href="#ulink_7a54e1df-039c-52a9-8134-9b5f2a0046b5">31
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18.
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Side tabs and buttons at the back (after Racinet)
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31
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19.
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A coat worn at the end of the seventeenth century (after H. Bonnart)
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32
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20.
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A modern coat with side pockets
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32
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21.
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A footman’s coat, modern, with vestigial pocket flaps
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33
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22.
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Coat skirts buttoned back (after Hogarth)
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33
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23.
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A coat with the skirts buttoned back and showing the lining
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34
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24.
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A dress coat with skirts cut away
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34
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25.
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A modern coat cuff with buttons
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35
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26.
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Turned-back cuff, end of seventeenth century (after Bonnart)
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35
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27.
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A coat sleeve (after Hogarth) with horizontal row of buttons
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36
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28.
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Sleeve of a coat of the seventeenth century, reputed to have been worn by Charles I
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36
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29.
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The turned-back cuff of an overcoat, modern
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37
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30.
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A sleeve with vertical buttons and a turned-back cuff as well (from a uniform, after Hogarth)
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37
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31.
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The uniform of a coastguard officer of 1775 (after Racinet)
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39
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32.
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The nicks in the coat and waistcoat
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41
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33.
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A stage when the nick was useful (Lucien Bonaparte, after Paul Lacroix)
|
42
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34.
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The “toothpick” on a dress coat
|
43
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35.
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Modern bands
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45
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36.
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A blue-coat boy’s bands
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45
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37.
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A chorister of Jesus College, Cambridge, showing the collar worn until recently. (From a photograph, by the courtesy of Mr. H. Austin Wheaton)
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45
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38.
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A stage in the reduction of bands (portrait of Jan Steen from the Illustrated Magazine of Art)
|
46
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39.
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Full-sized bands (portrait of John Pym from the Illustrated Magazine of Art)
|
46
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40.
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A modern bandbox, now used for hats
|
47
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41.
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Bands that survive at the present day
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47
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42.
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The turban of a Jewish priest (after Kitto) compared with the dome of the Mosque of Omar
|
50
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43.
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A Siamese head-dress and a Pra Pang or votive spire (after P. A. Thompson)
|
51
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44.
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A Gothic spire (St. Stephens, Caen) compared with the hennin (the latter after Fairholt)
|
51
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45.
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Band with streamers fastening on the head-dress of an Egyptian woman. From a figure of the Sixth Dynasty, 3500 B.C.
|
52
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