A History of English Versification. J. Schipper

A History of English Versification - J. Schipper


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175. Characteristics of Beaumont’s style and versification 235 176. The blank verse of Massinger 236 177. The blank verse of Milton 237 178. The dramatic blank verse of the Restoration 239 179. Blank verse of the eighteenth century 240 180. Blank verse of the nineteenth century 240 CHAPTER XIII TROCHAIC METRES § 181. General remarks; the eight-foot trochaic line 242 182. The seven-foot trochaic line 243 183. The six-foot trochaic line 244 184. The five-foot trochaic line 245 185. The four-foot trochaic line 246 186. The three-foot trochaic line 246 187. The two-foot trochaic line 247 188. The one-foot trochaic line 247 CHAPTER XIV IAMBIC-ANAPAESTIC AND TROCHAIC-DACTYLIC METRES § 189. General remarks 249 I. Iambic-anapaestic Metres. 190. Eight-foot iambic-anapaestic verse 250 191. Seven-foot iambic-anapaestic verse 250 192. Six-foot iambic-anapaestic verse 251 193. Five-foot iambic-anapaestic verse 251 194. Four-foot iambic-anapaestic verse 252 195. Three-foot iambic-anapaestic verse 253 196. Two-foot iambic-anapaestic verse 253 197. One-foot iambic-anapaestic verse 254 II. Trochaic-dactylic Metres. 198. Eight-foot trochaic-dactylic verse 254 199. Seven-foot trochaic-dactylic verse 255 200. Six-foot trochaic-dactylic verse 255 201. Five-foot trochaic-dactylic verse 256 202. Four-foot trochaic-dactylic verse 256 203. Three-foot trochaic-dactylic verse 257 204. Two-foot dactylic or trochaic-dactylic verse 257 205. One-foot dactylic verse 258 CHAPTER XV NON-STROPHIC, ANISOMETRICAL COMBINATIONS OF RHYMED VERSE § 206. Varieties of this metre; Poulter’s measure 259 207–8. Other anisometrical combinations 260 CHAPTER XVI IMITATIONS OF CLASSICAL FORMS OF VERSE AND STANZA § 209. The English hexameter 262 210. Structure of the hexameter 263
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