Captain Fracasse. Theophile Gautier

Captain Fracasse - Theophile Gautier


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stood where he had put them down, looking after their beloved master until a turn in the road hid him from their sight, and then quietly returned to the chateau together. The rain of the previous night had left no traces in the sandy expanse of the Landes, save that it had freshened up the heather with its tiny purple bells, and the furze bushes with their bright yellow blossoms. The very pine trees themselves looked less dark and mournful than usual, and their penetrating, resinous odour filled the fresh morning air. Here and there a little column of smoke rising from amid a grove of chestnut trees betrayed the homestead of some farmer, and scattered over the gently rolling plain, that extended as far as the eye could reach, great flocks of sheep could be discerned, carefully guarded by shepherd and dog; the former mounted on stilts, and looking very odd to those unaccustomed to the shepherds of the Landes. On the southern horizon the snow-clad tops of the more lofty peaks of the Pyrenees rose boldly into the clear sky, with light wreaths of mist still clinging round them here and there.

      Oxen travel slowly, especially over roads where at times the wheels sink deep into the sand, and the sun was high above the horizon before they had gone two leagues on their way. The baron, loath to fatigue his old servant and poor Bayard, determined to bid adieu to them without further delay; so he sprang lightly to the ground, put the bridle into Pierre’s trembling hand, and affectionately stroked the old pony’s neck, as he never failed to do when he dismounted. It was a painful moment. The faithful servant had taken care of his young master from his infancy, and he turned very pale as he said in faltering tones, “God bless and keep your lordship. How I wish that I could go with you.”

      “And so do I, my good Pierre, but that is impossible. You must stay and take care of the chateau for me; I could not bear to think of it entirely abandoned, or in any other hands than yours, my faithful friend! And besides, what would become of Bayard and Miraut and Beelzebub, if you too deserted them?”

      “You are right, master,” answered Pierre, his eyes filling with tears as he bade him farewell before he turned and led Bayard slowly back by the road they had come. The old pony whinnied loudly as he left his master, and long after he was out of sight could be heard at short intervals calling out his adieux.

      The poor young baron, left quite alone, stood for a moment with downcast eyes, feeling very desolate and sad; then roused himself with an effort, and hastened after the chariot. As he walked along beside it with a sorrowful, preoccupied air, Isabelle complained of being tired of her somewhat cramped position, and said that she would like to get down and walk a little way for a change; her real motive being a kind wish to endeavour to cheer up poor de Sigognac and make him forget his sad thoughts. The shadow that had overspread his countenance passed away entirely as he assisted Isabelle to alight, and then offering his arm led her on in advance of the lumbering chariot. They had walked some distance, and she was just reciting some verses, from one of her parts, which she wished to have altered a little, when the sound of a horn close at hand startled them, and from a by-path emerged a gay party returning from the chase. The beautiful Yolande de Foix came first, radiant as Diana, with a brilliant colour in her cheeks and eyes that shone like stars. Several long rents in the velvet skirt of her riding habit showed that she had been following the hounds through the thickets of furze that abound in the Landes, yet she did not look in the least fatigued, and as she came forward made her spirited horse fret and prance under quick, light strokes of her riding-whip—in whose handle shone a magnificent amethyst set in massive gold, and engraved with the de Foix arms. Three or four young noblemen, splendidly dressed and mounted, were with her, and as she swept proudly past our hero and his fair companion-upon whom she cast a glance of haughty disdain—she said in clear ringing tones, “Do look at the Baron de Sigognac, dancing attendance upon a Bohemienne.” And the little company passed on with a shout of laughter.

      The poor baron was furious, and instinctively grasped the handle of his sword with a quick, angry movement; but as quickly released it—for he was on foot and those who had insulted him were on horseback, so that he could not hope to overtake them; and besides, he could not challenge a lady. But the angry flush soon faded from his cheek, and the remembrance of his displeasure from his mind, under the gentle influence of Isabelle, who put forth all her powers of fascination to make her companion forget the affront he had received because of her.

      The day passed without any other incident worthy of being recorded, and our travellers arrived in good season at the inn where they were to sup and sleep.

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      It was in front of the largest house in a wretched little hamlet that the weary oxen drawing the chariot of Thespis stopped of their own accord. The wooden sign that creaked distractingly as it swung to and fro at every breath of wind bore a large, blue sun, darting its rays, after the most approved fashion, to the utmost dimensions of the board on which it was painted. Rather an original idea, one would say, to have a blue orb of day instead of a golden one—such as adorned so many other inns on the great post-road—but originality had had nothing whatever to do with it. The wandering painter who produced this remarkable work of art happened to have no vestige of any colour but blue left upon his palette, and he discoursed so eloquently of the superiority of this tint to all others that he succeeded in persuading the worthy innkeeper to have an azure sun depicted on his swinging sign. And not this one alone had yielded to his specious arguments, for he had painted blue lions, blue cocks, blue horses, on various signs in the country round, in a manner that would have delighted the Chinese—who esteem an artist in proportion to the unnaturalness of his designs and colouring.

      The few scrawny, unwholesome-looking children feebly playing in the muddy, filthy, little street, and the prematurely old, ghastly women standing at the open doors of the miserable thatched huts of which the hamlet was composed, were but too evidently the wretched victims of a severe type of malarial fever that prevails in the Landes. They were truly piteous objects, and our travellers were glad to take refuge in the inn—though it was anything but inviting—and so get out of sight of them.

      The landlord, a villainous looking fellow, with an ugly crimson scar across his forehead, who rejoiced in the extraordinary name of Chirriguirri, received them with many low obeisances, and led the way into his house, talking volubly of the excellent accommodations to be found therein.

      The Baron de Sigognac hesitated ere he crossed the threshold, though the comedians had all drawn back respectfully to allow him to precede them. His pride revolted at going into such a place in such company, but one glance from Isabelle put everything else out of his head, and he entered the dirty little inn at her side with an air of joyful alacrity. In the happy kingdom of France the fortunate man who escorted a pretty woman, no matter where, needed not to fear ridicule or contumely, and was sure to be envied.

      The large low room into which Maitre Chirriguirri ushered the party, with much ceremony and many bows, was scarcely so magnificent as he had given them reason to expect, but our strolling players had long ago learned to take whatever came in their way without grumbling, and they seated themselves quietly on the rude wooden settles ranged round a rough, stone platform in the centre of the apartment, upon which a few sticks of wood were blazing the smoke escaping through an opening in the roof above. From an iron bar which crossed this opening a strong chain was suspended, and fastened to it was the crane, so that it hung at the proper height over the fire—for this was the kitchen as well as the reception room. The low ceiling was blackened with the smoke that filled the upper part of the room and escaped slowly through the hole over the fire, unless a puff of wind drove it back again. A row of bright copper casseroles hanging against the wall—like the burnished shields along the sides of the ancient triremes, if this comparison be not too noble for such a lowly subject—gleamed vaguely in the flashing of the red fire-light, and a large, half-empty wine-skin lying on the floor in one corner looked like a beheaded body carelessly flung down there. Certainly not a cheerful looking place, but, the fire being newly replenished burned brightly, and our weary travellers were glad to bask in its genial warmth.

      At the end of one of the wooden benches a little girl was sitting, apparently


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