Japanese Mythology. F. Hadland Davis

Japanese Mythology - F. Hadland Davis


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the fame of her beauty spread throughout the land. Would-be lovers gathered around the fence and lingered in the porch with the hope of at least getting a glimpse of this lovely maiden. Night and day these forlorn suitors waited, but in vain. Those who were of humble origin gradually began to recognise that their love-making was useless. But five wealthy suitors still persisted, and would not relax their efforts. They were Prince Ishizukuri and Prince Kuramochi, the Sadaijin Dainagon Abe no Miushi, the Chiunagon Otomo no Miyuki, and Morotada, the Lord of Iso. These ardent lovers bore "the ice and snow of winter and the thunderous heats of midsummer with equal fortitude." When these lords finally asked the Bamboo-cutter to bestow his daughter upon one of them, the old man politely explained that the maiden was not really his daughter, and as that was so she could not be compelled to obey his own wishes in the matter.

      At last the lords returned to their mansions, but still continued to make their supplications more persistently than ever. Even the kindly Bamboo-cutter began to remonstrate with the Lady Kaguya, and to point out that it was becoming for so handsome a maid to marry, and that among the five noble suitors she could surely make a very good match. To this the wise Kaguya replied: "Not so fair am I that I may be certain of a man's faith, and were I to mate with one whose heart proved fickle what a miserable fate were mine! Noble lords, without doubt, are these of whom thou speakest, but I would not wed a man whose heart should be all untried and unknown."

      It was finally arranged that Kaguya should marry the suitor who proved himself the most worthy. This news brought momentary hope to the five great lords, and when night came they assembled before the house where the maiden dwelt "with flute music and with singing, with chanting to accompaniments and piping, with cadenced tap and clap of fan." Only the Bamboo-cutter went out to thank the lords for their serenading. When he had come into the house again, Kaguya thus set forth her plan to test the suitors:

      "In Tenjiku (Northern India) is a beggar's bowl of stone, which of old the Buddha himself bore, in quest whereof let Prince Ishizukuri depart and bring me the same. And on the mountain Horai, that towers over the Eastern ocean, grows a tree with roots of silver and trunk of gold and fruitage of pure white jade, and I bid Prince Kuramochi fare thither and break off and bring me a branch thereof. Again, in the land of Morokoshi men fashion fur-robes of the pelt of the Flame-proof Rat, and I pray the Dainagon to find me one such. Then of the Chiunagon I require the rainbow-hued jewel that hides its sparkle deep in the dragon's head; and from the hands of the Lord Iso would I fain receive the cowry-shell that the swallow brings hither over the broad sea-plain."

      The Begging-bowl of the Lord Buddha

      The Prince Ishizukuri, after pondering over the matter of going to distant Tenjiku in search of the Lord Buddha's begging-bowl, came to the conclusion that such a proceeding would be futile. He decided, therefore, to counterfeit the bowl in question. He laid his plans cunningly, and took good care that the Lady Kaguya was informed that he had actually undertaken the journey. As a matter of fact this artful suitor hid in Yamato for three years, and after that time discovered in a hill-monastery in Tochi a bowl of extreme age resting upon an altar of Binzuru (the Succourer in Sickness). This bowl he took away with him, and wrapped it in brocade, and attached to the gift an artificial branch of blossom.

      When the Lady Kaguya looked upon the bowl she found inside a scroll containing the following:

      "Over seas, over hills

       hath thy servant fared, and weary

       and wayworn he perisheth:

       O what tears hath cost this bowl of

       stone,

       what floods of streaming tears!"

      But when the Lady Kaguya perceived that no light shone from the vessel she at once knew that it had never belonged to the Lord Buddha. She accordingly sent back the bowl with the following verse:

      "Of the hanging dewdrop

       not even the passing sheen

       dwells herein:

       On the Hill of Darkness, the Hill

       of Ogura,

       what couldest thou hope to find?"

      The Prince, having thrown away the bowl, sought to turn the above remonstrance into a compliment to the lady who wrote it.

      "Nay, on the Hill of Brightness

       what splendour

       will not pale?

       Would that away from the light

       of thy beauty

       the sheen of yonder Bowl might

       prove me true!"

      It was a prettily turned compliment by a suitor who was an utter humbug. This latest poetical sally availed nothing, and the Prince sadly departed.

      The Jewel-bearing Branch of Mount Horai

      Prince Kuramochi, like his predecessor, was equally wily, and made it generally known that he was setting out on a journey to the land of Tsukushi in quest of the Jewel-bearing Branch. What he actually did was to employ six men of the Uchimaro family, celebrated craftsmen, and secure for them a dwelling hidden from the haunts of men, where he himself abode, for the purpose of instructing the craftsmen as to how they were to make a Jewel-bearing Branch identical with the one described by the Lady Kaguya.

      When the Jewel-bearing Branch was finished, he set out to wait upon the Lady Kaguya, who read the following verse attached to the gift:

      "Though it were at the peril

       of my very life,

       without the Jewel-laden Branch

       in my hands never again

       would I have dared to return!"

      The Lady Kaguya looked sadly upon this glittering branch, and listened without interest to the Prince's purely imaginative story of his adventures. The Prince dwelt upon the terrors of the sea, of strange monsters, of acute hunger, of disease, which were their trials upon the ocean. Then this incorrigible story-teller went on to describe how they came to a high mountain rising out of the sea, where they were greeted by a woman bearing a silver vessel which she filled with water. On the mountain were wonderful flowers and trees, and a stream "rainbow-hued, yellow as gold, white as silver, blue as precious ruri (lapis lazuli); and the stream was spanned by bridges built up of divers gems, and by it grew trees laden with dazzling jewels, and from one of these I broke off the branch which I venture now to offer to the Lady Kaguya."

      No doubt the Lady Kaguya would have been forced to believe this ingenious tale had not at that very moment the six craftsmen appeared on the scene, and by loudly demanding payment for the ready-made Jewel-Branch, exposed the treachery of the Prince, who made a hasty retreat. The Lady Kaguya herself rewarded the craftsmen, happy, no doubt, to escape so easily.

      The Flameproof Fur-Robe

      The Sadaijin (Left Great Minister) Abe no Miushi commissioned a merchant, by the name of Wokei, to obtain for him a fur-robe made from the Flame-proof Rat, and when the merchant's ship had returned from the land of Morokoshi it bore a fur-robe, which the sanguine Sadaijin imagined to be the very object of his desire. The Fur-Robe rested in a casket, and the Sadaijin, believing in the honesty of the merchant, described it as being "of a sea-green colour, the hairs tipped with shining gold, a treasure indeed of incomparable loveliness, more to be admired for its pure excellence than even for its virtue in resisting the flame of fire."

      The Sadaijin, assured of success in his wooing, gaily set out to present his gift to the Lady Kaguya, offering in addition the following verse:

      "Endless are the fires of love

       that consume me, yet unconsumed

       is the Robe of Fur:

       dry at last are my sleeves,

       for shall I not see her face this day!"

      At last the Sadaijin was able to present his gift to the Lady Kaguya.


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