All Afloat: A Chronicle of Craft and Waterways. William Wood

All Afloat: A Chronicle of Craft and Waterways - William Wood


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of a canoe. It made dull paddling and never lasted the whole of a hard season, unlike the birch-bark, which sometimes had a life of six or seven years. The most modern material is canvas, which is generally painted red or green. It is light, easily repaired, and has much to recommend it, though trappers think it gives a taint which scares their game away. The paddles were and are of all shapes and sizes, long and short, broad and narrow, spoon-blade and square; and they were and are made of all kinds of wood, from the lightest spruce to the much heavier but handsomer bird's-eye maple. Sails were and are only used with light winds dead aft, and not often in birch-barks even then, because there is no 'stiffness' without a keel.

      There were skin as well as bark canoes among the Indians. But the typical skin canoe is the Eskimo kayak. This is a shuttle-shaped craft, about fifteen feet long and just wide enough to let its single paddler sit flat on the bottom. It differs from the Indian canoe in being entirely decked over. The skin of the grey seal, when that best of canoe skins can be found, is carefully sewn, so as to be quite waterproof, and then stretched as tightly as a drumhead all over the frame, except for the little 'well' where the Eskimo sits with his double-bladed paddle. As he tucks himself in so closely that water cannot enter he does not fear to be capsized, for he can right himself with a sweep of his paddle. Kayaks are very light and handy, as the frame is made either of whalebone or spruce. The oomiak is the Eskimo's family boat and cargo carrier, flat-bottomed, not decked in, and sometimes big enough for twenty people with their gear. It is made of much the same materials.

      The white man's canoes, so well known—outside of Canada—as 'Canadian canoes,' are partly true canoes and partly a cross between canoes and boats. The fact that the skin is not made of bark or hide, but of canvas, wood, or metal, and the further innovation that machinery is freely used, make no essential difference, provided always that there is no semblance of a keel. But once the keel is introduced the whole constructional idea is changed and the ways of savages are left behind. A first-rate keeled canoe, built of white cedar, brass shod and copper fastened, fitted with air tanks and life-line, a lateen sail and portage handles, is the very perfection of a handy little cruiser for all sorts of inland waters. One like this, but built of basswood, proved quite serviceable after more than ten years' work, in the course of which it covered several thousand miles along the Lower St. Lawrence, where the seas are often rough and the low-tide landings always hard.

      But all similar craft, though looking like canoes afloat, are no more like the true canoes and kayaks in their constructional detail than a bird is like a butterfly. The keel makes all the difference. Everything in naval architecture springs from and is related to the keel. 'Laying the keel' means beginning the ship in the only possible way, and 'two keels to one' is an expression which every one understands as meaning a naval preponderance in that proportion. The keel is to the ribs of a ship exactly what the backbone is to the ribs of a man, and any craft built up from a keel, no matter how small and simple it may be, belongs to the third and apparently final type of craft, which is as far ahead of the canoe type as that is ahead of the dug-out, raft, and log.

      An intermediate type that once did much service, and still does a little, is the white man's flat-bottomed boat, which could be paddled, rowed, or sailed, according to build and circumstances. The common punt is the best known form of it; the dory by far the handiest all round; the cargo barge the biggest; and the old-fashioned 'bateau' the most characteristically Canadian. The modern 'bateau' is to be found only among keeled sailing craft. But the old 'bateau,' which Wolfe's local transport officers spelt battoe, was more of a rowboat. It was sharp at both ends, wall-sided, and fitted with oars, poles, and a square sail. The bottom had some sheer—that is, it was curved up at each end—but less than the top. Four men rowed, the fifth steered, and three tons of miscellaneous goods or thirty-five barrels of flour made a fair cargo. Bateaux like this were the craft in which the United Empire Loyalists went up the St. Lawrence to settle Upper Canada. Afterwards the size and crew were increased till the average cargo amounted to about four tons and a half. But the Durham boat, introduced by American traders from the Mohawk valley, soon became a successful rival, which was not itself supplanted till canals enabled still larger craft to pass from one open water to another. The Durham was larger than the bateau; long, light, and shallow. It had a not quite flat bottom and a moderate sheer in the sides. The best bateaux and Durhams were made with strong white oak bottoms and light fir sides.

