All Afloat: A Chronicle of Craft and Waterways. William Wood
Table of Contents
What the camel is to desert tribes, what the horse is to the Arab, what the ship is to the colonizing Briton, what all modern means of locomotion are to the civilized world to-day, that, and more than that, the canoe was to the Indian who lived beside the innumerable waterways of Canada. The Indian went fishing, hunting, campaigning, and sometimes even whaling, in his bark canoe. Jacques Cartier found Indians fishing in the Gulf of St. Lawrence and sleeping under their upturned canoes, as many a white and Indian has slept since that long-past summer of 1534. Every succeeding explorer made use of the Indian canoe, up to the time of Mackenzie,[1] who paddled north to the Arctic in 1789, along the mighty river which bears his name; and who, four years later, closed the age of great discoveries by crossing the Great Divide to the westward-flowing Fraser and reaching the Pacific by way of its tributary, the Blackwater, an Indian trail overland, and the Bella Coola. Mackenzie had found the canoe route; and when he painted the following record on a fiord rock he was bringing centuries of arduous endeavour to a befitting close: 'Alexander Mackenzie, from Canada, by land, the 22nd of July, 1793.' This crowning achievement with paddle and canoe seems very far away from the reader of the twentieth century. Yet François Beaulieu, one of Mackenzie's voyageurs, only died in 1872, and was well known to many old North-Westers who are still alive.
The Indian birch-bark canoe is pre-eminently characteristic of Canada. But it is not the most primitive type of small craft; and it was often superseded for various purposes by the more advanced types introduced by the whites. There are three distinct types of small craft all the world over. Like everything else, they have followed the invariable order of evolution, from the simple to the complex. First came the simple log, which served the earliest man to cross some little stretch of water by the aid of pole or paddle. Next came the union of several logs, which formed the clumsy but more stable raft. Then some prehistoric genius found that the more a log was hollowed out the better it would float; and so the dug-out was invented. Log, raft, and dug-out all belong to the first and simplest type, in which there are no artificial parts to fit together. The second type is exemplified by the birch-bark canoe, which has three parts in its frame—gunwale, cross-bars, and ribs—and a fourth part, the skin, to complete it. The third type is distinguished from the second by its keel, as clearly as vertebrate animals are distinguished from invertebrates by their backbone. The common keeled boat, with all its variations, represents this third and, so far, final type. All three types have played their parts in Canada, both jointly and separately, and all three play their parts to-day. But they are best understood if taken one by one.
First, then, the log, the raft, and the dugout canoe. Any one watching a 'log drive' to-day can see the shantymen afloat in much the same way, though for a very different purpose, as their remotest human ancestors hundreds of thousands of years ago. The raft, like the log, is now a self-carrying cargo, not a passenger craft. But there it is, much as it always was. Indeed, it is simpler now than it used to be some years ago, before the days of tugs and railways. Then it was craft and cargo in one. It was steered by immense oars, as sailing vessels were before the days of rudders; other gigantic oars were occasionally used to propel it, like an ancient galley; it carried loose-footed square sails, like the ships of Tarshish; and its crew lived aboard in shacks and other simple kinds of shelter, like the earliest Egyptian cabins ages before the captivity of Israel.
The dug-out has the humblest, though the longest, history of any craft the hand of man has ever shaped. At one time it rose to the dignity of being the liner and the man-of-war of the Pacific coast; for the giant trees there favoured a kind of dug-out that the savage world has never seen elsewhere, except in certain parts of equatorial Africa. At another time, only a century or two ago, dug-outs of twenty feet or so were used in trade between the St. Lawrence and the Hudson. They were of white pine, red or white cedar, or of tulip tree; and their crews poled standing or paddled kneeling, for they had no thwarts. They carried good loads, went well, with their canoe-shaped ends, and lasted ten or twelve years if tarred or painted. They were, indeed, one-piece canoes, which they had a perfect right to be, as the word canoe comes from the name the West Indian natives gave their dug-outs when questioned by Columbus. Nowadays the dug-out is generally used for the dirtier work of 'longshore fisheries. It has lost its elegance of form, and may be said to have reverted to a lower type. But this reversion only serves the better to remind the twentieth century of what all sorts of craft were like, not twenty, but two hundred, centuries ago.
