Gold arm band. After Museo Borb., Vol. VII, pl. 46 (Overbeck-Mau, Fig. 318)
379
216 a-d.
Silver cups. Naples Museum. After Museo Borb., Vol. XI, pl. 45; Vol. XIII, pl. 49; Overbeck-Mau, pl. facing p. 624
379
216 e.
Detail of cup with centaurs
380
217.
Silver cup. Boscoreale treasure, Louvre. After H. de Villefosse, Le trésor de Boscoreale, pl. 8
382
218.
Ruins of a bakery, with millstones (VII. ii. 22). From a photograph
386
219.
Plan of a bakery (VI. iii. 3)
388
220.
A Pompeian mill, without the framework
389
221.
Section of a mill, restored. From an original drawing
389
222.
A mill in operation. Relief in the Vatican Museum. After Ber. der Sächs. Gesellschaft, 1861, pl. xii. 2
390
223.
Section of a bake oven (VI. iii. 3). After Mazois, Vol. II, pl. 18 (Overbeck-Mau, Fig. 192)
391
224.
Kneading machine, restored (VI. xiv. 35). From an original drawing
391
225.
Scene in a fullery—treading vats. Wall painting. Naples Museum. After Museo Borb., Vol. IV, pl. 49 (Overbeck-Mau, Fig. 195)
394
226.
Scene in a fullery—inspection of cloth, carding, bleaching frame. Wall painting. Naples Museum. After Museo Borb., Vol. IV, pl. 49 (Overbeck-Mau, Fig. 194)
394
227.
A fuller's press. Wall painting. Naples Museum. After Museo Borb., Vol. IV, pl. 50 (Overbeck-Mau, Fig. 196)
395
228.
Plan of a fullery (VI. xiv. 22)
396
229.
Plan of the vat room of the tannery (I. v. 2)
398
230.
Mosaic top of the table in the garden of the tannery. Naples Museum. From a photograph
Scene in a wineshop. Wall painting (VI. x. 1). After Museo Borb., Vol. IV, pl. A
403
235.
Delivery of wine. Wall painting (VI. x. 1). After Museo Borb., Vol. IV, pl. A
403
236.
Sepulchral benches of Veius and Mamia; tombs of Porcius and the Istacidii. From a photograph (A. M.)
409
237.
The tomb of the Istacidii, restored. From an original drawing
411
238.
View of the Street of Tombs. From a photograph
414
239.
Glass vase, with vintage scene, found in the tomb of the Blue Glass Vase. Naples Museum. From a photograph
416
240.
Bust stone of Tyche, slave of Julia Augusta. After Mazois, Vol. I, p. 31 (Overbeck-Mau, Fig. 223), with the correction in the spelling of the name TYCHE
418
241.
Relief, symbolic of grief for the dead. After Mazois, Vol. I, pl. 29 (Overbeck-Mau, Fig. 221)
421
242.
Front of the tomb of Calventius Quietus, with bisellium. From a photograph
422
243.
End of the tomb of Naevoleia Tyche, with relief representing a ship entering port. From a photograph
423
244.
Cinerary urn in a lead case. After Mazois, Vol. I. pl. 22 (Overbeck-Mau, Fig. 213)
424
245.
Sepulchral enclosure, with triclinium funebre. After Mazois, Vol. I, pl. 20 (Overbeck-Mau, Fig. 210)
425
246.
Plan of the tombs east of the Amphitheatre*
431
247.
View of two tombs east of the Amphitheatre. From a photograph (F. W. K.)
432
248.
View of other tombs east of the Amphitheatre. From a photograph (F. W. K.)
434
249.
Four-faced Ionic capital. Portico of the Forum Triangulare. After Overbeck-Mau, Fig. 272
439
250.
Capital of pilaster. Casa del duca d'Aumale. After Overbeck-Mau, Fig. 274
439
251.
Altar in the court of the temple of Zeus Milichius. After Mazois, Vol. IV, pl. 6 (Overbeck-Mau, Fig. 63)
440
252.
Capitals of columns, showing variations from typical forms. After Overbeck-Mau, Fig. 274
442
253.
Capital of pilaster, modified Corinthian type. After Overbeck-Mau, Fig. 274
Capitals of pilasters, showing free adaptation of the Corinthian type. After Overbeck-Mau, Fig. 274
443
255.
Statue of the priestess Eumachia. Naples Museum. From a photograph
446
256.
Portrait herm of Caecilius Jucundus. Naples Museum. From a photograph
447
257.
Double bust, Bacchus and a bacchante. Garden of the house of the Vettii. From a photograph
448
258.
Dancing Satyr. Bronze statuette found in the house of the Faun. Naples Museum. From a photograph
451
259.
Listening Dionysus, wrongly identified as Narcissus. Bronze statuette in the Naples Museum. From a photograph
452
260.
Bronze youth, found in November, 1900. Naples Museum. From a photograph
454
261.
Wall decoration in the atrium of the house of Sallust. First or Incrustation Style. After Tafel II of Mau's Geschichte der decorativen Wandmalerei in Pompeji