      The bark canoe gave place to the boat, step by step, as civilized intercourse advanced. It disappeared first from the great national highway of the St. Lawrence and the Lakes, where the French began using bateaux and sailing craft as early as the seventeenth century. During the eighteenth the boat gained steadily on the canoe, which was more and more confined to the Indians. The local craft in chief civilized use on both sides during the fight for Canada was the bateau; and the best crews then and afterwards were the French-Canadian voyageurs.

      But everywhere beyond the immediate spheres of French and British influence the canoe was universal. The Great West then began at the Lakes and the Mississippi, and was a land of wild adventure, rumour, and extravagant surmise. The map that formed the frontispiece to the standard authority of the time—Jefferys' French Dominions in America—is full of geographical romance. Once in the Kaministikwia, the map has no territorial divisions other than those between the different tribal hunting grounds, each one of which was watered by a hundred streams and marked by the 'carrying places' where the canoes had to be 'portaged.' There lived the 'Nation of the Bear' and the 'Nation of the Snake,' whose special totems of course were worked in coloured quills on every war canoe; and there flowed many a river 'the course of which is uncertain.' Along the great Assiniboine lay the 'Warrior's track from the River of the West,' and just where the prairies ran out into the complete unknown there was the vista of a second Eldorado in the hopeful suggestion that 'Hereabouts are supposed to be the Mountains of Bright Stones mentioned in the Map of ye Indian Ochagach.'

      After the Conquest the tide of trade and settlement flowed faster and faster west; and with the white man's trade and settlement came the white man's boats. At last, in 1823, Sir George Simpson, the resident governor of the Hudson's Bay Company, finding that canoe transport was half as dear again as that done with boats, ordered that boats should supersede canoes all over the main trade routes of the Company's vast domain. This was the death-blow to the canoe as a real factor in Canadian life. From that time on it has been receding farther and farther, from waterway to waterway, at first before the white man's boat with oars and sails, and now before his steamer. But in distant or secluded wilds it lingers still—the same craft to-day that it was when the Celtic coracles were paddled on the Thames before the Romans ever heard of England—the horse, the ship, the moving home of those few remaining nomads whose life is dying with its own.

      The great historic age of inland small craft—the age of dug-out, bateau, and canoe; the age of Indian, pioneer, and voyageur—was the eighteenth century, when fresh-water sailing craft were few, when steamers were unknown, and when savage and civilized men and methods were mingled with each other in the fur trade over a larger area than they used in common either before that time or since. The seventeenth century saw the slow beginnings of this age after Champlain had founded Quebec in 1608 and had taken the warpath with the Hurons against the Iroquois. The nineteenth century saw its almost equally slow decline, which began in 1815, at the close of the war with the United States, and may be said to have been practically completed with the two North-West Rebellions of 1870 and 1885. The latter year, indeed, closed a real epoch with three significant events: the end of the last Indian and half-breed war in Canada, the completion of the first trans-continental Canadian railway, and the return from Egypt of the first and last Canadians to go on an oversea campaign as professed voyageurs.

      Under the French régime the fur trade reached well past Lake Superior. Nepigon and the Kaministikwia were the two most important junctions of routes at the western end of the lake. Under British rule the Montreal 'fur lords' used the 'Grand Portage,' which ends on a bay of Lake Superior some way south of the modern Fort William. It was a regular bush road, nearly ten miles long, made to avoid the falls of the Pigeon. As early as 1783, the year in which King George III first recognized the United States as an independent power, the fur lords kept no less than five hundred men in constant work at the height of the season, during the latter half of August. Horses and oxen were used later on; but the voyageur himself was the chief beast of burden here, as


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