Villani's Chronicle. Giovanni Villani
we come to the later portions of Book VIII. and the first part of Book IX. the interest again changes. To the events after 1300 Dante's chief work contains comparatively few and scattered allusions; but as the direct connection with his writings becomes less marked the connection with his biography becomes more intimate. As we study the tangled period of Florentine politics that coincides with Dante's active political life (about 1300 a.d.), the ill-concerted and feeble attempts of the exiles to regain a footing in their city, and later on the splendid but futile enterprise of Henry, we seem to find the very fibres of Dante's life woven into the texture of the history. The dream of the De Monarchia was dreamed by Henry as well as by Dante; but as we read the detail of his failure it is borne in upon us that he not only did fail but must fail, for his ideal was incapable of realization. Italy was not ready for him, and had she been ready she would not have needed him.
Finally, the last pages of our volume, which cover selections from the portion of Book IX., extending from the death of Henry to the death of Dante himself, are for the most part inserted for a very special reason, as to which some little detail is necessary. Strangely enough they derive their importance not from any interest Dante may have taken in the events they record, but from the fact that he did not take enough interest in them to satisfy one of his most ardent admirers. The editions of Dante's collected works include a correspondence in Latin hexameters between Johannes de Virgilio and Dante. Now in the poem that opens this correspondence Johannes refers to Statius and to Lethe in a manner that proves beyond all doubt that the whole of the Purgatorio as well as the Inferno was in his hands. But he alludes to the Paradiso—the poem of the "super-solar" realms which is to complete the record of the "lower" ones—as not yet having appeared. It therefore becomes a matter of extreme interest to the Dante student to learn the date of this poem. Now one of the considerations that led Johannes to address Dante was the hope of inducing him to choose a contemporary subject for a Latin poem and so write something worthy of himself and of studious readers! With this object he suggests a number of subjects:—
| "Dic age quo petiit Jovis armiger astra volatu: Dic age quos flores, quæ lilia fregit arator: Dic Phrygias damas laceratos dente molosso: Dic Ligurum montes, et classes Parthenopæas." |
"Come! tell thou of the flight by which Jove's armour-bearer (the Imperial Eagle = Henry VII.) sought the stars. Come! tell thou of the flowers and lilies (of Florence) crushed by the ploughman (Uguccione da Faggiuola). Tell of the Phrygian does (the Paduans) torn by the mastiff's (Can Grande's) tooth. Tell of the Ligurian mountains (the Genoese) and the Parthenopæan fleets (of Robert of Naples)."
The correctness and security of the interpretation of this passage will not be doubted by any one accustomed to the pedantic allusiveness of the age; and it is moreover guaranteed by the annotator of the Laurentian MS., thought by many to be Boccaccio himself. It will be seen, therefore, from the study of the concluding pages of this volume, that when Johannes addressed Dante (after the appearance of the Inferno and the Purgatorio, but before that of the Paradiso) Henry VII. had died (a.d. 1313), Can Grande had defeated the Paduans (a.d. 1314 and 1317), Uguccione had defeated the Florentines (a.d. 1315), and Robert had collected his fleet to relieve Genoa (February, 1319). It also seems highly probable that Can Grande had not yet suffered his reverses at the siege of Padua (August, 1320). This is perhaps the one unassailable datum for the chronology of Dante's works, and we have therefore included in our selections so much as was needed to establish it. Our readers will perhaps forgive us for having then left the fate of Genoa hanging in the balance, for as Villani says: "Who could write the unbroken history of the dire siege of Genoa, and the marvellous exploits achieved by the exiles and their allies? Verily, it is the opinion of the wise that the siege of Troy itself, in comparison therewith, shewed no greater and more continuous battling, both by sea and land."
§ 4. The Historical Value of Villani’s Chronicle.
An adequate edition of Villani would have to examine his statements in detail, and, where necessary, to correct them. Such a task, however, would be alike beyond our powers, and foreign to our immediate purpose. These selections are intended to illustrate the text of Dante; and for that purpose it is of more consequence to know what were the "horrible crimes" of which Dante supposed Manfred to be guilty, than to enquire whether or no he was really guilty of them. To know whether Constance was fifty-two, or only thirty, when she married Henry VI., and whether he took her from a convent or a palace is of less immediate consequence to the student of Dante than to be acquainted with the Guelf tradition as to these circumstances.
At the same time, the reader may reasonably ask for some guidance as to the point at which the authentic history of Florence disengages itself from the legend, and, further, as to the general degree of reliance he is justified in placing on the details supplied by Villani.
On the first point very few words will suffice. There was probably a Fiesolan mart on the site now occupied by Florence from very remote times; but the form of the "ancient circle" carries us back to a Roman camp and a military colony as the origin of the regular city. Beyond this meagre basis the whole story of "Troy, and of Fiesole and Rome," in connection with Florence must be pronounced a myth. The notices of Florence before the opening of the twelfth century are few and meagre, but they suffice to prove that the story of its destruction by Totila, and rebuilding by Charlemagne, is without foundation; and of all the reported conquests of Fiesole that of 1125 is the first that we can regard as historical.
The history of Florence is almost a blank until about 1115 a.d., the date of the death of the Countess Matilda.
With respect to the second point, it is impossible to give so brief or conclusive an answer. Villani is as valuable to the historian as he is delightful to the general reader. He is a keen observer, and has a quick eye for the salient and essential features of what he observes. When dealing with his own times, and with events immediately connected with Florence, he is a trustworthy witness, but minute accuracy is never his strong point; and in dealing with distant times and places he is hopelessly unreliable.
The English reader will readily detect his confusions in Book VII., § 39, where at one time Richard of Cornwall, and at another Henry III., is called king of England; and Henry of Cornwall and Edward I. are regarded indifferently as sons of Richard or sons of Henry III., but are always said to be brothers instead of cousins.
Here there is little danger of the reader being misled, but it is otherwise in such a case as that of Robert Guiscard and the house of Tancred in Book IV., § 19. By way of putting the reader on his guard, we will go into this exceptionally bad, but by no means solitary, instance of Villani's inaccuracies.
Tancred, of the castle of Hauteville (near Coutances, in Normandy), had twelve sons, ten of whom sought their fortunes in southern Italy and Sicily. Four of these were successively Counts of Apulia, the last of the four being Robert Guiscard. He was followed by his son Roger, and his grandson William, who died childless. Another of the sons of Tancred was Roger, who became Count of Sicily. He was succeeded by his son Roger II., who possessed himself of the Apulian domains of his relative William, on the decease of the latter. Roger now had himself proclaimed King of Sicily by the anti-pope Anaclete, and united Sicily and Naples under his sway. He was followed by his son William (the Bad), and his grandson William (the Good), on whose death, without issue, Henry VI., who married Roger's daughter Constance, claimed the succession in the right of his wife. (L'Art de Vérifier les Dates.)
The most important of these relations may be set forth thus:
| Tancred of Hauteville | ||||
| Robert | ||||