Secondly comes the Indian bark canoe, so justly famous in the history, romance, and poetry of Canada. As in the case of other craft, its form, size, and material have never been what we call 'standardized.' Indians living outside the birch belt had to use inferior kinds of bark. But the finest type was always made, and is still made, with birch-bark. At least three kinds of tree are necessary for the best results: the birch for the skin, the fir to caulk it with, and the cedar for the sewing fibres and the frame. Only a single tool is needed—a knife; and many a good canoe was built before the whites brought metal knives from Europe. The Indian looks out for the biggest, soundest, and smoothest birch tree in his neighbourhood. He prefers to strip it in the early summer, when the bark is supple with the sap. Sap is as good for the bark as it is bad for the woodwork of canoes and every other kind of craft. The soft inside of the bark is always scraped as clean as a tanner scrapes a hide. If the Indian has to build with dry or frozen bark he is careful to use hot water in stripping the trunk, and he warms the bark again for working. Of course, it is a great advantage to have as few strips as possible, since every seam must first be sewn together by the squaws and then gummed over. Occasionally a tree will be found big and suitable enough to yield a single strip from which a seamless twenty-footer can be built. But this is very rare.
The next thing is the frame—the gunwale, ribs, and cross-bars. Where many canoes are building there is generally some sort of model round which the ribs are bent. But a skilled Indian can dispense with any model when making the ribs with every requisite degree of curve, from the open ribs amidships, where the bottom is nearly flat, to the close ribs at the ends, where the shape becomes halfway between the letter 'U' and the letter 'V.' The gunwale is quite the most important part of the canoe, as it holds all the other parts together and serves some of the constructional purposes of a keel. The voyageurs, recognizing this, call it le maître. It is laid on the ends of the ribs, which are made fast to it. Then the frame is completed by the three or more cross-bars, which keep the two sides of the gunwale from spreading apart. After this the birch-bark skin is stretched on the frame as tightly as possible, turned in over the gunwale, and clamped on there by the faux maître or super-gunwale. The two ends, both as sharp as an ordinary bow, are then sewn together by a sort of criss-cross fibre lacing, and every hole or seam in the bark is well gummed with melted rosin. The finishing touches are equally important, each in its own way. Thin boards are laid in lengthwise, either between the ribs and the skin or over the ribs, so as to protect the bark bottom from being injured by the cargo. The ends of the canoe are reinforced inside by the Indian equivalent for a collision bulkhead. This bulkhead sometimes rises well above the gunwale and is carved like a figurehead, which accounts for its voyageur name of le p'ti' bonhomme. A third finishing touch, very common in earlier days, is the decoration of the outsides of both ends, which used to rise with a sharp sheer, and sometimes actually curved back. The usual decorations here were totem signs, generally made of porcupine quills, dyed in many colours, and serving the original purpose of a coat of arms.
The familiar shape has never been greatly varied, though some canoes are built on finer lines for speed, and others on fuller lines for carrying cargo. But there has always been plenty of variety in size and material. The smallest canoe would hardly hold two persons, and could be carried in one hand. The big war canoes would hold more than twenty well-armed paddlers and required four men to carry them. The very biggest canoe probably did not exceed forty feet in length, six in breadth, and two in depth amidships. Fifty men or five tons of cargo could have been carried in it. But perhaps one quite so large was never built. When white cedar and birch were not to be had, all sorts of substitutes were used. Any roots with tough fibres would do for the sewing, and any light and tough wood served its turn as a more or less efficient substitute for the white cedar framing. But elm and other alternative barks were all bad. The elm bark was used inside out, because the outside was too rough and