The Death Ship (Vol. 1-3). William Clark Russell

The Death Ship (Vol. 1-3) - William Clark Russell


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stately but now long since swept away; on meadows and orchards then bright with daisies, ruddy with fruit, but now covered with houses and busy streets whose sidewalks echo to the tread of generations more dream-like in that past to which the aged eye turns than ever can be the dead who then lived.

      'Tis thus when I think of that Plymouth snow; for leaning back in my chair and closing these eyes, that morning shines all around me; the tremulous sea of blue, of a satin sheen in its tiny ripplings, shot with milder tints where the currents run as though they were the thin fingers of the wind toying with the bosom of the deep, bends to the distant sky upon whose lowermost reaches it flings the same opal lustre it gathers at its horizon; the air blows fitfully, like the warm breathings from a woman's sweet lips, and sometimes stills our sails and sometimes suffers them to flutter in sounds soothing as the murmurs of a midsummer night breeze amid the high branches of a sleeping oak. The snow had black sides but was painted white from her water-line; and though there was no lack of draining weeds and clustered shells upon her bilge and run, yet, with every slow roll from us, the wet whiteness, taking the meridian effulgence, broke out in a glory as of virgin silver, enriched by the marine adhesions, into the very likeness of a resplendent mosaic of precious metal and green glass.

      Such magic has the sea to beautify whatever it is permitted to possess long enough for its powers of enrichment to work their way!

      Her canvas flashed out of shadow into brightness with every lift of the swell; the ripples ran a dissolving tracery along her bends, as dainty to see as the choicest lace; the weather-clouded faces of her men looked at us over the stout bulwark-rail that was broken by a few open ports through which you spied the mouths of little cannon; and it was laughable to mark her figurehead, that represented an admiral in a cocked hat—a cheap dockyard purchase, no doubt, for the effigy was ridiculously out of character and foolishly too big for the vessel—bowing to the blue surface that flowed in lines of azure light to the cutwater, as though there were some mermaid there to whom he would be glad to "make a leg," as the old saying was.

      CHAPTER III.

       THE CAPTAIN AND I TALK OF THE DEATH SHIP.

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      After three-quarters-of-an-hour, or thereabouts, Captain Skevington returned. We then trimmed to our course again, and, ere long, the Plymouth snow was astern of us, rolling her spread of canvas in a saluting way that was like a flourish of farewell.

      Whilst the jolly boat was being hoisted, the captain stood gazing at the snow with a very thoughtful face, and then burying his hands in his pockets, he took several turns up and down the deck with his head bowed, and his whole manner not a little grave. He presently went to the mate, and talked with him, but it looked as though Mr. Hall found little to raise concern in what the captain said, as he often smiled, and once or twice broke into a laugh that seemed to provoke a kind of remonstrance from the master, who yet acted as though he were but half in earnest too; but they stood too far away for me to catch a syllable of their talk.

      It was my watch below at eight o'clock that evening. I was sitting alone in the cabin, sipping a glass of rum and water, ready to go to bed when I had swallowed the dose. There was but one lamp, hanging from a midship beam, and the cabin was somewhat darksome. The general gloom was deepened by the bulkhead being of a sombre, walnut colour, without any relief—such as probably would have been furnished had we carried passengers—from table-glass or silver, or such furniture. I mention these matters because they gave their complexion to the talk I am now to repeat.

      Presently, down into this interior through the companion hatch comes Captain Skevington. I drained my glass and rose to withdraw.

      "Stop a minute, Fenton," says he; "what have you been drinking there?"

      I told him.

      "Another drop can't hurt you," said he; "you have four hours to sleep it off in." With which he called to the boy to bring him a bottle of brandy from his cabin. He bid me help myself whilst he lighted a pipe of tobacco, and then said: "The master of the snow we met to-day warns us to keep a bright look-out for the Dutch. He told me that yesterday he spoke an American ship that was short of flour, and learnt from the Yankee—though how Jonathan got the news I don't know—that there's a Dutch squadron making for the Cape, in charge of Admiral Lucas, and that among the ships is the Dordrecht of sixty-six guns and two forty-gun frigates."

      "But should we fall in with them will they meddle with us, do you think, sir?" said I.

      "Beyond question," he answered.

      "Then," said I, "there is nothing for it but to keep a sharp look-out. We have heels, anyway."

      He smoked his pipe with a serious face, as though not heeding me; then looking at me steadfastly, he exclaimed, "Fenton, you've been a bit of a reader in your time, I believe. Did your appetite that way ever bring you to dip into magic, necromancy, the Black Art, and the like of such stuff?"

      He asked me this with a certain strangeness of expression in his eyes, and I thought it proper to fall into his humour. So I replied that in the course of my reading I might have come across hints of such things, but that I had given them too little attention to qualify me to reason about them or to form an opinion.

      "I recollect when I was a lad," said he, passing my answer by, so to speak, "hearing an old lady that was related to my mother, tell of a trick that was formerly practised and credited, too; a person stood at a grave and invoked the dead, who made answer."

      I smiled, thinking that only an old woman would talk thus.

      "Stop!" cried he, but without temper. "She said it was common for a necromancer to invoke and obtain replies; but that though answers were returned, they were not spoken by the dead, but by the Devil. The proof being that death is a separation of the soul from the body, that the immortal soul cannot inhabit the corpse that is mere dust, that therefore the dead cannot speak, themselves, but that the voices which seem to proceed from them are uttered by the Evil One."

      "Why the Evil One?" said I.

      "Because he delights in whatever is out of nature, and in doing violence to the harmonious fabric of the universe."

      "That sounds like a good argument, sir," said I, still smiling.

      "But," continued he, "suppose the case of men now living, though by the laws of Nature they should have died long since. Would you say that they exist as a corpse does when invoked—that is, by the possession and voice of the Devil, or that they are informed by the same souls which were in them when they uttered their first cry in this life."

      "Why, sir," I answered, "seeing that the soul is immortal, there is no reason why it should not go on inhabiting the clay it belongs to, so long as that clay continues to possess the physical power to be moved and controlled by it."

      "That's a shrewd view," said he, seemingly well-pleased. "But see here, my lad! our bodies are built to last three score and ten years. Some linger to an hundred; but so few beyond, that every month of continued being renders them more and more a sort of prodigies. As the end of a long life approaches—say a life of ninety years—there is such decay, such dry-rot, that the whole frame is but one remove from ashes. Now, suppose there should be men living who are known to be at least a hundred and fifty years old—nay, add an average of forty to each man and call them one hundred and ninety years old—but who yet exhibit no signs of mortality; would not you say that the bounds of Nature having been long since passed, their bodies are virtually corpses, imitating life by a semblance of soul that is properly the voice and possession of the Devil?"

      "How about Methusaleh, and others of those ancient times?"

      "I'm talking of to-day," he answered. "'Tis like turning up the soil to work back into ancient history; you come across things which there's no making anything of."

      "But what man is there now living who has reached to a hundred-and-ninety?" cried I, still struck by his look, yet, in spite of that, wondering at his gravity, for there was a determination


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