A History of English Versification. J. Schipper

A History of English Versification - J. Schipper


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211. Elegiac verse; the minor Asclepiad; the six-foot iambic line; Phaleuciac verse; Hendecasyllabics; rhymed Choriambics 264 212. Classical stanzas:—the Sapphic metre; the Alcaic metre; Anacreontic stanzas 266 213. Other imitations of classical verses and stanzas without rhyme 267 BOOK II THE STRUCTURE OF STANZAS PART I CHAPTER I. DEFINITIONS STANZA, RHYME, VARIETIES OF RHYME § 214. Structure of the stanza 270 215. Influence of lyrical forms of Provence and of Northern France on Middle English poetry 271 216. Classification of rhyme according to the number of the rhyming syllables: (1) the monosyllabic or masculine rhyme; (2) the disyllabic or feminine rhyme; (3) the trisyllabic, triple, or tumbling rhyme 272 217. Classification according to the quality of the rhyming syllables: (1) the rich rhyme; (2) the identical rhyme; (3) the broken rhyme; (4) the double rhyme; (5) the extended rhyme; (6) the unaccented rhyme 273 218. Classification according to the position of the rhyming syllables: (1) the sectional rhyme; (2) the inverse rhyme; (3) the Leonine rhyme or middle rhyme; (4) the interlaced rhyme; (5) the intermittent rhyme; (6) the enclosing rhyme; (7) the tail-rhyme 276 219. Imperfect or ‘eye-rhymes’ 278 CHAPTER II THE RHYME AS A STRUCTURAL ELEMENT OF THE STANZA § 220. Formation of the stanza in Middle English and Romanic poetry 279 221. Rhyme-linking or ‘concatenation’ in Middle English 280 222. The refrain or burthen; the wheel and the bob-wheel 280 223. Divisible and indivisible stanzas 281 224. Bipartite equal-membered stanzas 282 225. Bipartite unequal-membered stanzas 282 226. Tripartite stanzas 283 227. Specimens illustrating tripartition 284 228. The envoi 286 229. Real envois and concluding stanzas 286 PART II. STANZAS COMMON TO MIDDLE AND MODERN ENGLISH, AND OTHERS FORMED ON THE ANALOGY OF THESE CHAPTER III BIPARTITE EQUAL-MEMBERED STANZAS I. Isometrical Stanzas. § 230. Two-line stanzas 288 231. Four-line stanzas, consisting of couplets 288 232. The double stanza (eight lines of the same structure) 289 233. Stanzas of four isometrical lines with intermittent rhyme 290 234. Stanzas of eight lines resulting from this stanza by doubling 290 235. Stanzas developed from long-lined couplets by inserted rhyme 291 236. Stanzas of eight lines resulting from the four-lined, cross-rhyming stanza and by other modes of doubling 292 237. Other examples of doubling four-lined stanzas 293 238. Six-lined isometrical stanzas 294 239. Modifications of the six-lined stanza; twelve-lined and sixteen-lined stanzas 295 II. Anisometrical Stanzas. 240. Chief species of the tail-rhyme stanza 296 241. Enlargement of this stanza to twelve lines 297
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