The Heritage of Dress. Wilfred Mark Webb

The Heritage of Dress - Wilfred Mark Webb


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A shawl used as a kilt by a chieftain of Denmark in the bronze stage of culture (after Worsaae) 73 76. A simple dress in the form of a petticoat from an Egyptian figure of the Sixth Dynasty (3500 B.C.), from the Myers collection in Eton College Museum 74 77. A Korean servant (after Hough) 75 78. A short kilt 76 79. A barbarian soldier wearing characteristic trousers (from a diptych of St. Paul, after Marriott) 78 80. A Saxon military man wearing wide trousers (from the Harleian MS., No. 603, after Fairholt) 79 81. A peasant woman of Champéry wearing trousers 80 82. A German Hussar of 1808 81 83. The crest on a modern signet ring 85 84. Sir Geoffrey Loutterell and the ladies of his family, showing the extent to which armorial bearings were worn in the middle of the fourteenth century. From a psalter, made for Sir Geoffrey (after Fairholt) 85 85. The crest and surcoat of Henry, first Duke of Lancaster, A.D. 1347. From the brass to Sir Hugh Hasting at Elsyng, Norfolk (after Charles Boutell) 86 86. The helmet and crest of the Black Prince. From “Vetusta Monumenta” (after St. John Hope) 88 87. The shield of the Black Prince. From “Vetusta Monumenta” (after St. John Hope) 89 88. The surcoat or jupon of the Black Prince. From “Vetusta Monumenta” (after St. John Hope) 89 89. The postilion of a Lord Mayor of London, wearing a crest upon his cap, and a coat of arms upon his sleeve (copied by permission from a plate published by the John Williamson Co., Ltd.) 92 90. A baby’s glove without separate fingers 95 91. The back of a woollen glove showing the three vestiges known as “points” 96 92. A modern kid glove showing the fourchettes or pieces between the fingers, which form three pointed V’s 97 93. Queen Elizabeth’s coronation glove, showing the stitching carried down on to the back. (From a photograph by the courtesy of Messrs. Fownes Brothers and Co.) 97 94. The glove of Anne, Queen Consort of James I, showing the embroidery on the fingers, which is the ancestor of the modern “points.” (From a photograph, by the courtesy of Messrs. Fownes Brothers and Co.) 99 95. A silk lace with simple metal tags 101 96. Ornamental metal tags on a velvet neck ribbon 101 97. A simple safety-pin 102 98. An Etruscan brooch or fibula, resembling a safety-pin. (In the collection of Major W. J. Myers in Eton College Museum) 103 99. The safety-pin in the waistband 103 100. The safety-pin grown larger and used for fastening on a hat 104 101. A muff-chain 105 102. A hawker, illustrating the primitive way of carrying a burden 107 103. A courier-bag supported by a baldric 107 104. An ornamental baldric of the early fifteenth century. (Royal MS. 15, D. 5, after Fairholt) 108 105. A lady’s dress, showing the part which is called a yoke, and recalls a primitive method of carrying burdens 109 106. A loom comb found in the Glastonbury lake dwellings (after Boyd Dawkins) 118 107. A modern comb for the hair 118 108. Two studs of bronze, seen from above and from the side, later Bronze Age (after Worsaae) 119
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