960 - 2015. Группа авторов
exists, and it evinces no signs of decline.
References
1 Adorno, Theodore (2013). Aesthetic Theory. London: Bloomsbury Academic.
2 Barry, Peter (2000). Contemporary British Poetry and the City. Manchester: Manchester University Press.
3 Barry, Peter (2006). Poetry Wars: British Poetry of the 1970s and the Battle of Earls Court. Cambridge: Salt Publishing.
4 Blanc, Alberto C. (1961). “Some evidence for the ideologies early man.” In: Social Life of Early Man (ed. Sherwood Larned Washburn), 119–136. Chicago: Aldine.
5 Brady, Andrea (2004). ““Meagrely Provided”: a response to Don Paterson.” Chicago Review 49–50 (3–4/1): 396–402.
6 Bridgewood, Ann and Hampson, John (eds.) (2000). Rhyme and Reason: Developing Contemporary Poetry. Great Britain: Arts Council England.
7 Cowdrey, Katherine (2016). “Poetry Market Celebrates National Poetry Day with Highest Sales Ever.” The Bookseller (5 October). http://www.thebookseller.com/news/poetry‐market‐celebrates‐national‐poetry‐day‐highest‐sales‐ever‐405931 (accessed 6 May 2020).
8 Duncan, Andrew (2011). “Irrepressible Creativity of the London Scene.” Angel Exhaust (28 March). http://angelexhaust.blogspot.co.uk/ 2011_ 03_01_archive.html (accessed 6 May 2020).
9 Edwards, Ken (2000). “The Two Poetries.” Angelaki 3 (1): 25–36.
10 Edwards, Ken (n.d.) “The History of Reality Street.” www.realitystreet.co.uk/about‐us.php (accessed 21 August 2017).
11 Fisher, Allen (1999). The Topological Shovel: Four Essays. Ontario: The Gig.
12 Fisher, Allen (2007). Confidence in Lack. London: Writers Forum.
13 Fisher, Allen (2016). Place, 2e. Hastings: Reality Street.
14 Flood, Alison (2014). “Jeremy Paxman Says Poets Must Start Engaging with Ordinary People.” The Guardian (1 June). http://www.theguardian.com/media/2014/jun/01/jeremy‐paxman‐poets‐engage‐ordinary‐people‐forward‐prize (accessed 6 May 2020).
15 Forrest‐Thompson, Veronica (1978). Poetic Artifice. Manchester: Manchester University Press.
16 Goode, Chris (ed.) (2011). Better than Language: An Anthology of New Modernist Poetries. Eastbourne: Ganzfeld Press.
17 Hamilton, Nathan (ed.) (2013). Dear World & Everyone in It: New Poetry in the UK. Wiltshire: Bloodaxe Books.
18 Hilson, Jeff (2012). “Maintenant #92 – Jeff Hilson: An interview with Jeff Hilson by S. J. Fowler.” 3:AM Magazine (22 April). http://www.3ammagazine.com/3am/maintenant‐92‐jeff‐hilson (accessed 6 May 2020).
19 Hi Zero (n.d.). “Hi Zero: Poetry Readings and Publications out of Brighton, UK.” http://hizeroreadings.tumblr.com (accessed 21 August 2017).
20 Iser, Wolfgang (2008). “The Reading Process: a Phenomenological Approach.” In: Modern Criticism and Theory: A Reader (eds. David Lodge and Nigel Wood), 294–310. London: Pearson Longman.
21 Larkin, Philip (1964). The Whitsun Weddings. London: Faber & Faber.
22 Loydell, Rupert, and Sheppard, Robert (2012). “Even the Bad Times are Good.” Stride Magazine (20 January). www.stridemagazine.co.uk/Stride%20mag%202012/Jan%202012/rupertandrobertint.htm (accessed 6 May 2020).
23 Middleton, Peter (2005). Distant Reading: Performance, Readership, and Consumption in Contemporary Poetry. Tuscaloosa: University of Alabama Press.
24 Mitchell, Adrian (1964). Poems. London: Jonathan Cape.
25 Mitchell, Adrian (n.d.) “Adrian Mitchell Interview.” The Poetry Archive. http://www.poetryarchive.org/interview/adrian‐mitchell‐interview (accessed 21 August 2017)
26 Mottram, Eric (1993). “The British Poetry Revival.” In: New British Poetries: The Scope of the Possible (eds. Robert Hampson and Peter Barry), 15–50. Manchester: Manchester University Press.
27 Mottram, Eric (2000). “Our education is political: Interview with Wolfgang Görtschacher.” In: Contemporary Views on the Little Magazine Scene (ed. Wolfgang Görtschacher), 48–94. Salzburg et al: Poetry Salzburg.
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29 Paterson, Don and Simic, Charles (eds.) (2004). New British Poetry. Minneapolis: Graywolf Press.
30 Prynne, J. H. (2005). Poems. Wiltshire: Bloodaxe Books.
31 Sheppard, Robert (2005). The Poetry of Saying: British Poetry and Its Discontents 1950–2000. Liverpool: University of Liverpool Press.
32 Sheppard, Robert (2011). When Bad Times Made for Good Poetry: Episodes in the History of the Poetics of Innovation. Exeter: Shearsman.
33 Sinclair, Iain (ed.) (1996). Conductors of Chaos. Great Britain: Picador.
Notes
1 1 A more detailed account of the Movement poets and their poetics can be found in, for example, Sheppard (2005, 20–34).
2 2 A more thorough discussion of these readerly practices is available in, for example, Middleton (2005, 1–24).
3 3 Mottram's commitment to the “parallel tradition”—and his distaste for the “mainstream”—of poetry is discernible in both his essays and his comments in interviews. See, for example, Mottram (1993, 15–50) and Mottram (2000, 48–94).
4 4 Examples of studies and anthologies that have tried to complicate the perceived divisions between the “mainstream” and the “avant‐garde” include Barry (2000), Barry (2006), and Hamilton (2013).
5 5 As a case in point, Don Paterson's introduction to New British Poetry claimed that experimental poets were “capable of nothing more than monotone angst […] and a kind of joyless wordplay” (Paterson and Simic 2004, xxxii). As Andrea Brady puts it, this was “so fanatical a diagnosis that all readers might as well ignore it” (Brady 2004, 397).
6 6 This claim was contested in the 1980s. However, at the time when Fisher was writing Place, the cannibalistic ritual was the leading theory about the skull found at Mt. Circeo.
7 7 More discussion on Xing the Line can be found in Hilson (2012). Archived information about events organized by Luna and Careless is available in Hi Zero (n.d.).
8 8 The full figures are:2013–2014: 9,629 of which