The Collected Works of Honore de Balzac. The griffin classics

The Collected Works of Honore de Balzac - The griffin classics


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to watch you in the

      salons of Paris? Has she imposed upon you the labors of some high

      emprise, such as paladins sought voluntarily in the olden time?

      No, she asks a perfectly spiritual and mystic alliance. Come to me

      when you are unhappy, wounded, weary. Tell me all, hide nothing; I

      have balms for all your ills. I am twenty years of age, dear

      friend, but I have the sense of fifty, and unfortunately I have

      known through the experience of another all the horrors and the

      delights of love. I know what baseness the human heart can

      contain, what infamy; yet I myself am an honest girl. No, I have

      no illusions; but I have something better, something real, — I have

      beliefs and a religion. See! I open the ball of our confidences.

      Whoever I marry — provided I choose him for myself — may sleep in

      peace or go to the East Indies sure that he will find me on his

      return working at the tapestry which I began before he left me;

      and in every stitch he shall read a verse of the poem of which he

      has been the hero. Yes, I have resolved within my heart never to

      follow my husband where he does not wish me to go. I will be the

      divinity of his hearth. That is my religion of humanity. But why

      should I not test and choose the man to whom I am to be like the

      life to the body? Is a man ever impeded by life? What can that

      woman be who thwarts the man she loves? — an illness, a disease,

      not life. By life, I mean that joyous health which makes each hour

      a pleasure.

      But to return to your letter, which will always be precious to me.

      Yes, jesting apart, it contains that which I desired, an

      expression of prosaic sentiments which are as necessary to family

      life as air to the lungs; and without which no happiness is

      possible. To act as an honest man, to think as a poet, to love as

      women love, that is what I longed for in my friend, and it is now

      no longer a chimera.

      Adieu, my friend. I am poor at this moment. That is one of the

      reasons why I cling to my concealment, my mask, my impregnable

      fortress. I have read your last verses in the “Revue,” — ah! with

      what delight, now that I am initiated in the austere loftiness of

      your secret soul.

      Will it make you unhappy to know that a young girl prays for you;

      that you are her solitary thought, — without a rival except in her

      father and mother? Can there be any reason why you should reject

      these pages full of you, written for you, seen by no eye but

      yours? Send me their counterpart. I am so little of a woman yet

      that your confidences — provided they are full and true — will

      suffice for the happiness of your

      O. d’Este M.

      “Good heavens! can I be in love already?” cried the young secretary, when he perceived that he had held the above letter in his hands more than an hour after reading it. “What shall I do? She thinks she is writing to the great poet! Can I continue the deception? Is she a woman of forty, or a girl of twenty?”

      Ernest was now fascinated by the great gulf of the unseen. The unseen is the obscurity of infinitude, and nothing is more alluring. In that sombre vastness fires flash, and furrow and color the abyss with fancies like those of Martin. For a busy man like Canalis, an adventure of this kind is swept away like a harebell by a mountain torrent, but in the more unoccupied life of the young secretary, this charming girl, whom his imagination persistently connected with the blonde beauty at the window, fastened upon his heart, and did as much mischief in his regulated life as a fox in a poultry-yard. La Briere allowed himself to be preoccupied by this mysterious correspondent; and he answered her last letter with another, a pretentious and carefully studied epistle, in which, however, passion begins to reveal itself through pique.

      Mademoiselle, — Is it quite loyal in you to enthrone yourself in

      the heart of a poor poet with a latent intention of abandoning him

      if he is not exactly what you wish, leaving him to endless

      regrets, — showing him for a moment an image of perfection, were it

      only assumed, and at any rate giving him a foretaste of happiness?

      I was very short-sighted in soliciting this letter, in which you

      have begun to unfold the elegant fabric of your thoughts. A man

      can easily become enamored with a mysterious unknown who combines

      such fearlessness with such originality, so much imagination with

      so much feeling. Who would not wish to know you after reading your

      first confidence? It requires a strong effort on my part to retain

      my senses in thinking of you, for you combine all that can trouble

      the head or the heart of man. I therefore make the most of the

      little self-possession you have left me to offer you my humble

      remonstrances.

      Do you really believe, mademoiselle, that letters, more or less

      true in relation to the life of the writers, more or less

      insincere, — for those which we write to each other are the

      expressions of the moment at which we pen them, and not of the

      general tenor of our lives, — do you believe, I say, that beautiful

      as they may be, they can at all replace the representation that we

      could make of ourselves to each other by the revelations of daily

      intercourse? Man is dual. There is a life invisible, that of the

      heart, to which letters may suffice; and there is a life material,

      to which more importance is, alas, attached than you are aware of

      at your age. These two existences must, however, be made to

      harmonize in the ideal which you cherish; and this, I may remark

      in passing, is very rare.

      The pure, spontaneous, disinterested homage of a solitary soul

      which is both educated and chaste, is one of those celestial

      flowers whose color and fragrance console for every grief, for

      every wound, for every betrayal which makes up the life of a

      literary man; and I thank you with an impulse equal to your own.

      But after this poetical exchange of my griefs for the pearls of

      your charity, what next? what do you expect? I have neither the

      genius nor the splendid position of Lord Byron; above all, I have

      not the halo of his fictitious damnation and his false social


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