The Collected Works of Honore de Balzac. The griffin classics

The Collected Works of Honore de Balzac - The griffin classics


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on those rosy shoulders and eyes brimming over with saucy mischief; we have little jealous tiffs too, so pretty to see. It has happened to me, dear, to take up my stockings at eight o’clock and be still bare-footed at nine!

      Then comes the getting up. The operation of dressing begins. I slip on my dressing-gown, turn up my sleeves, and don the mackintosh apron; with Mary’s assistance, I wash and scrub my two little blossoms. I am sole arbiter of the temperature of the bath, for a good half of children’s crying and whimpering comes from mistakes here. The moment has arrived for paper fleets and glass ducks, since the only way to get children thoroughly washed is to keep them well amused. If you knew the diversions that have to be invented before these despotic sovereigns will permit a soft sponge to be passed over every nook and cranny, you would be awestruck at the amount of ingenuity and intelligence demanded by the maternal profession when one takes it seriously. Prayers, scoldings, promises, are alike in requisition; above all, the jugglery must be so dexterous that it defies detection. The case would be desperate had not Providence to the cunning of the child matched that of the mother. A child is a diplomatist, only to be mastered, like the diplomatists of the great world, through his passions! Happily, it takes little to make these cherubs laugh; the fall of a brush, a piece of soap slipping from the hand, and what merry shouts! And if our triumphs are dearly bought, still triumphs they are, though hidden from mortal eye. Even the father knows nothing of it all. None but God and His angels — and perhaps you — can fathom the glances of satisfaction which Mary and I exchange when the little creatures’ toilet is at last concluded, and they stand, spotless and shining, amid a chaos of soap, sponges, combs, basins, blotting-paper, flannel, and all the nameless litter of a true English “nursery.”

      For I am so far a convert as to admit that English women have a talent for this department. True, they look upon the child only from the point of view of material well-being; but where this is concerned, their arrangements are admirable. My children must always be bare-legged and wear woollen socks. There shall be no swaddling nor bandages; on the other hand, they shall never be left alone. The helplessness of the French infant in its swaddling-bands means the liberty of the nurse — that is the whole explanation. A mother, who is really a mother, is never free.

      There is my answer to your question why I do not write. Besides the management of the estate, I have the upbringing of two children on my hands.

      The art of motherhood involves much silent, unobtrusive self-denial, an hourly devotion which finds no detail too minute. The soup warming before the fire must be watched. Am I the kind of woman, do you suppose, to shirk such cares? The humblest task may earn a rich harvest of affection. How pretty is a child’s laugh when he finds the food to his liking! Armand has a way of nodding his head when he is pleased that is worth a lifetime of adoration. How could I leave to any one else the privilege and delight, as well as the responsibility, of blowing on the spoonful of soup which is too hot for my little Nais, my nursling of seven months ago, who still remembers my breast? When a nurse has allowed a child to burn its tongue and lips with scalding food, she tells the mother, who hurries up to see what is wrong, that the child cried from hunger. How could a mother sleep in peace with the thought that a breath, less pure than her own, has cooled her child’s food — the mother whom Nature has made the direct vehicle of food to infant lips. To mince a chop for Nais, who has just cut her last teeth, and mix the meat, cooked to a turn, with potatoes, is a work of patience, and there are times, indeed, when none but a mother could succeed in making an impatient child go through with its meal.

      No number of servants, then, and no English nurse can dispense a mother from taking the field in person in that daily contest, where gentleness alone should grapple with the little griefs and pains of childhood. Louise, the care of these innocent darlings is a work to engage the whole soul. To whose hand and eyes, but one’s own, intrust the task of feeding, dressing, and putting to bed? Broadly speaking, a crying child is the unanswerable condemnation of mother or nurse, except when the cry is the outcome of natural pain. Now that I have two to look after (and a third on the road), they occupy all my thoughts. Even you, whom I love so dearly, have become a memory to me.

