Eleven-lined stanzas
|
343
|
|
|
283.
|
Twelve-lined stanzas
|
344
|
|
|
284.
|
Thirteen-lined stanzas
|
345
|
|
|
285.
|
Fourteen-lined stanzas
|
346
|
|
|
286.
|
Stanzas of fifteen to twenty lines
|
347
|
|
PART III. MODERN STANZAS AND METRES OF FIXED FORM ORIGINATING UNDER THE INFLUENCE OF THE RENASCENCE, OR INTRODUCED LATER
|
|
CHAPTER VI
|
|
STANZAS OF THREE AND MORE PARTS CONSISTING OF UNEQUAL PARTS ONLY
|
|
§
|
287.
|
Introductory remark
|
348
|
|
|
288.
|
Six-lined stanzas
|
349
|
|
|
289.
|
Seven-lined stanzas
|
351
|
|
|
290–2.
|
Eight-lined stanzas; the Italian ottava rima
|
352
|
|
|
293.
|
Nine-lined stanzas
|
355
|
|
|
294.
|
Ten-lined stanzas
|
355
|
|
|
295.
|
Eleven-lined stanzas
|
356
|
|
|
296.
|
Twelve-lined stanzas
|
356
|
|
CHAPTER VII
|
|
THE SPENSERIAN STANZA AND THE FORMS DERIVED FROM IT
|
|
§
|
297.
|
First used in the Faerie Queene
|
358
|
|
|
298–300.
|
Imitations and analogous forms
|
359
|
|
CHAPTER VIII
|
|
THE EPITHALAMIUM STANZA AND OTHER ODIC STANZAS
|
|
§
|
301.
|
The Epithalamium stanza
|
363
|
|
|
302.
|
Imitations of the Epithalamium stanza
|
365
|
|
|
303–5.
|
Pindaric Odes, regular and irregular
|
366
|
|
CHAPTER IX
|
|
THE SONNET
|
|
§
|
306.
|
Origin of the English sonnet
|
371
|
|
|
307.
|
The Italian sonnet
|
371
|
|
|
308.
|
Structure of the Italian form illustrated by Watts-Dunton
|
373
|
|
|
309.
|
The first English sonnet-writers, Surrey and Wyatt
|
373
|
|
|
310.
|
Surrey’s transformation of the Italian sonnet, and the form adopted by Shakespeare
|
374
|
|
|
311.
|
Another form used by Spenser in Amoretti
|
375
|
|
|
312.
|
The form adopted by Milton
|
375
|
|
|
313.
|
Revival of sonnet writing in the latter half of the eighteenth century
|
376
|
|
|
314.
|
The sonnets of Wordsworth
|
377
|
|
|
315.
|
The sonnet in the nineteenth century
|
379
|
|
CHAPTER X
|
|
OTHER ITALIAN AND FRENCH POETICAL FORMS OF A FIXED CHARACTER
|
|
|
316–7.
|
The madrigal
|
380
|
|
|
318–9.
|
The terza-rima
|
381
|
|
|
320–1.
|
The sextain
|
383
|
|
|
322.
|
The virelay
|
385
|
|
|
323.
|
The roundel
|
385
|
|
|
324.
|
The rondeau
|
387
|
|
|
325.
|
The triolet
|
388
|
|
|
326.
|
The villanelle
|
388
|
|
