Two Poets. Honore de Balzac
David had thought much and deeply. In spite of the young printer’s look of robust, country-bred health, his turn of mind was melancholy and somewhat morbid – he lacked confidence in himself; but Lucien, on the other hand, with a boldness little to be expected from his feminine, almost effeminate, figure, graceful though it was, Lucien possessed the Gascon temperament to the highest degree – rash, brave, and adventurous, prone to make the most of the bright side, and as little as possible of the dark; his was the nature that sticks at no crime if there is anything to be gained by it, and laughs at the vice which serves as a stepping-stone. Just now these tendencies of ambition were held in check, partly by the fair illusions of youth, partly by the enthusiasm which led him to prefer the nobler methods, which every man in love with glory tries first of all. Lucien was struggling as yet with himself and his own desires, and not with the difficulties of life; at strife with his own power, and not with the baseness of other men, that fatal exemplar for impressionable minds. The brilliancy of his intellect had a keen attraction for David. David admired his friend, while he kept him out of the scrapes into which he was led by the furie francaise.
David, with his well-balanced mind and timid nature at variance with a strong constitution, was by no means wanting in the persistence of the Northern temper; and if he saw all the difficulties before him, none the less he vowed to himself to conquer, never to give way. In him the unswerving virtue of an apostle was softened by pity that sprang from inexhaustible indulgence. In the friendship grown old already, one was the worshiper, and that one was David; Lucien ruled him like a woman sure of love, and David loved to give way. He felt that his friend’s physical beauty implied a real superiority, which he accepted, looking upon himself as one made of coarser and commoner human clay.
“The ox for patient labor in the fields, the free life for the bird,” he thought to himself. “I will be the ox, and Lucien shall be the eagle.”
So for three years these friends had mingled the destinies bright with such glorious promise. Together they read the great works that appeared above the horizon of literature and science since the Peace – the poems of Schiller, Goethe, and Byron, the prose writings of Scott, Jean-Paul, Berzelius, Davy, Cuvier, Lamartine, and many more. They warmed themselves beside these great hearthfires; they tried their powers in abortive creations, in work laid aside and taken up again with new glow of enthusiasm. Incessantly they worked with the unwearied vitality of youth; comrades in poverty, comrades in the consuming love of art and science, till they forgot the hard life of the present, for their minds were wholly bent on laying the foundations of future fame.
“Lucien,” said David, “do you know what I have just received from Paris?” He drew a tiny volume from his pocket. “Listen!”
And David read, as a poet can read, first Andre de Chenier’s Idyll Neere, then Le Malade, following on with the Elegy on a Suicide, another elegy in the classic taste, and the last two Iambes.
“So that is Andre de Chenier!” Lucien exclaimed again and again. “It fills one with despair!” he cried for the third time, when David surrendered the book to him, unable to read further for emotion. – “A poet rediscovered by a poet!” said Lucien, reading the signature of the preface.
“After Chenier had written those poems, he thought that he had written nothing worth publishing,” added David.
Then Lucien in his turn read aloud the fragment of an epic called L’Aveugle and two or three of the Elegies, till, when he came upon the line —
If they know not bliss, is there happiness on earth?
He pressed the book to his lips, and tears came to the eyes of either, for the two friends were lovers and fellow-worshipers.
The vine-stems were changing color with the spring; covering the rifted, battered walls of the old house where squalid cracks were spreading in every direction, with fluted columns and knots and bas-reliefs and uncounted masterpieces of I know not what order of architecture, erected by fairy hands. Fancy had scattered flowers and crimson gems over the gloomy little yard, and Chenier’s Camille became for David the Eve whom he worshiped, for Lucien a great lady to whom he paid his homage. Poetry had shaken out her starry robe above the workshop where the “monkeys” and “bears” were grotesquely busy among types and presses. Five o’clock struck, but the friends felt neither hunger nor thirst; life had turned to a golden dream, and all the treasures of the world lay at their feet. Far away on the horizon lay the blue streak to which Hope points a finger in storm and stress; and a siren voice sounded in their ears, calling, “Come, spread your wings; through that streak of gold or silver or azure lies the sure way of escape from evil fortune!”
Just at that moment the low glass door of the workshop was opened, and out came Cerizet, an apprentice (David had brought the urchin from Paris). This youth introduced a stranger, who saluted the friends politely, and spoke to David.
“This, sir, is a monograph which I am desirous of printing,” said he, drawing a huge package of manuscript from his pocket. “Will you oblige me with an estimate?”
“We do not undertake work on such a scale, sir,” David answered, without looking at the manuscript. “You had better see the Messieurs Cointet about it.”
“Still we have a very pretty type which might suit it,” put in Lucien, taking up the roll. “We must ask you to be kind enough, sir, to leave your commission with us and call again to-morrow, and we will give you an estimate.”
“Have I the pleasure of addressing M. Lucien Chardon?”
“Yes, sir,” said the foreman.
“I am fortunate in this opportunity of meeting with a young poet destined to such greatness,” returned the author. “Mme. de Bargeton sent me here.”
Lucien flushed red at the name, and stammered out something about gratitude for the interest which Mme. de Bargeton took in him. David noticed his friend’s embarrassed flush, and left him in conversation with the country gentleman, the author of a monograph on silkwork cultivation, prompted by vanity to print the effort for the benefit of fellow-members of the local agricultural society.
When the author had gone, David spoke.
“Lucien, are you in love with Mme. de Bargeton?”
“Passionately.”
“But social prejudices set you as far apart as if she were living at Pekin and you in Greenland.”
“The will of two lovers can rise victorious over all things,” said Lucien, lowering his eyes.
“You will forget us,” returned the alarmed lover, as Eve’s fair face rose before his mind.
“On the contrary, I have perhaps sacrificed my love to you,” cried Lucien.
“What do you mean?”
“In spite of my love, in spite of the different motives which bid me obtain a secure footing in her house, I have told her that I will never go thither again unless another is made welcome too, a man whose gifts are greater than mine, a man destined for a brilliant future – David Sechard, my brother, my friend. I shall find an answer waiting when I go home. All the aristocrats may have been asked to hear me read my verses this evening, but I shall not go if the answer is negative, and I will never set foot in Mme. de Bargeton’s house again.”
David brushed the tears from his eyes, and wrung Lucien’s hand. The clock struck six.
“Eve must be anxious; good-bye,” Lucien added abruptly.
He hurried away. David stood overcome by the emotion that is only felt to the full at his age, and more especially in such a position as his – the friends were like two young swans with wings unclipped as yet by the experiences of provincial life.
“Heart of gold!” David exclaimed to himself, as his eyes followed Lucien across the workshop.
Lucien went down to L’Houmeau along the broad Promenade de Beaulieu, the Rue du Minage, and Saint-Peter’s Gate. It was the longest way round, so you may be sure that Mme. de Bargeton’s house lay on the way. So delicious it was to pass under her windows, though she knew nothing of his presence, that for the