      My own dressing is not always completed by two o’clock. I have no faith in mothers whose rooms are in apple-pie order, and who themselves might have stepped out of a bandbox. Yesterday was one of those lovely days of early April, and I wanted to take my children for a walk, while I was still able — for the warning bell is in my ears. Such an expedition is quite an epic to a mother! One dreams of it the night before! Armand was for the first time to put on a little black velvet jacket, a new collar which I had worked, a Scotch cap with the Stuart colors and cock’s feathers; Nais was to be in white and pink, with one of those delicious little baby caps; for she is a baby still, though she will lose that pretty title on the arrival of the impatient youngster, whom I call my beggar, for he will have the portion of a younger son. (You see, Louise, the child has already appeared to me in a vision, so I know it is a boy.)

      Well, caps, collars, jackets, socks, dainty little shoes, pink garters, the muslin frock with silk embroidery, — all was laid out on my bed. Then the little brown heads had to be brushed, twittering merrily all the time like birds, answering each other’s call. Armand’s hair is in curls, while Nais’ is brought forward softly on the forehead as a border to the pink-and-white cap. Then the shoes are buckled; and when the little bare legs and well-shod feet have trotted off to the nursery, while two shining faces (clean, Mary calls them) and eyes ablaze with life petition me to start, my heart beats fast. To look on the children whom one’s own hand has arrayed, the pure skin brightly veined with blue, that one has bathed, laved, and sponged and decked with gay colors of silk or velvet — why, there is no poem comes near to it! With what eager, covetous longing one calls them back for one more kiss on those white necks, which, in their simple collars, the loveliest woman cannot rival. Even the coarsest lithograph of such a scene makes a mother pause, and I feast my eyes daily on the living picture!

      Once out of doors, triumphant in the result of my labors, while I was admiring the princely air with which little Armand helped baby to totter along the path you know, I saw a carriage coming, and tried to get them out of the way. The children tumbled into a dirty puddle, and lo! my works of art are ruined! We had to take them back and change their things. I took the little one in my arms, never thinking of my own dress, which was ruined, while Mary seized Armand, and the cavalcade re-entered. With a crying baby and a soaked child, what mind has a mother left for herself?

      Dinner time arrives, and as a rule I have done nothing. Now comes the problem which faces me twice every day — how to suffice in my own person for two children, put on their bibs, turn up their sleeves, and get them to eat. In the midst of these ever-recurring cares, joys, and catastrophes, the only person neglected in the house is myself. If the children have been naughty, often I don’t get rid of my curl-papers all day. Their tempers rule my toilet. As the price of a few minutes in which I write you these half-dozen pages, I have had to let them cut pictures out of my novels, build castles with books, chessmen, or mother-of-pearl counters, and give Nais my silks and wools to arrange in her own fashion, which, I assure you, is so complicated, that she is entirely absorbed in it, and has not uttered a word.

      Yet I have nothing to complain of. My children are both strong and independent; they amuse themselves more easily then you would think. They find delight in everything; a guarded liberty is worth many toys. A few pebbles — pink, yellow, purple, and black, small shells, the mysteries of sand, are a world of pleasure to them. Their wealth consists in possessing a multitude of small things. I watch Armand and find him talking to the flowers, the flies, the chickens, and imitating them. He is on friendly terms with insects, and never wearies of admiring them. Everything which is on a minute scale interests them. Armand is beginning to ask the “why” of everything he sees. He has come to ask what I am saying to his godmother, whom he looks on as a fairy. Strange how children hit the mark!

      Alas! my sweet, I would not sadden you with the tale of my joys. Let me give you some notion of your godson’s character. The other day we were followed by a poor man begging — beggars soon find out that a mother with her child at her side can’t resist them. Armand has no idea what hunger is, and money is a sealed book to him; but I have just bought him a trumpet which had long been the object of his desires. He held it out to the old man with a kingly air, saying:

      “Here,


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