A History of Bohemian Literature. hrabe Francis Lützow
Whatever may be the final result of the discussion, the Manuscript of Königinhof will always remain one of the curiosities of literature. The first part of the manuscript consists of six ballads, if we may thus describe them, five of which deal with warlike events; the first,[5] which describes a battle between the Bohemians and the Germans, has a distinctly heathen character. The sixth ballad contains a description of a tournament, and is one of those pieces in which the opponents of the genuineness of the manuscript think that they have discovered anachronisms. The second part of the manuscript consists of eight shorter songs. Some of them are by no means devoid of poetic merit, but they have a somewhat sentimental manner, which makes them appear rather modern to the reader. The adversaries of the manuscript have not been slow in noting this circumstance. I shall only translate one of the short poems of the manuscript, entitled "The Cuckoo":—
"In the fields there stands an oak-tree, On the oak-tree a cuckoo calls: He ever calls, he laments That spring does not last for ever. How could the wheat ripen in the fields If spring lasted for ever? How could the apples ripen in the garden If summer lasted for ever? Would not the ears of corn freeze in the stack If autumn lasted for ever? Would not the maiden be mournful If her solitude lasted for ever?"
In view of the uncertainty concerning the authenticity of the Manuscript of Königinhof, it is obviously impossible to assign a date to it. The writers who believe in its genuine character hold that the poems were transcribed and collected in their present shape at the end of the thirteenth or the beginning of the fourteenth century, but that some of them are of far higher antiquity. The distinctly heathen character of one of these poems renders this certain, of course, if only we can dismiss the supposition of a modern falsification.
The second ancient Bohemian manuscript that was supposed to have been discovered at the beginning of the present century is that of Zelená Hora or Grüneberg, which is generally mentioned in connection with the Manuscript of Königinhof, and is printed together with it in most editions. It has now been proved that the Manuscript of Grüneberg is a falsification dating from the present century, and its genuineness is now no longer maintained by any scholars, though a natural patriotic feeling has rendered it painful to many to admit that this manuscript, which was attributed to the ninth century, and described as "the most ancient document in Bohemian, and indeed in all Slavonic literature," is nothing but a fraudulent imposture.
It is proverbially easy to be wise post eventum, that is, in this case, after the fact of a forgery is recognised, but it is difficult to repress very natural surprise that the mysterious manner in which the Manuscript of Grüneberg first became known did not create greater suspicion than was actually the case. The manuscript was (in 1818) sent anonymously by post to Francis Count Kolovrat-Liebsteinsky, then high burgrave (or governor) of Bohemia. That nobleman had shortly before published an appeal to the Bohemians in favour of the National or Bohemian Museum, of which he was one of the founders, and which had as principal object the preservation of the relics of Bohemian antiquity. It was not until many years later that John Kovár, steward on Count Colloredo's estate of Grüneberg, declared that he had found the manuscript in an outlying room of the castle of Grüneberg; he further stated that he had believed his master, Count Colloredo, to have been so thoroughly German in his feelings that he would have destroyed the manuscript had it been shown to him. It is difficult for others than Bohemians to realise the absurdity of such a statement. The strictly absolutist government of Austria during the first half of the present century inexorably suppressed all public demonstrations of national feeling; whether German or Slavonic. It was thus impossible that literary controversies should assume a political aspect at that period, though this has certainly happened in more recent times. It was equally absurd to suggest that Count Colloredo, a distinguished general during the Napoleonic wars, was likely to take any interest whatever in documents belonging to the early period of the Bohemian language—a language that then, and even far more recently, was almost unknown to the upper classes of Bohemian society.
The Manuscript of Grüneberg consists of two small fragments of parchment, one of which contains a few lines only, entitled "The Decree of Domestic Law." The second larger fragment is called the "Judgment of Libussa." It deals with the semi-mythical Bohemian princess who is the heroine of many ancient tales. It is curious to note that many very grave disquisitions on the early social condition and judicial institutions of the Slavonic race have been based on this apocryphal manuscript.
The "Question of the Manuscripts," at least with regard to that of Königinhof, is yet undecided. The vast literature on the subject which has gradually accumulated has incidentally thrown much light on many social and philological questions concerning ancient Bohemia and its language. The committee of the Bohemian Museum no doubt indirectly expressed its opinion when the Manuscript of Grüneberg was removed from public view, while that of Königinhof continued to be exhibited in the hall of manuscripts in the museum.
Several other Bohemian manuscripts purporting to be of very ancient origin also made their appearance at the beginning of the present century, and modern additions were made to an authentic ancient manuscript. These falsifications were soon discovered, and in some cases suspicion undoubtedly points to Hanka.
The earliest Bohemian writings, the authenticity of which is uncontested, have a distinctly Christian and religious character. One of the most ancient written documents in the Bohemian language is the hymn "Gospodi pomiluj ny" (Lord have mercy on us). The earliest version is written in a language resembling the Old Slavonic, but with many specially Bohemian locutions. The authorship of the hymn has been attributed to St. Cyrillus and to St. Methodius, or to their early disciples, but there is no evidence to prove this conjecture. The date of the hymn also cannot be fixed, but the chronicler, Comas of Prague, tells us that it was sung by the people at the installation of Bishop Dietmar of Prague in 973. The hymn is sung, in a modernised version, in the Bohemian churches up to the present day.
Another very ancient hymn that has great historical interest is that to St. Venceslas. The date of this hymn also cannot be ascertained, but there is evidence that the veneration for the murdered Prince Venceslas was already very great in the eleventh century, and the hymn is certainly very ancient. The existent version dates from the thirteenth century. The composition of the hymn, which is rhymeless, but has frequent assonances, also vouches for its antiquity. The three original strophes run thus:—
"Holy Venceslas—Duke of the Bohemian land—Our Prince—Pray for us to God—And the Holy Ghost—Kyrie Eleison.
"Beautiful is the court of heaven—Happy he who enters there—Into eternal life—And the clear light—Of the Holy Ghost—Kyrie Eleison.
"Thy help we implore—Have mercy on us—Comfort the mournful—Deliver us from all evil—Holy Venceslas—Kyrie Eleison."
Many further strophes were added to this hymn when it became famous. During the Hussite wars it was the favourite war-song of the "lords sub una" (= Catholics), while the utraquists or Hussites sang the famous "All ye warriors of God."[6]
Among the very ancient documents written in the Bohemian language are a considerable number of missals, psalm-books, and translations of portions of the Holy Scriptures, which, though of great archaeological and historical interest, hardly require notice in an account of Bohemian literature.
Undeniable literary value, on the other hand, belongs to some of the many early Bohemian legends that have been preserved. Some have been known since the beginning of the revival of Bohemian literature, while others have been discovered quite recently, sometimes in parish churches or the libraries of remote monasteries. Such discoveries indeed continue up to the present day. A considerable number of these legends (with a few small writings of a more secular character) are contained in two collections, known respectively as the manuscripts of Königgrätz and of St. Vitus, the cathedral church of Prague.[7]
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